| | BOOK FORMAT Hardcover, 6.75 x 9.5 in. / 224 pgs / 135 color. PUBLISHING STATUS Pub Date 3/1/2007 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2007 p. 48 PRODUCT DETAILS ISBN 9783775718967 TRADE List Price: $50.00 CAD $60.00 AVAILABILITY Not available | TERRITORY NA LA | EXHIBITION SCHEDULEMünich Museum Villa Stuck, 11/23/06-2/18/07 | | THE FALL 2025 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Against KandinskyText by Margartia Tupitsyn.
Against Kandinsky examines the schism between Expressionism and Geometric Abstraction--the two canons which have competed for stylistic and theoretical supremacy in Modernist history. Within this historical context, Wassily Kandinsky occupies a unique position as both the originator of Expressionistic painting and a tireless defender of the intuitive mode of abstraction. Against Kandinsky consists of four sections, each presenting a case for a certain resistance against the styles and ideas that Kandinsky represented. It looks at the history of twentieth-century abstraction from a broadened perspective of cultural and social history that emphasizes the parallels between European and American art, with work by Carl Andre, Eric Bulatov, Willem de Kooning, Donald Judd, Sol LeWitt, Hannes Meyer, Lucia Moholy, Walter Peterhans, Liubov Popova, Aleksandr Rodchenko and Frank Stella.
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FORMAT: Hardcover, 6.75 x 9.5 in. / 224 pgs / 135 color. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $60 ISBN: 9783775718967 PUBLISHER: Hatje Cantz AVAILABLE: 3/1/2007 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2007 Page 48 | PRESS INQUIRIES
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| Against Kandinsky Published by Hatje Cantz. Text by Margartia Tupitsyn. Against Kandinsky examines the schism between Expressionism and Geometric Abstraction--the two canons which have competed for stylistic and theoretical supremacy in Modernist history. Within this historical context, Wassily Kandinsky occupies a unique position as both the originator of Expressionistic painting and a tireless defender of the intuitive mode of abstraction. Against Kandinsky consists of four sections, each presenting a case for a certain resistance against the styles and ideas that Kandinsky represented. It looks at the history of twentieth-century abstraction from a broadened perspective of cultural and social history that emphasizes the parallels between European and American art, with work by Carl Andre, Eric Bulatov, Willem de Kooning, Donald Judd, Sol LeWitt, Hannes Meyer, Lucia Moholy, Walter Peterhans, Liubov Popova, Aleksandr Rodchenko and Frank Stella.
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