Craft, Science and Counterculture in Modern California
Edited by Robert J. Kett, Anna Kryczka.
Beginning in 1968, the University of California, Irvine, was host to an experiment in intercultural exchange and artistic and social scientific learning through practice. Located on the edges of William Pereira's California Brutalist campus, the Farm was a space for craftspeople from Guatemala, Mexico, and Samoa to demonstrate their skills; a laboratory for new methods in education and research; and an unexpected countercultural gathering site. Learning by Doing at the Farm reflects upon this unusual experiment, which brought together Cold War politics, modern development, and indigenous peoples drawn into the strange intellectual and cultural circumstances of 1960s California. Through a critical introduction and previously unpublished archival documentation, this book offers a glimpse of various actors' dreams of what the Farm could become and the collaborations that actually unfolded there.
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FORMAT: Pbk, 6.5 x 8.5 in. / 124 pgs / 35 color / 54 b&w. LIST PRICE: U.S. $20.00 LIST PRICE: CANADA $27.95 GBP £17.50 ISBN: 9780982409077 PUBLISHER: Soberscove Press AVAILABLE: 3/1/2014 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Learning by Doing at the Farm Craft, Science and Counterculture in Modern California
Published by Soberscove Press. Edited by Robert J. Kett, Anna Kryczka.
Beginning in 1968, the University of California, Irvine, was host to an experiment in intercultural exchange and artistic and social scientific learning through practice. Located on the edges of William Pereira's California Brutalist campus, the Farm was a space for craftspeople from Guatemala, Mexico, and Samoa to demonstrate their skills; a laboratory for new methods in education and research; and an unexpected countercultural gathering site. Learning by Doing at the Farm reflects upon this unusual experiment, which brought together Cold War politics, modern development, and indigenous peoples drawn into the strange intellectual and cultural circumstances of 1960s California. Through a critical introduction and previously unpublished archival documentation, this book offers a glimpse of various actors' dreams of what the Farm could become and the collaborations that actually unfolded there.
