Edited by Katherine Atkins, Kelly Kivland. Text by Alejandro Cesarco, Nancy Davenport, Renée Green, Annette Lawrence, Scott Lyall, Dave McKenzie, Bettina Pousttchi, Haim Steinbach.
Artists from Renée Green to Haim Steinbach explore themes of temporality and absurdity in the work of On Kawara
This is the sixth volume in a series that builds upon Dia Art Foundation’s Artists on Artists lectures. The contributors to this book explore the practice of On Kawara (1932–2014) from various points of entry: Alejandro Cesarco uses a self-reflexive approach to the ideas of artistic legacy, influence and work; Nancy Davenport contends with innocence and trauma in two of Kawara’s most influential series; Renée Green weaves a poetic relationship between the work of Chantal Akerman and Kawara; Annette Lawrence provides a close reading of the Today series and her own journals, grappling with what it means to keep time; Scott Lyall considers the experience and contingency of time, differentiating between thinking with and speaking about a work of art; Dave McKenzie stages a diaristic correspondence with Kawara; Bettina Pousttchi reflects on duration in art and the history of time keeping; and Haim Steinbach plays with Beckettian abstraction, absurdity and repetition.
Featured image is reproduced from 'Artists on On Kawara'.
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FORMAT: Pbk, 5.25 x 7 in. / 248 pgs / 250 color. LIST PRICE: U.S. $15.95 LIST PRICE: CANADA $22 GBP £13.99 ISBN: 9780944521939 PUBLISHER: Dia Art Foundation AVAILABLE: 11/16/2021 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Published by Dia Art Foundation. Edited by Katherine Atkins, Kelly Kivland. Text by Alejandro Cesarco, Nancy Davenport, Renée Green, Annette Lawrence, Scott Lyall, Dave McKenzie, Bettina Pousttchi, Haim Steinbach.
Artists from Renée Green to Haim Steinbach explore themes of temporality and absurdity in the work of On Kawara
This is the sixth volume in a series that builds upon Dia Art Foundation’s Artists on Artists lectures. The contributors to this book explore the practice of On Kawara (1932–2014) from various points of entry: Alejandro Cesarco uses a self-reflexive approach to the ideas of artistic legacy, influence and work; Nancy Davenport contends with innocence and trauma in two of Kawara’s most influential series; Renée Green weaves a poetic relationship between the work of Chantal Akerman and Kawara; Annette Lawrence provides a close reading of the Today series and her own journals, grappling with what it means to keep time; Scott Lyall considers the experience and contingency of time, differentiating between thinking with and speaking about a work of art; Dave McKenzie stages a diaristic correspondence with Kawara; Bettina Pousttchi reflects on duration in art and the history of time keeping; and Haim Steinbach plays with Beckettian abstraction, absurdity and repetition.
