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ApertureBOOK FORMAT
Paperback, 5.5 x 8.25 in. / 208 pgs / 28 color / 19 duotone. PUBLISHING STATUS
Pub Date 8/15/2005
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ISBN 9781931788885 TRADE
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| | | APERTUREBetween the Eyes: Essays On Photography And PoliticsBy David Levi Strauss. Edited by Diana C. Stoll. Introduction by John Berger.
David Levi Strauss is a writer whose visual and intellectual sensibilities are both acute and expansive. His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including Aperture, Artforum and The Nation. In Between the Eyes: Essays on Photography and Politics, Strauss tackles subjects as diverse as “Photography and Propaganda,” the imagery of dreams, Sebastiao Salgado's epic social documents and the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay “Photography and Belief,” and in “The Highest Degree of Illusion,” Strauss discusses the media frenzy surrounding the events of September 11. As our world is shaped more and more by images and their slipperiness, what he calls a media “pandemonium” in its root meaning of “the place of all howling demons,” we need a mind and voice like Levi Strauss' to bring clarity to our vision.
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FORMAT: Paperback, 5.5 x 8.25 in. / 208 pgs / 28 color / 19 duotone.
LIST PRICE: U.S. $17.95
LIST PRICE: CANADA $20
ISBN: 9781931788885
PUBLISHER: Aperture
AVAILABLE: 8/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
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| Between the Eyes: Essays On Photography And Politics Published by Aperture.
By David Levi Strauss. Edited by Diana C. Stoll. Introduction by John Berger. | David Levi Strauss is a writer whose visual and intellectual sensibilities are both acute and expansive. His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including Aperture, Artforum and The Nation. In Between the Eyes: Essays on Photography and Politics, Strauss tackles subjects as diverse as “Photography and Propaganda,” the imagery of dreams, Sebastiao Salgado's epic social documents and the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay “Photography and Belief,” and in “The Highest Degree of Illusion,” Strauss discusses the media frenzy surrounding the events of September 11. As our world is shaped more and more by images and their slipperiness, what he calls a media “pandemonium” in its root meaning of “the place of all howling demons,” we need a mind and voice like Levi Strauss' to bring clarity to our vision.
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