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| | | | Julian Schnabel: Paintings 1978-2003Essays by Robert Fleck, Max Hollein, Alison Gingeras and Ingrid Pfeiffer.
Observers of contemporary art associate the name Julian Schnabel with highly evocative, large-scale paintings. At the time of his early exhibitions in the U.S. and Europe in the 80s, the larger-than-life Schnabel was loudly hailed as a new milestone in the development of painting, the savior of an art form declared dead years before. Still painting some of the most massive canvases around, Schnabel is a virtually unrivalled master in the use of "bigness" and a broad range of materials. Fragmentation and overlapping play an important role in his art, in terms of both material and content. If his paintings don't exhibit a consistent style, why should they? Instead, they combine oil painting and collage techniques, classical pictorial elements inspired by historical art, Neo-Expressionist features, as well as figuration and abstraction, gesture and structure. This volume presents a broad selection of Schnabel's paintings in a survey of his diverse oeuvre, with emphasis placed on works from 1990 to the present.
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| | | | |  | HATJE CANTZISBN: 9783775740562
USD $14.95 | CAN $21Pub Date: 2/23/2016
Active | In stock
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|  | HATJE CANTZISBN: 9783775740555
USD $55.00 | CAN $72.5Pub Date: 2/23/2016
Active | In stock
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FORMAT: Hardcover, 10.25 x 11.5 in. / 176 pgs / 70 color / 30 b&w.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $65
ISBN: 9783775713863
PUBLISHER: Hatje Cantz
AVAILABLE: 4/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2004 | PRESS INQUIRIES
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| Julian Schnabel: Paintings 1978-2003 Published by Hatje Cantz.
Essays by Robert Fleck, Max Hollein, Alison Gingeras and Ingrid Pfeiffer. Observers of contemporary art associate the name Julian Schnabel with highly evocative, large-scale paintings. At the time of his early exhibitions in the U.S. and Europe in the 80s, the larger-than-life Schnabel was loudly hailed as a new milestone in the development of painting, the savior of an art form declared dead years before. Still painting some of the most massive canvases around, Schnabel is a virtually unrivalled master in the use of "bigness" and a broad range of materials. Fragmentation and overlapping play an important role in his art, in terms of both material and content. If his paintings don't exhibit a consistent style, why should they? Instead, they combine oil painting and collage techniques, classical pictorial elements inspired by historical art, Neo-Expressionist features, as well as figuration and abstraction, gesture and structure. This volume presents a broad selection of Schnabel's paintings in a survey of his diverse oeuvre, with emphasis placed on works from 1990 to the present.
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