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Paperback, 6.75 x 9.5 in. / 244 pgs / 120 color. PUBLISHING STATUS
Pub Date 8/15/2005
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Catalog: FALL 2005 p. 52 PRODUCT DETAILS
ISBN 9782940271504 TRADE
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Not available | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | The Future Has A Silver LiningGenealogies of GlamourEdited by Tom Holert and Heike Munder. Essays by Ian Penman and Terre Thaemlitz.
This anthology gives glamour an extreme makeover. To talk about glamour is to wrestle with one of the central aesthetic paradigms of our society as the political economy of capital achieves a space for performances of the self. Glamour is not a stable trans-historical phenomenon, but a manifold and specific cultural practice. From the urbane Glanz (“gloss”) of the Weimar period to glam rock, from the glamour appropriations of Jack Smith and Andy Warhol to glamour appropriated for feminist or queer identity politics, there is no linear path of development, but rather multiple ramifications and contradictions. Compiled in association with an exhibition at the Migros Museum in Zurich, which included Leigh Bowery, Mick Rock, Francesco Scavullo, James Lee Byars, Tom Burr, T.J. Wilcox, Sylvie Fleury, and others, this book features essays by curators Tom Holert and Heike Munder, and some 120 color images.
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FORMAT: Paperback, 6.75 x 9.5 in. / 244 pgs / 120 color.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $40
ISBN: 9782940271504
PUBLISHER: JRP|Ringier/Migros Museum für Gegenwartskunst
AVAILABLE: 8/15/2005
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| The Future Has A Silver Lining
Genealogies of Glamour Published by JRP|Ringier/Migros Museum für Gegenwartskunst.
Edited by Tom Holert and Heike Munder. Essays by Ian Penman and Terre Thaemlitz. | This anthology gives glamour an extreme makeover. To talk about glamour is to wrestle with one of the central aesthetic paradigms of our society as the political economy of capital achieves a space for performances of the self. Glamour is not a stable trans-historical phenomenon, but a manifold and specific cultural practice. From the urbane Glanz (“gloss”) of the Weimar period to glam rock, from the glamour appropriations of Jack Smith and Andy Warhol to glamour appropriated for feminist or queer identity politics, there is no linear path of development, but rather multiple ramifications and contradictions. Compiled in association with an exhibition at the Migros Museum in Zurich, which included Leigh Bowery, Mick Rock, Francesco Scavullo, James Lee Byars, Tom Burr, T.J. Wilcox, Sylvie Fleury, and others, this book features essays by curators Tom Holert and Heike Munder, and some 120 color images.
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