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Clth, 9.5 x 10.5 in. / 208 pgs / 10 color / 100 duotone. PUBLISHING STATUS
Pub Date 8/31/2011
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In stock | | BROWSE THE 2022 SPRING CATALOG  | Preview our SPRING 2022 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | An Enduring VisionPhotographs from the Lane CollectionText by Lyle Rexer, Karen Haas.
Among private collections of fine photography, the Lane Collection stands out as one of the most remarkable. Begun in the 1960s and still ongoing, the collection shines not only for its wealth of top-quality prints by the great modernist triumvirate of Ansel Adams, Charles Sheeler and Edward Weston (including the most important single holding of Adams' work), but also for its breadth. This volume presents 120 photographic masterpieces from the Lane Collection, ranging from William Henry Fox Talbot to the Starn twins, and including along the way work by Arbus, Brancusi, Bravo, Cunningham, Frank, Fuss, Goldin, Kertesz, Lange, Michals, Modotti, Morell, Penn, Steichen, Strand, Sudek and nearly 50 others. The keynote essay by Lyle Rexer trains an acute eye on images from the collection, defining the vision behind this magnificent grouping. But it is the images themselves that place this among the most significant photography books of the year.
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FORMAT: Clth, 9.5 x 10.5 in. / 208 pgs / 10 color / 100 duotone.
LIST PRICE: U.S. $65.00
LIST PRICE: CANADA $87
GBP £57.00
ISBN: 9780878467624
PUBLISHER: MFA Publications, Museum of Fine Arts, Boston
AVAILABLE: 8/31/2011
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
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| An Enduring Vision
Photographs from the Lane Collection Published by MFA Publications, Museum of Fine Arts, Boston.
Text by Lyle Rexer, Karen Haas. | Among private collections of fine photography, the Lane Collection stands out as one of the most remarkable. Begun in the 1960s and still ongoing, the collection shines not only for its wealth of top-quality prints by the great modernist triumvirate of Ansel Adams, Charles Sheeler and Edward Weston (including the most important single holding of Adams' work), but also for its breadth. This volume presents 120 photographic masterpieces from the Lane Collection, ranging from William Henry Fox Talbot to the Starn twins, and including along the way work by Arbus, Brancusi, Bravo, Cunningham, Frank, Fuss, Goldin, Kertesz, Lange, Michals, Modotti, Morell, Penn, Steichen, Strand, Sudek and nearly 50 others. The keynote essay by Lyle Rexer trains an acute eye on images from the collection, defining the vision behind this magnificent grouping. But it is the images themselves that place this among the most significant photography books of the year.
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