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| | BOOK FORMAT
Paperback, 8.5 x 11 in. / 320 pgs / 160 duotone reproductions. PUBLISHING STATUS
Pub Date 2/2/2004
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2003 PRODUCT DETAILS
ISBN 9783935567114 TRADE
List Price: $50.00 CDN $60.00 AVAILABILITY
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| | | Christopher Wool: East Broadway BreakdownPhotographs by Christopher Wool.
Between 1994 and 1995, Christopher Wool shot a series of photographs in downtown New York City that he calls East Broadway Breakdown, after a street on the Lower East Side, the neighborhood where he lives and works. Taken at night using a 35 mm camera, the pictures feature the city's signature streets with their dilapidated storefronts and ramshackle staircases leading up to anonymous spaces. The high contrast images are often hard to read, producing, rather than coherent images, seemingly random forms that emerge from skewed camera angles. Like his paintings, Wool's photographs hover between abstraction and representation, forcing viewers to confront their desire for visual coherence while offering an alternative construct for picture-making today.
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USD $120.00 | CAN $168Pub Date: 9/20/2022
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USD $120.00 | CAN $170Pub Date: 10/22/2019
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USD $120.00 | CAN $160Pub Date: 8/28/2018
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|  | HOLZWARTH PUBLICATIONSISBN: 9783935567954
USD $120.00 | CAN $160Pub Date: 8/22/2017
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|  | HOLZWARTH PUBLICATIONSISBN: 9783935567961
USD $120.00 | CAN $160Pub Date: 8/22/2017
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FORMAT: Paperback, 8.5 x 11 in. / 320 pgs / 160 duotone reproductions.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $60
ISBN: 9783935567114
PUBLISHER: Holzwarth Publications
AVAILABLE: 2/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ ME | D.A.P. CATALOG: FALL 2003 | PRESS INQUIRIES
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| Christopher Wool: East Broadway Breakdown Published by Holzwarth Publications.
Photographs by Christopher Wool. Between 1994 and 1995, Christopher Wool shot a series of photographs in downtown New York City that he calls East Broadway Breakdown, after a street on the Lower East Side, the neighborhood where he lives and works. Taken at night using a 35 mm camera, the pictures feature the city's signature streets with their dilapidated storefronts and ramshackle staircases leading up to anonymous spaces. The high contrast images are often hard to read, producing, rather than coherent images, seemingly random forms that emerge from skewed camera angles. Like his paintings, Wool's photographs hover between abstraction and representation, forcing viewers to confront their desire for visual coherence while offering an alternative construct for picture-making today.
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