Edited by Public Fiction, David Wilson. Foreword by Lawrence Rinder. Text by Luke Fischbeck, Lauren Mackler, Lawrence Rinder, David Wilson.
Combining studio, classroom, library, gallery and stage, The Possible offered a new model of museum exhibition. Rather than presenting existing artworks, artist/curator David Wilson hosted over 100 artists and collectives--with “artist” understood in the broadest sense. The BAM/PFA galleries were transformed into studios that were used by both guest artists and museum visitors. The exhibition made itself during its four-month run, as works created in the studios were exhibited in an adjacent gallery. The catalogue is conceived in a similar vein, as one of the experiments of The Possible created by guest artists Luke Fischbeck and Lauren Mackler of Public Fiction, a Los Angeles–based project space and journal. Created partially onsite, it is inspired by the exhibition’s spirit of improvisation and collaboration. It gathers essays, photographic documentation and printed artifacts generated in the exhibition itself.
FORMAT: Pbk, 7 x 9.25 in. / 180 pgs / 25 color. LIST PRICE: U.S. $30.00 LIST PRICE: CANADA $42 GBP £27.00 ISBN: 9780983881308 PUBLISHER: University of California, Berkeley Art Museum and Pacific Film Archive AVAILABLE: 11/30/2014 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Published by University of California, Berkeley Art Museum and Pacific Film Archive. Edited by Public Fiction, David Wilson. Foreword by Lawrence Rinder. Text by Luke Fischbeck, Lauren Mackler, Lawrence Rinder, David Wilson.
Combining studio, classroom, library, gallery and stage, The Possible offered a new model of museum exhibition. Rather than presenting existing artworks, artist/curator David Wilson hosted over 100 artists and collectives--with “artist” understood in the broadest sense. The BAM/PFA galleries were transformed into studios that were used by both guest artists and museum visitors. The exhibition made itself during its four-month run, as works created in the studios were exhibited in an adjacent gallery. The catalogue is conceived in a similar vein, as one of the experiments of The Possible created by guest artists Luke Fischbeck and Lauren Mackler of Public Fiction, a Los Angeles–based project space and journal. Created partially onsite, it is inspired by the exhibition’s spirit of improvisation and collaboration. It gathers essays, photographic documentation and printed artifacts generated in the exhibition itself.
