Disparities And Deformations: Our Grotesque
Site Sante Fe Fifth International Biennial Exhibition Published by SITE Santa Fe.
Essay by Robert Storr. Introduction by Charles Stainback. Historically speaking, "grotesque" first referred to the bizarre motifs discovered in Nero's palaces in the 15th century--strange hybridities of plant, animal, and human forms. Such whimsies became fodder for Renaissance masters and later for Baroque, Rococo, Romantic, modern, and postmodern artists. For the Site Sante Fe Fifth International Biennial Exhibition, invited curator Robert Storr examines contemporary embodiments of the grotesque tradition in art, a spirit which unites formal opposites: emotional and intellectual conflicts, beauty and ugliness, delight and delirium, tragedy and comedy. Producing an art of revelatory impurities that encompasses both the wondrous and the disturbing, the grotesque has informed many of the key postmodern movements in art and culture. The Biennial brings together internationally known artists working in a wide range of media, subject matter, and conceptual and aesthetic approaches, including Louise Bourgeois, Bruce Conner, Inka Essenhigh, Tom Friedman, Ellen Gallagher, Robert Gober, Douglas Gordon, Paul McCarthy, Sigmar Polke, Susan Rothenberg, Jenny Saville, Cindy Sherman, and Kara Walker.
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