Presumed Innocence
Photographic Perspectives of Children Published by DeCordova Museum and Sculpture Park.
Edited by Kate Dempsey. Text by Rachel Rosenfield Lafo, Anne Higonnet. From Ansel Adams' harrowing 1940s documentary photographs of transient migrant workers' children to Sally Mann's simultaneously erotic and innocent portraits of her adolescent children and other pre- and postpubescent girls, images of children have fascinated and frustrated viewers since the inception of the medium. This excellent collection of vintage and contemporary photographs, spanning from the early twentieth century until now, covers all of the relevant genres, from documentary reportage to digitally manipulated constructions. It includes well-known black-and-white images by renowned masters, as well as very recent color work by American and European photographers alike. Among the 85 photographers included are Ansel Adams, Diane Arbus, Julie Blackmon, Manual Álvarez Bravo, Henri Cartier-Bresson, Bruce Davidson, Rineke Dijkstra, Elliot Erwitt, Lalla Essaydi, Larry Fink, Robert Frank, Emmet Gowin, Pieter Hugo, Dorothea Lange, Gillian Laub, Helen Levitt, Sally Mann, Mary Ellen Mark, Tina Modotti, Abelardo Morell, Martin Parr and Doris Ulmann. Scholarly essays by Rachel Rosenfield Lafo of the DeCordova Museum and Sculpture Park and Barnard College's Anne Higonnet discuss the history of photography and changing concepts of childhood in visual imagery, respectively.
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