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Hardcover, 8 x 10.5 in. / 304 pgs / 160 color. PUBLISHING STATUS
Pub Date 11/2/2003
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ISBN 9780935640762 TRADE
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Out of stock | | BROWSE THE 2019 SPRING CATALOG  Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019! |
| | | The Last Picture ShowArtists Using Photography 1960-1982Edited by Douglas Fogle. Essays by Douglas Fogle, Kate Bush, Richard Flood, Geoffrey Batchen, Stefan Gronnert and Pamela Lee. Foreword by Kathy Halbreich.
Photography has become an increasingly pervasive medium of choice in contemporary art practice and is even employed at times by artists who do not necessarily consider themselves to be photographers. How did this come to be? The Last Picture Show will address the emergence of this phenomenon of artists using photography by tracing the development of conceptual trends in postwar photographic practice from its first glimmerings in the 60s in the work of artists such as Bernd & Hilla Becher, Ed Ruscha and Bruce Nauman, to its rise to art-world prominence in the work of the artists of the late 70s and early 80s including Sherrie Levine, Richard Prince and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography's relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities. Bringing together a newly commissioned body of scholarship with reprints of important historical texts, The Last Picture Show seeks to define the legacy that has produced a rich body of photographic practice in the art world today.
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|  | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
| | | FORTHCOMING AND NEW: PHOTOGRAPHY |  | By Andri Pol.LARS MüLLER PUBLISHERSISBN: 9783037782750
USD $65.00 | CAN $87Pub Date: 2/27/2014
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|  | Edited by Peter Pfrunder.LARS MüLLER PUBLISHERSISBN: 9783037782743
USD $120.00 | CAN $160Pub Date: 12/5/2011
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|  | By Tim Benton.LARS MüLLER PUBLISHERSISBN: 9783037783443
USD $65.00 | CAN $87Pub Date: 8/15/2013
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|  | By Filippo Maggia, Claudia Fini.SKIRAISBN: 9788857212494
USD $55.00 | CAN $70Pub Date: 9/25/2012
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|  | By Filippo Maggia.SKIRAISBN: 9788857229881
USD $45.00 | CAN $57.5Pub Date: 3/29/2016
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|  | By Anne Lacoste.SKIRAISBN: 9788857228242
USD $60.00 | CAN $78Pub Date: 3/29/2016
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|  | By Filippo Maggia.SKIRAISBN: 9788857200675
USD $50.00 | CAN $65Pub Date: 9/15/2009
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|  | By Filippo Maggia.SKIRAISBN: 9788857204420
USD $60.00 | CAN $78Pub Date: 10/5/2010
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|  | By Donatella Sartorio.SKIRAISBN: 9788857215990
USD $80.00 | CAN $100Pub Date: 10/2/2012
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|  | Text by Michele Primi.SKIRAISBN: 9788857232508
USD $35.00 | CAN $45Pub Date: 2/21/2017
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|  | Photographs by Francesca Galliani, Walter Fernandes.SKIRAISBN: 9788857204703
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|  | By Claudia Fini, Francesca Lazzarini. Edited by Filippo Maggia.SKIRAISBN: 9788857217383
USD $50.00 | CAN $65Pub Date: 9/17/2013
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FORMAT: Hardcover, 8 x 10.5 in. / 304 pgs / 160 color.
LIST PRICE: U.S. $44.95
LIST PRICE: CANADA $60
GBP £39.99
ISBN: 9780935640762
PUBLISHER: Walker Art Center
AVAILABLE: 11/2/2003
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| The Last Picture Show
Artists Using Photography 1960-1982 Published by Walker Art Center.
Edited by Douglas Fogle. Essays by Douglas Fogle, Kate Bush, Richard Flood, Geoffrey Batchen, Stefan Gronnert and Pamela Lee. Foreword by Kathy Halbreich. | Photography has become an increasingly pervasive medium of choice in contemporary art practice and is even employed at times by artists who do not necessarily consider themselves to be photographers. How did this come to be? The Last Picture Show will address the emergence of this phenomenon of artists using photography by tracing the development of conceptual trends in postwar photographic practice from its first glimmerings in the 60s in the work of artists such as Bernd & Hilla Becher, Ed Ruscha and Bruce Nauman, to its rise to art-world prominence in the work of the artists of the late 70s and early 80s including Sherrie Levine, Richard Prince and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography's relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities. Bringing together a newly commissioned body of scholarship with reprints of important historical texts, The Last Picture Show seeks to define the legacy that has produced a rich body of photographic practice in the art world today.
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