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Hardcover, 15.25 x 11.75 in. / 336 pgs / 582 color. PUBLISHING STATUS
Pub Date 11/15/2006
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Catalog: FALL 2006 p. 26 PRODUCT DETAILS
ISBN 9783865212771 TRADE
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In stock | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Robert Polidori: After the FloodIntroduction by Jeff L. Rosenheim.
In late September 2005, Robert Polidori traveled to New Orleans to record the destruction caused by Hurricane Katrina and by the city's broken levees. He found the streets deserted, and, without electricity, eerily dark. The next day he began to photograph, house by house: "All the places I went in, the doors were just open. They had been opened by what I collectively call Îthe army,' of maybe 20 National Guards from New Hampshire, 15 policemen from Minneapolis, 20 firefighters from New York... On maybe half of them or a third of them that I went in, I think that the occupants had been there prior. And some of them did leave certain funeral-like mementos before they left. Maybe right after the waters receded they had the chance to just--to go back to their place and just see, and realize there's nothing worth saving." Amidst all this, Polidori has found something worth saving, has created mementos for those who could not return, documenting the paradoxically beautiful wreckage. In classical terms, he has found ruins. The abandoned houses he recorded were still waterlogged as he entered and as he learned (by trial and error, a process that including finding a dead body) the language of signs and codes in which rescue workers had spray-painted each house's siding. He sees the resulting photographs as the work of a psychological witness, mapping the lives of the absent and deceased through what remains of their belongings and their homes.
PRAISE AND REVIEWSBusiness Insider Sarah Jacobs Photographer Robert Polidori... immediately understood the impact the Category 3 storm had on the city he had once called home... While he didn't get to meet many of the home owners, he did gain an understanding of them through their belongings. |
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| | | |  | Text by Robert Polidori.STEIDLISBN: 9783958295490
USD $50.00 | CAN $69.95Pub Date: 6/18/2019
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|  | Text by David Dorenbaum, Amanda Maddox, Robert Polidori.STEIDLISBN: 9783958293830
USD $45.00 | CAN $60Pub Date: 2/27/2018
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|  | STEIDLISBN: 9783958291843
USD $55.00 | CAN $72.5Pub Date: 11/22/2016
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|  | Text by Robert Polidori.STEIDLISBN: 9783958291119
USD $125.00 | CAN $170Pub Date: 10/25/2016
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|  | Edited by Sergio Burgi, Mariana Newlands. Text by Shelley Rice, Angela Alonso, Ana Luiza Nobre, Robert Polidori, Sergio Burgi.STEIDLISBN: 9783869309101
USD $100.00 | CAN $132.5Pub Date: 7/28/2015
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|  | Text by David Dorenbaum, Robert Polidori.STEIDLISBN: 9783869306988
USD $50.00 | CAN $67.5Pub Date: 11/30/2014
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|  | STEIDLISBN: 9783869305929
USD $65.00 | CAN $87Pub Date: 10/31/2014
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|  | STEIDL PHOTOGRAPHY INTERNATIONALISBN: 9783865217028
USD $150.00 | CAN $200Pub Date: 10/31/2009
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|  | Introduction by Jeff L. Rosenheim.STEIDLISBN: 9783865212771
USD $125.00 | CAN $170Pub Date: 11/15/2006
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FORMAT: Hardcover, 15.25 x 11.75 in. / 336 pgs / 582 color.
LIST PRICE: U.S. $125.00
LIST PRICE: CANADA $170
ISBN: 9783865212771
PUBLISHER: Steidl
AVAILABLE: 11/15/2006
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| Robert Polidori: After the Flood Published by Steidl.
Introduction by Jeff L. Rosenheim. | In late September 2005, Robert Polidori traveled to New Orleans to record the destruction caused by Hurricane Katrina and by the city's broken levees. He found the streets deserted, and, without electricity, eerily dark. The next day he began to photograph, house by house: "All the places I went in, the doors were just open. They had been opened by what I collectively call Îthe army,' of maybe 20 National Guards from New Hampshire, 15 policemen from Minneapolis, 20 firefighters from New York... On maybe half of them or a third of them that I went in, I think that the occupants had been there prior. And some of them did leave certain funeral-like mementos before they left. Maybe right after the waters receded they had the chance to just--to go back to their place and just see, and realize there's nothing worth saving." Amidst all this, Polidori has found something worth saving, has created mementos for those who could not return, documenting the paradoxically beautiful wreckage. In classical terms, he has found ruins. The abandoned houses he recorded were still waterlogged as he entered and as he learned (by trial and error, a process that including finding a dead body) the language of signs and codes in which rescue workers had spray-painted each house's siding. He sees the resulting photographs as the work of a psychological witness, mapping the lives of the absent and deceased through what remains of their belongings and their homes.
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