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PHOTOGRAPHY SURVEYS | COLLECTIONS | MOVEMENTS | EXHIBITIONS

PUBLISHER
Aperture

BOOK FORMAT
Hardcover, 8 x 10 in. / 256 pgs / 180 color.

PUBLISHING STATUS
Pub Date
No longer our product

DISTRIBUTION
Contact Publisher
Catalog:

PRODUCT DETAILS
ISBN 9781597111003 TRADE
List Price: $49.95 CAD $60.00

AVAILABILITY
Not Available

EXHIBITION SCHEDULE

New York
Aperture Gallery, 05/14/09-07/09/09

THE FALL 2025 ARTBOOK | D.A.P. CATALOG

Artbook | D.A.P. Catalog Cover Link
Preview our FALL 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
  

APERTURE

The Edge of Vision: The Rise of Abstraction in Photography

Text by Lyle Rexer.

From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. The Edge of Vision: The Rise of Abstraction in Photography is the first book in English to document this phenomenon and to put it into historical context, while also examining the diverse approaches thriving within contemporary photography. Author Lyle Rexer examines abstraction at pivotal moments, starting with the inception of photography, when many of the pioneers believed the camera might reveal other aspects of reality. The Edge of Vision traces subsequent explorations--from the Photo Secessionists, who emphasized process and emotional expression over observed reality, to Modernist and Surrealist experiments. In the decades to follow, in particular from the 1940s through the 1980s, a multitude of photographers--Edward Weston, Aaron Siskind and Barbara Kasten among them--took up abstraction from a variety of positions. Finally, Rexer explores the influence the history of abstraction exerts on contemporary thinking about the medium. Many contemporary artists--most prominently Ilan Wolff, Marco Breuer and Ellen Carey--reject photography's documentary dimension in favor of other possibilities, somewhere between painting and sculpture, that include the manipulation of process and printing. In addition to Rexer's engagingly written and richly illustrated history, this volume includes a selection of primary texts from and interviews with key practitioners and critics such as Edward Steichen, László Moholy-Nagy and James Welling.
The Edge of Vision: The Rise of Abstraction in Photography

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