| | BOOK FORMAT
Hardcover, 8.5 x 10 in. / 544 pgs / 104 color / 300 duotone PUBLISHING STATUS
Pub Date 7/2/2000
Out of print DISTRIBUTION
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Catalog: FALL 2000 PRODUCT DETAILS
ISBN 9781891024214 TRADE
List Price: $55.00 CDN $65.00 AVAILABILITY
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| | | How You Look At ItPhotographs of the 20th CenturyContributions by Thomas Weski. Text by Heinz Liesbrock.
Eugène Atget's Parisian storefronts paired with Thomas Struth's desolate views of Wall Street; Charles Sheeler's studies of Ford Motor Plant contrasted with Bernd and Hilda Becher's Blast Furnace series; Walker Evans' sharecroppers alongside Rineke Djikstra's troubled late-twentieth-century teens. These are just some of the surprising and delightful editorial matches to be found in How You Look At It: Photographs of the Twentieth Century. Intelligently and carefully edited by Thomas Weski and Heinz Liesbrock, this superb volume makes an argument for photography as the definitive art form of the twentieth century by presenting whole series of works by the medium's pioneers, instead of isolated individual photographs. Arranged thematically rather chronologically, the connections between seemingly disparate bodies of work are made clear. Cindy Sherman's early film stills sit easily across the page from Lee Friedlander's sly shadow self portraits; Robert Adams' desolate suburban sprawls lead a path to Larry Clark's strung-out dopers in Tulsa several pages later. Interspersed throughout the book are reproductions of relevant art piecesso that a Mark Rothko painting flanks a piece of Robert Frank's The Americans and Christian Boltanski's L'album de la famille introduces Nicholas Nixon's The Brown Sisters. Published to accompany the exhibition of the same name, How You Look At It is a comprehensive and unprecedented look at the century of photography.
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USD $80.00 | CAN $100Pub Date: 10/2/2012
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USD $35.00 | CAN $45Pub Date: 2/21/2017
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USD $90.00 | CAN $115Pub Date: 12/4/2012
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USD $50.00 | CAN $65Pub Date: 9/17/2013
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|  | Edited by Walter Guadagnini.SKIRAISBN: 9788857210322
USD $60.00 | CAN $78Pub Date: 9/18/2012
Active | In stock
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|  | By Filippo Maggia.SKIRAISBN: 9788857232799
USD $45.00 | CAN $57.5Pub Date: 11/7/2017
Out of stock indefinitely | Not available
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|  | Edited by Jack Flam.SKIRAISBN: 9788857225029
USD $80.00 | CAN $100Pub Date: 9/29/2015
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USD $75.00 | CAN $99Pub Date: 6/16/2009
Active | In stock
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|  | Edited by Walter Guadagnini. Text by Charlotte Cotton, Okqui Enwezor, Walter Guadagnini, Thomas Weski, Francesco Zanot.SKIRAISBN: 9788857220543
USD $60.00 | CAN $78Pub Date: 9/30/2014
Active | In stock
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USD $230.00 | CAN $295Pub Date: 11/3/2015
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|  | Edited by Filippo Maggia, Claudia Fini, Francesca Lazzarini.SKIRAISBN: 9788857206455
USD $55.00 | CAN $70Pub Date: 4/26/2011
Active | In stock
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|  | Edited by Walter Guadagnini. Text by Urs Stahel, Francesco Zanot, Camiel van Winkel.SKIRAISBN: 9788857215082
USD $60.00 | CAN $78Pub Date: 9/17/2013
Active | In stock
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FORMAT: Hardcover, 8.5 x 10 in. / 544 pgs / 104 color / 300 duotone
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $65
ISBN: 9781891024214
PUBLISHER: D.A.P./Distributed Art Publishers
AVAILABLE: 7/2/2000
DISTRIBUTION: D.A.P.
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| How You Look At It
Photographs of the 20th Century Published by D.A.P./Distributed Art Publishers.
Contributions by Thomas Weski. Text by Heinz Liesbrock. | Eugène Atget's Parisian storefronts paired with Thomas Struth's desolate views of Wall Street; Charles Sheeler's studies of Ford Motor Plant contrasted with Bernd and Hilda Becher's Blast Furnace series; Walker Evans' sharecroppers alongside Rineke Djikstra's troubled late-twentieth-century teens. These are just some of the surprising and delightful editorial matches to be found in How You Look At It: Photographs of the Twentieth Century. Intelligently and carefully edited by Thomas Weski and Heinz Liesbrock, this superb volume makes an argument for photography as the definitive art form of the twentieth century by presenting whole series of works by the medium's pioneers, instead of isolated individual photographs. Arranged thematically rather chronologically, the connections between seemingly disparate bodies of work are made clear. Cindy Sherman's early film stills sit easily across the page from Lee Friedlander's sly shadow self portraits; Robert Adams' desolate suburban sprawls lead a path to Larry Clark's strung-out dopers in Tulsa several pages later. Interspersed throughout the book are reproductions of relevant art piecesso that a Mark Rothko painting flanks a piece of Robert Frank's The Americans and Christian Boltanski's L'album de la famille introduces Nicholas Nixon's The Brown Sisters. Published to accompany the exhibition of the same name, How You Look At It is a comprehensive and unprecedented look at the century of photography.
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