| | BOOK FORMAT
Paperback, 6.5 x 8.25 in. / 128 pgs / 30 color / 30 bw. PUBLISHING STATUS
Pub Date 10/2/1998
Active DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 1998 PRODUCT DETAILS
ISBN 9782906571723 TRADE
List Price: $28.50 CAD $39.00 AVAILABILITY
Out of stock | TERRITORY
NA LA ASIA AU/NZ AFR ME | | THE FALL 2025 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Garouste And BonettiArtwork by Elizabeth Garouste, Mattia Bonetti. Contributions by Christine Colin. Text by Elisabeth Vedrenne.
The glamour couple of French design, Garouste and Bonetti are (along with Starck) practically the only designers in France to have been recognized internationally. Highly polemical, particularly with regard to the modern conception of furniture, their work is less concerned with decoration than is often assumed, and focuses primarily on elaborating standards of taste. The ‘enfants terribles’ of both English eccentricity and French conceptualization, this beacon-duo have produced in 15 years a diversified body of work, extending from individual works commissioned by affluent collectors to more mass-market commissions for such companies as Nina Ricci.
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FORMAT: Paperback, 6.5 x 8.25 in. / 128 pgs / 30 color / 30 b&w.
LIST PRICE: U.S. $28.50
LIST PRICE: CANADA $39
ISBN: 9782906571723
PUBLISHER: Dis Voir
AVAILABLE: 10/2/1998
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: Out of stock
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 1998 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
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| Garouste And Bonetti Published by Dis Voir.
Artwork by Elizabeth Garouste, Mattia Bonetti. Contributions by Christine Colin. Text by Elisabeth Vedrenne. The glamour couple of French design, Garouste and Bonetti are (along with Starck) practically the only designers in France to have been recognized internationally. Highly polemical, particularly with regard to the modern conception of furniture, their work is less concerned with decoration than is often assumed, and focuses primarily on elaborating standards of taste. The ‘enfants terribles’ of both English eccentricity and French conceptualization, this beacon-duo have produced in 15 years a diversified body of work, extending from individual works commissioned by affluent collectors to more mass-market commissions for such companies as Nina Ricci.
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