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| | BOOK FORMAT
Clothbound, 12.75 x 9.75 in. / 90 pgs / 3 color / 71 bw. PUBLISHING STATUS
Pub Date 2/1/2006
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2006 p. 95 PRODUCT DETAILS
ISBN 9780974960708 TRADE
List Price: $40.00 CDN $50.00 AVAILABILITY
Not available | TERRITORY
WORLD | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Picasso: The Berggruen AlbumEssays by John Richardson and Marilyn McCully.
This facsimile of a Picasso sketchbook is reproduced in such detail that readers can track the master's red marker pen bleeding through from one side of a page to the next--a subject's varnished nails appear on the verso as abstracted hatchmarks, and the red of her lips as a squiggle. Picasso began The Berggruen Album on November 5, 1970, days after his eighty-ninth birthday, in his words, "to make sure my hand has not developed a wobble." He had just conceived a series of a dozen powerful canvases inspired by the bullfights at Frejus, and in these delicate, sexual, voyeuristic sketches, he proves his soundness of body and personality, his unmatchable fitness to paint. An index of thumbnail sized prints pairs many of the works that inspired them or evolved from them, from Ingres to finished Picassos. The book closes with essays by Marilyn McCully and John Richardson, whose A Life of Picasso won the Whitbread Prize.
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FORMAT: Clothbound, 12.75 x 9.75 in. / 90 pgs / 3 color / 71 b&w.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $50
ISBN: 9780974960708
PUBLISHER: Mitchell-Innes & Nash
AVAILABLE: 2/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2006 Page 95 | PRESS INQUIRIES
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| Picasso: The Berggruen Album Published by Mitchell-Innes & Nash.
Essays by John Richardson and Marilyn McCully. This facsimile of a Picasso sketchbook is reproduced in such detail that readers can track the master's red marker pen bleeding through from one side of a page to the next--a subject's varnished nails appear on the verso as abstracted hatchmarks, and the red of her lips as a squiggle. Picasso began The Berggruen Album on November 5, 1970, days after his eighty-ninth birthday, in his words, "to make sure my hand has not developed a wobble." He had just conceived a series of a dozen powerful canvases inspired by the bullfights at Frejus, and in these delicate, sexual, voyeuristic sketches, he proves his soundness of body and personality, his unmatchable fitness to paint. An index of thumbnail sized prints pairs many of the works that inspired them or evolved from them, from Ingres to finished Picassos. The book closes with essays by Marilyn McCully and John Richardson, whose A Life of Picasso won the Whitbread Prize.
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