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| | BOOK FORMAT
Hardcover, 10 x 11 in. / 128 pgs / 1 color / 140 duotone. PUBLISHING STATUS
Pub Date 2/2/2001
Out of print DISTRIBUTION
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Catalog: SPRING 2001 PRODUCT DETAILS
ISBN 9781891024054 TRADE
List Price: $22.98 CDN $25.00 AVAILABILITY
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| | | The Destruction Of Penn StationPhotographs by Peter MooreEdited and with an Introduction by Barbara Moore. Essays by Lorraine Diehl, Eric P. Nash.
Opened to the public in 1910, McKim, Mead & White's Pennsylvania Station featured a dramatic vaulted glass ceiling over its expansive main concourse and was inspired in part by the Roman Baths of Caracalla, giving visitor and commuter alike an experience of grandeur in entering and leaving the city. The decision in 1962 to replace the old station and its subsequent demolition ultimately proved to be key moments in the birth of the historical preservation movement--a movement that came too late to save Penn Station itself. But during this period one might on any given day of the week, have seen Peter Moore in the station, carefully photographing the building and the process of its destruction, even as above his head--and above the heads of the 200, 000 commuters who transversed the station each day--cranes were beginning to take down what had been one of the grandest public buildings of the twentieth century. Moore visited the Station again and again between 1962 and 1966 to document its architectural form as well as the drama of its ''unbuilding.'' The resulting photographs combine compositionally elegant images of architectural form and details with haunting pictures of glass and masonry stripped away from steel girders as the building is progressively demolished.
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FORMAT: Hardcover, 10 x 11 in. / 128 pgs / 1 color / 140 duotone.
LIST PRICE: U.S. $22.98
LIST PRICE: CANADA $25
ISBN: 9781891024054
PUBLISHER: D.A.P./Distributed Art Publishers
AVAILABLE: 2/2/2001
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| The Destruction Of Penn Station
Photographs by Peter Moore Published by D.A.P./Distributed Art Publishers.
Edited and with an Introduction by Barbara Moore. Essays by Lorraine Diehl, Eric P. Nash. Opened to the public in 1910, McKim, Mead & White's Pennsylvania Station featured a dramatic vaulted glass ceiling over its expansive main concourse and was inspired in part by the Roman Baths of Caracalla, giving visitor and commuter alike an experience of grandeur in entering and leaving the city. The decision in 1962 to replace the old station and its subsequent demolition ultimately proved to be key moments in the birth of the historical preservation movement--a movement that came too late to save Penn Station itself. But during this period one might on any given day of the week, have seen Peter Moore in the station, carefully photographing the building and the process of its destruction, even as above his head--and above the heads of the 200, 000 commuters who transversed the station each day--cranes were beginning to take down what had been one of the grandest public buildings of the twentieth century. Moore visited the Station again and again between 1962 and 1966 to document its architectural form as well as the drama of its ''unbuilding.'' The resulting photographs combine compositionally elegant images of architectural form and details with haunting pictures of glass and masonry stripped away from steel girders as the building is progressively demolished.
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