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| | | | CCA WATTIS INSTITUTE FOR CONTEMPORARY ARTSTim Lee: Capp Street ProjectSteve Martin Let's Get Small 1977- Neil Young Rust Never Sleeps 1979Text by Claire Fitzsimmons, Jens Hoffmann.
San Francisco's Capp Street Project was founded in 1983 as the first visual arts residency in the United States dedicated to the creation and presentation of new art installations. For his 2007 residency, Vancouver-based artist Tim Lee created an exhibition influenced by Steve Martin's first comedy album, Let's Get Small (1977), and Neil Young's seminal electric/acoustic album, Rust Never Sleeps (1979). Answering Martin's now-famous quip from that album, "You just can't play a depressing song on the banjo," Lee mastered Neil Young's maudlin "My My, Hey Hey" on banjo and then installed a recording of it in the Wattis Institute elevator. This engaging publication includes texts by Wattis Institute Director Jens Hoffmann and Deputy Director Claire Fitzsimmons
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|  | CCA WATTIS INSTITUTE FOR CONTEMPORARY ARTSISBN: 9780980205503
USD $15.99 | CAN $22.5 UK £ 13.99Pub Date: 6/1/2008
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FORMAT: Paperback, 5.5 x 7.5 in. / 88 pgs / 15 b&w.
LIST PRICE: U.S. $15.99
LIST PRICE: CANADA $22.5
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ISBN: 9780980205503
PUBLISHER: CCA Wattis Institute for Contemporary Arts
AVAILABLE: 6/1/2008
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| Tim Lee: Capp Street Project
Steve Martin Let's Get Small 1977- Neil Young Rust Never Sleeps 1979 Published by CCA Wattis Institute for Contemporary Arts.
Text by Claire Fitzsimmons, Jens Hoffmann. San Francisco's Capp Street Project was founded in 1983 as the first visual arts residency in the United States dedicated to the creation and presentation of new art installations. For his 2007 residency, Vancouver-based artist Tim Lee created an exhibition influenced by Steve Martin's first comedy album, Let's Get Small (1977), and Neil Young's seminal electric/acoustic album, Rust Never Sleeps (1979). Answering Martin's now-famous quip from that album, "You just can't play a depressing song on the banjo," Lee mastered Neil Young's maudlin "My My, Hey Hey" on banjo and then installed a recording of it in the Wattis Institute elevator. This engaging publication includes texts by Wattis Institute Director Jens Hoffmann and Deputy Director Claire Fitzsimmons
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