| | BOOK FORMAT
Hardcover, 6.75 x 9.5 in. / 224 pgs / 135 color. PUBLISHING STATUS
Pub Date 3/1/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2007 p. 48 PRODUCT DETAILS
ISBN 9783775718967 TRADE
List Price: $50.00 CAD $60.00 AVAILABILITY
Not available | TERRITORY
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| | | Against KandinskyText by Margartia Tupitsyn.
Against Kandinsky examines the schism between Expressionism and Geometric Abstraction--the two canons which have competed for stylistic and theoretical supremacy in Modernist history. Within this historical context, Wassily Kandinsky occupies a unique position as both the originator of Expressionistic painting and a tireless defender of the intuitive mode of abstraction. Against Kandinsky consists of four sections, each presenting a case for a certain resistance against the styles and ideas that Kandinsky represented. It looks at the history of twentieth-century abstraction from a broadened perspective of cultural and social history that emphasizes the parallels between European and American art, with work by Carl Andre, Eric Bulatov, Willem de Kooning, Donald Judd, Sol LeWitt, Hannes Meyer, Lucia Moholy, Walter Peterhans, Liubov Popova, Aleksandr Rodchenko and Frank Stella.
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FORMAT: Hardcover, 6.75 x 9.5 in. / 224 pgs / 135 color.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $60
ISBN: 9783775718967
PUBLISHER: Hatje Cantz
AVAILABLE: 3/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2007 Page 48 | PRESS INQUIRIES
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| Against Kandinsky Published by Hatje Cantz.
Text by Margartia Tupitsyn. Against Kandinsky examines the schism between Expressionism and Geometric Abstraction--the two canons which have competed for stylistic and theoretical supremacy in Modernist history. Within this historical context, Wassily Kandinsky occupies a unique position as both the originator of Expressionistic painting and a tireless defender of the intuitive mode of abstraction. Against Kandinsky consists of four sections, each presenting a case for a certain resistance against the styles and ideas that Kandinsky represented. It looks at the history of twentieth-century abstraction from a broadened perspective of cultural and social history that emphasizes the parallels between European and American art, with work by Carl Andre, Eric Bulatov, Willem de Kooning, Donald Judd, Sol LeWitt, Hannes Meyer, Lucia Moholy, Walter Peterhans, Liubov Popova, Aleksandr Rodchenko and Frank Stella.
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