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| | BOOK FORMAT
Clothbound, 7.5 x 8.75 in. / 108 pgs / 80 tritone. PUBLISHING STATUS
Pub Date 5/1/2008
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Catalog: FALL 2007 p. 63 PRODUCT DETAILS
ISBN 9783865215246 TRADE
List Price: $45.00 CDN $60.00 AVAILABILITY
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| | | Robert Frank: ParisEdited by Robert Frank, Ute Eskildsen.
A portrait of Paris during the early 1950sThe publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs reproduced here, which were selected by Frank and editor Ute Eskildsen, suggest that Frank's experience of the "new world" had sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur.
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FORMAT: Clothbound, 7.5 x 8.75 in. / 108 pgs / 80 tritone.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $60
ISBN: 9783865215246
PUBLISHER: Steidl
AVAILABLE: 5/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Robert Frank: Paris Published by Steidl.
Edited by Robert Frank, Ute Eskildsen. A portrait of Paris during the early 1950s The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs reproduced here, which were selected by Frank and editor Ute Eskildsen, suggest that Frank's experience of the "new world" had sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur.
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