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Hardcover, 9 x 7 in. / 128 pgs / 80 color. PUBLISHING STATUS
Pub Date 2/1/2006
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Catalog: SPRING 2006 p. 76 PRODUCT DETAILS
ISBN 9783775716659 TRADE
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| | | Traffic: Snapshots CollectionEdited by Christian Skrein. Essay by Bodo von Dewitz.
Christian Skrein, who has also been known to work as a photographer, is lately best known as the proprietor of Snapshots Archiv Skrein (S.A.S.), a collection of nearly one million snapshots and anonymous photographs of every kind from all over the globe--the world's largest such accumulation. Amateur candids, family portraits, straight-faced documentation, double exposures and other potentially beautiful glitches--Skrein seeks them all out with equal enthusiasm. For Traffic, one of the first in a series of thematic albums curated from this smorgasbord, Skrein has combed the contents of thousands of old photo albums and shoeboxes for the best pictures concerning travel and transportation, including discoveries from the early days of handheld cameras as well as more recent personal snapshots. Once again, as in the widely enjoyed Snapshot: The Eye of the Century, the most aesthetically notable and otherwise curious photographs from the SAS illuminate contemporary life and art in unexpected ways.
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FORMAT: Hardcover, 9 x 7 in. / 128 pgs / 80 color.
LIST PRICE: U.S. $24.95
LIST PRICE: CANADA $27.5
ISBN: 9783775716659
PUBLISHER: Hatje Cantz
AVAILABLE: 2/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
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TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2006 Page 76 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Traffic: Snapshots Collection Published by Hatje Cantz.
Edited by Christian Skrein. Essay by Bodo von Dewitz. | Christian Skrein, who has also been known to work as a photographer, is lately best known as the proprietor of Snapshots Archiv Skrein (S.A.S.), a collection of nearly one million snapshots and anonymous photographs of every kind from all over the globe--the world's largest such accumulation. Amateur candids, family portraits, straight-faced documentation, double exposures and other potentially beautiful glitches--Skrein seeks them all out with equal enthusiasm. For Traffic, one of the first in a series of thematic albums curated from this smorgasbord, Skrein has combed the contents of thousands of old photo albums and shoeboxes for the best pictures concerning travel and transportation, including discoveries from the early days of handheld cameras as well as more recent personal snapshots. Once again, as in the widely enjoyed Snapshot: The Eye of the Century, the most aesthetically notable and otherwise curious photographs from the SAS illuminate contemporary life and art in unexpected ways.
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