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Hardcover, 8 x 10 in. / 80 pgs / 70 color. PUBLISHING STATUS
Pub Date 10/15/2006
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ISBN 9783938821497 TRADE
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Not available | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Lee Lozano: Seek The Extremes!Essays by Hans-Jrgen Hafner and Sabine Folie.
Lee Lozano (1930-1999) was an advocate of radical art, perhaps best known for her "boycott" of women: After the early 1970s she claimed she never spoke to a woman again. Near the same time, Lozano declared her retirement from the art world. Her drawings and paintings are overwhelming, urgent and transgressive, and later they became monochromatic. Her acidic raptures were far ahead of their time, but have come to prominence since: In 2004 P.S.1 hosted an important and widely reviewed posthumous exhibition. In this monograph, Kunsthalle Wien contrasts Lozano's work with that of Dorothy Iannone. While Iannone and Lozano are markedly different, Lozano's more hard-charging work shares with Iannone's an uncompromising attitude and determined political engagement, along with many visual characteristics. Their radicalism, humor and sometimes bitchy attitudes complement one another revealingly.
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FORMAT: Hardcover, 8 x 10 in. / 80 pgs / 70 color.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $40
ISBN: 9783938821497
PUBLISHER: Verlag für moderne Kunst
AVAILABLE: 10/15/2006
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RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
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| Lee Lozano: Seek The Extremes! Published by Verlag für moderne Kunst.
Essays by Hans-Jrgen Hafner and Sabine Folie. | Lee Lozano (1930-1999) was an advocate of radical art, perhaps best known for her "boycott" of women: After the early 1970s she claimed she never spoke to a woman again. Near the same time, Lozano declared her retirement from the art world. Her drawings and paintings are overwhelming, urgent and transgressive, and later they became monochromatic. Her acidic raptures were far ahead of their time, but have come to prominence since: In 2004 P.S.1 hosted an important and widely reviewed posthumous exhibition. In this monograph, Kunsthalle Wien contrasts Lozano's work with that of Dorothy Iannone. While Iannone and Lozano are markedly different, Lozano's more hard-charging work shares with Iannone's an uncompromising attitude and determined political engagement, along with many visual characteristics. Their radicalism, humor and sometimes bitchy attitudes complement one another revealingly.
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