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Paperback, 9.5 x 8.25 in. / 184 pgs / 108 color / 40 bw. PUBLISHING STATUS
Pub Date 8/2/2004
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| | | Antoni MuntadasEssays by Magalie Arriola, Nestor Garcìa Canclini and Francisco Reyes Palma.
Spanish vanguard artist Antoni Muntadas has long considered the process of language and translation as his base materials. In a 1995 manifesto, the artist proclaimed his concern with the way in which the transmission of information through different systems and its subsequent translation can transform, fragment, deform and even obscure or censor any original meaning. Since then, Muntadas' work has continuously been fed by such concerns. This current catalogue is no exception. An extension of Muntadas' recent solo show at the Laboratorio de Arte Alameda in Mexico City, this publication offers a critical view of what the artist proposes in his deconstruction of language.
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| | | |  | Edited with text by Niels Van Tomme. Text by Olivia Munoz Rojas, Daniel Oliver Tucker.CENTER FOR ART, DESIGN AND VISUAL CULTURE, UMBCISBN: 9781890761226
USD $24.95 | CAN $33.95 UK £ 22Pub Date: 9/26/2017
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|  | Essays by Magalie Arriola, Nestor Garcìa Canclini and Francisco Reyes Palma.TURNER/LABORATORIO DE ARTE ALAMEDAISBN: 9788475066486
USD $29.00 | CAN $39.5Pub Date: 8/2/2004
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FORMAT: Paperback, 9.5 x 8.25 in. / 184 pgs / 108 color / 40 b&w.
LIST PRICE: U.S. $29.00
LIST PRICE: CANADA $39.5
ISBN: 9788475066486
PUBLISHER: Turner/Laboratorio de Arte Alameda
AVAILABLE: 8/2/2004
DISTRIBUTION: D.A.P.
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PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Antoni Muntadas Published by Turner/Laboratorio de Arte Alameda.
Essays by Magalie Arriola, Nestor Garcìa Canclini and Francisco Reyes Palma. | Spanish vanguard artist Antoni Muntadas has long considered the process of language and translation as his base materials. In a 1995 manifesto, the artist proclaimed his concern with the way in which the transmission of information through different systems and its subsequent translation can transform, fragment, deform and even obscure or censor any original meaning. Since then, Muntadas' work has continuously been fed by such concerns. This current catalogue is no exception. An extension of Muntadas' recent solo show at the Laboratorio de Arte Alameda in Mexico City, this publication offers a critical view of what the artist proposes in his deconstruction of language.
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