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| |   |   | EIGHT BOOKSMute MagazineGraphic DesignIntroduction by Adrian Shaughnessy. Text by Simon Worthington, Damian Jaques, Pauline van Mourik Broekman.
In the early 1990s, long before the Internet became an integral part of life, a handful of pioneering magazines took it upon themselves to imagine it into existence. Using fiction, interviews, speculative theory and experimental graphic design, these periodicals helped create a lexicon and iconography every bit as powerful as the architecture of the World Wide Web. London-based Mute occupied a central position among these pioneering publications, offering a platform to authors and artists ranging from Bruce Sterling to Geert Lovink, Keith Tyson and VNS Matrix. As new technologies forced a collapse of disciplinary boundaries and the intermingling of communities, Mute featured many of the artists, writers and photographers that came to epitomize London's status as a creative capital in the 1990s. This book presents a full overview of the magazine over that decade, showing its entire output from logos to covers to spreads.
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FORMAT: Paperback, 8.75 x 8.75 in. / 144 pgs / 250 color. LIST PRICE: U.S. $35.00 LIST PRICE: CANADA $40 ISBN: 9780955432224 PUBLISHER: Eight Books AVAILABLE: 8/1/2008 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available
| D.A.P. CATALOG: FALL 2008 Page 104 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Mute Magazine Graphic Design Published by Eight Books. Introduction by Adrian Shaughnessy. Text by Simon Worthington, Damian Jaques, Pauline van Mourik Broekman. In the early 1990s, long before the Internet became an integral part of life, a handful of pioneering magazines took it upon themselves to imagine it into existence. Using fiction, interviews, speculative theory and experimental graphic design, these periodicals helped create a lexicon and iconography every bit as powerful as the architecture of the World Wide Web. London-based Mute occupied a central position among these pioneering publications, offering a platform to authors and artists ranging from Bruce Sterling to Geert Lovink, Keith Tyson and VNS Matrix. As new technologies forced a collapse of disciplinary boundaries and the intermingling of communities, Mute featured many of the artists, writers and photographers that came to epitomize London's status as a creative capital in the 1990s. This book presents a full overview of the magazine over that decade, showing its entire output from logos to covers to spreads.
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