| | PUBLISHER
Jamaica Center for Arts & LearningBOOK FORMAT
Paperback, 5.5 x 8.5 in. / 108 pgs / 76 color. PUBLISHING STATUS
Pub Date 7/15/2005
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2005 p. 157 PRODUCT DETAILS
ISBN 9780976285304 TRADE
List Price: $19.95 CDN $25.00 AVAILABILITY
Not available | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
| | | JAMAICA CENTER FOR ARTS & LEARNINGJamaica FluxWorkspaces & WindowsEdited by Heng-Gil Han and Christopher K. Ho. Essays by Omar Lopez-Chahoud, Melvin Marshall, Edwin Ramoran and Sara Reisman. Foreword by S. Zuri McKie.
What does a street in flux look like? A combination of documentation and discussion of a site-specific exhibition along the Jamaica Avenue commercial strip in Queens, New York, this pocket-size book is perfect for mass-transit reading and for reflecting on “prickly questions about the intersection of art and commerce, art and gentrification, and art used as advertising,” according to The New York Times.
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FORMAT: Paperback, 5.5 x 8.5 in. / 108 pgs / 76 color.
LIST PRICE: U.S. $19.95
LIST PRICE: CANADA $25
ISBN: 9780976285304
PUBLISHER: Jamaica Center for Arts & Learning
AVAILABLE: 7/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: *not available | D.A.P. CATALOG: FALL 2005 Page 157 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Jamaica Flux
Workspaces & Windows Published by Jamaica Center for Arts & Learning.
Edited by Heng-Gil Han and Christopher K. Ho. Essays by Omar Lopez-Chahoud, Melvin Marshall, Edwin Ramoran and Sara Reisman. Foreword by S. Zuri McKie. | What does a street in flux look like? A combination of documentation and discussion of a site-specific exhibition along the Jamaica Avenue commercial strip in Queens, New York, this pocket-size book is perfect for mass-transit reading and for reflecting on “prickly questions about the intersection of art and commerce, art and gentrification, and art used as advertising,” according to The New York Times.
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