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Hardcover, 6.75 x 9.5 in. / 288 pgs / 408 color. PUBLISHING STATUS
Pub Date 3/1/2007
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Catalog: SPRING 2007 p. 70 PRODUCT DETAILS
ISBN 9783865601308 TRADE
List Price: $54.00 CDN $65.00 AVAILABILITY
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| | | Tony Cragg: In and Out of MaterialInterview by John Wood. Text by Tony Cragg, Christoph Brockhaus, Robert Kudielka, Christian Schneegass.
The future of sculpture has only just begun. Its potential is greater now than ever before, and its possibilities are just starting. Its language and its forms are just beginning to evolve. So says Tony Cragg, a believer not just in sculpture, but in freestanding, made-from-scratch abstraction. Cragg refuses to accept the domination of installation and the ready-made. His dedication to the form as he works in it--to its complexities, to its ability to interrogate the world and heighten our sensitivity--and his consistent espousal of that dedication, have given him an intriguing and unusual role in contemporary art. Cragg is a promoter of his medium in an age of anxiety about medium-based definitions, an age of crossover. There are plenty of words here, in an interview and three essays, but it's the sketches, watercolors, installation views, studio photographs and the sculptures themselves that make up the bulk of this new volume.
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| | | | OF RELATED INTEREST |  Artwork by Tony Cragg. Contributions by Armin Wildermuth.CANTZISBN: 9783893226085
USD $40.00 | CAN $50Pub Date: 12/2/1993
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| |  | Text by Jon Wood.LISSON GALLERYISBN: 9780947830762
USD $36.00 | CAN $50.4Pub Date: 10/6/2020
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|  | Text by Tony Cragg, Frank Tschentscher, Jon Wood.WALTHER KöNIG, KöLNISBN: 9783960985815
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|  | Text by Lewis Biggs, Germano Celant, Lynne Cooke, Demosthenes Dawetas, Catherine Grenier, Thomas Mc Evilley, Peter Schjeldahl, Jon Wood.WALTHER KöNIG, KöLNISBN: 9783960981497
USD $69.95 | CAN $92.5Pub Date: 11/20/2018
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|  | Text by Germano Celant, Demosthenes Davvetas, Mark Francis, Michael Newman, Jon Wood.WALTHER KöNIG, KöLNISBN: 9783960981480
USD $69.95 | CAN $92.5Pub Date: 6/19/2018
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|  | Text by Jorge Antonio Fernanadez Torres, Beate Reifenscheid.SILVANA EDITORIALEISBN: 9788836637997
USD $35.00 | CAN $47.5Pub Date: 2/27/2018
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|  | Introduction by André Buchmann.WALTHER KöNIG, KöLNISBN: 9783960981169
USD $59.95 | CAN $79Pub Date: 9/26/2017
Active | In stock
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|  | WALTHER KöNIG, KöLNISBN: 9783863359157
USD $29.95 | CAN $39.95Pub Date: 9/27/2016
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|  | Edited by Gerhard Finckh. Text by Germano Celant, Lynn Cooke, Peter Schjeldahl, Jon Wood, Thomas McEvilley.WALTHER KöNIG, KöLNISBN: 9783863359218
USD $65.00 | CAN $87Pub Date: 6/14/2016
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|  | Preface by Veit Görner. Text by Tony Cragg.MODERNE KUNST NüRNBERGISBN: 9783869843780
USD $50.00 | CAN $67.5Pub Date: 4/30/2013
Active | In stock
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|  | Foreword by Henri Loyrette. Text by Tony Cragg, Catherine Grenier, Marie-Laure Bernadac. Interview by Marie-Laure Bernadac.WALTHER KöNIG, KöLNISBN: 9782916275871
USD $39.95 | CAN $53.95Pub Date: 9/30/2011
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|  | Text by Mina Loy, Jon Wood. Poems by Wallace Stevens, Robert Frost, Walt Whitman, Conrad Aiken, Howard Nemerov, W.H. Auden, Billy Collins.WALTHER KöNIG, KöLNISBN: 9783863350437
USD $49.95 | CAN $67.5Pub Date: 2/29/2012
Active | In stock
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FORMAT: Hardcover, 6.75 x 9.5 in. / 288 pgs / 408 color.
LIST PRICE: U.S. $54.00
LIST PRICE: CANADA $65
ISBN: 9783865601308
PUBLISHER: Walther König, Köln
AVAILABLE: 3/1/2007
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| Tony Cragg: In and Out of Material Published by Walther König, Köln.
Interview by John Wood. Text by Tony Cragg, Christoph Brockhaus, Robert Kudielka, Christian Schneegass. | The future of sculpture has only just begun. Its potential is greater now than ever before, and its possibilities are just starting. Its language and its forms are just beginning to evolve. So says Tony Cragg, a believer not just in sculpture, but in freestanding, made-from-scratch abstraction. Cragg refuses to accept the domination of installation and the ready-made. His dedication to the form as he works in it--to its complexities, to its ability to interrogate the world and heighten our sensitivity--and his consistent espousal of that dedication, have given him an intriguing and unusual role in contemporary art. Cragg is a promoter of his medium in an age of anxiety about medium-based definitions, an age of crossover. There are plenty of words here, in an interview and three essays, but it's the sketches, watercolors, installation views, studio photographs and the sculptures themselves that make up the bulk of this new volume.
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