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| | BOOK FORMAT
Hardcover, 8 x 10.5 in. / 304 pgs / 160 color. PUBLISHING STATUS
Pub Date 11/2/2003
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2003 PRODUCT DETAILS
ISBN 9780935640762 TRADE
List Price: $44.95 CDN $60.00 GBP £39.99 AVAILABILITY
Not available | TERRITORY
WORLD | | THE FALL 2023 ARTBOOK | D.A.P. CATALOG  | | Preview our Fall 2023 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | The Last Picture ShowArtists Using Photography 1960-1982Edited by Douglas Fogle. Essays by Douglas Fogle, Kate Bush, Richard Flood, Geoffrey Batchen, Stefan Gronnert and Pamela Lee. Foreword by Kathy Halbreich.
Photography has become an increasingly pervasive medium of choice in contemporary art practice and is even employed at times by artists who do not necessarily consider themselves to be photographers. How did this come to be? The Last Picture Show will address the emergence of this phenomenon of artists using photography by tracing the development of conceptual trends in postwar photographic practice from its first glimmerings in the 60s in the work of artists such as Bernd & Hilla Becher, Ed Ruscha and Bruce Nauman, to its rise to art-world prominence in the work of the artists of the late 70s and early 80s including Sherrie Levine, Richard Prince and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography's relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities. Bringing together a newly commissioned body of scholarship with reprints of important historical texts, The Last Picture Show seeks to define the legacy that has produced a rich body of photographic practice in the art world today.
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|  | STATUS: Out of stock indefinitely. | |
| | | FORTHCOMING AND NEW: PHOTOGRAPHY |  | MARSILIO ARTEISBN: 9791254631263
USD $39.95 | CAN $56.95 UK £ 33.99Pub Date: 10/31/2023
Forthcoming
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|  | HATJE CANTZISBN: 9783775755610
USD $65.00 | CAN $88Pub Date: 11/21/2023
Forthcoming
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|  | LA FáBRICAISBN: 9788418934612
USD $42.00 | CAN $62 UK £ 36Pub Date: 10/31/2023
Forthcoming
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|  | INTERNATIONAL CENTER OF PHOTOGRAPHY/D.A.P.ISBN: 9781636811178
USD $49.95 | CAN $71.95 UK £ 43.99Pub Date: 7/4/2023
Active | In stock
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|  | HATJE CANTZISBN: 9783775754668
USD $62.00 | CAN $89Pub Date: 7/4/2023
Active | Out of stock
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|  | HATJE CANTZISBN: 9783775755016
USD $49.95 | CAN $71.95Pub Date: 9/19/2023
Active | In stock
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|  | HATJE CANTZISBN: 9783775754804
USD $65.00 | CAN $94Pub Date: 6/6/2023
Active | In stock
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|  | HATJE CANTZISBN: 9783775755191
USD $50.00 | CAN $72.5Pub Date: 8/15/2023
Active | In stock
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|  | KERBERISBN: 9783735609120
USD $55.00 | CAN $79Pub Date: 9/26/2023
Active | In stock
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|  | KERBERISBN: 9783735609021
USD $45.00 | CAN $65Pub Date: 9/26/2023
Active | In stock
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|  | MOUSSE PUBLISHINGISBN: 9788867495726
USD $40.00 | CAN $58Pub Date: 9/19/2023
Active | In stock
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|  | OSMOS BOOKSISBN: 9781734555707
USD $60.00 | CAN $87 UK £ 54Pub Date: 12/5/2023
Forthcoming
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FORMAT: Hardcover, 8 x 10.5 in. / 304 pgs / 160 color.
LIST PRICE: U.S. $44.95
LIST PRICE: CANADA $60
GBP £39.99
ISBN: 9780935640762
PUBLISHER: Walker Art Center
AVAILABLE: 11/2/2003
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: FALL 2003 | PRESS INQUIRIES
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| The Last Picture Show
Artists Using Photography 1960-1982 Published by Walker Art Center.
Edited by Douglas Fogle. Essays by Douglas Fogle, Kate Bush, Richard Flood, Geoffrey Batchen, Stefan Gronnert and Pamela Lee. Foreword by Kathy Halbreich. Photography has become an increasingly pervasive medium of choice in contemporary art practice and is even employed at times by artists who do not necessarily consider themselves to be photographers. How did this come to be? The Last Picture Show will address the emergence of this phenomenon of artists using photography by tracing the development of conceptual trends in postwar photographic practice from its first glimmerings in the 60s in the work of artists such as Bernd & Hilla Becher, Ed Ruscha and Bruce Nauman, to its rise to art-world prominence in the work of the artists of the late 70s and early 80s including Sherrie Levine, Richard Prince and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography's relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities. Bringing together a newly commissioned body of scholarship with reprints of important historical texts, The Last Picture Show seeks to define the legacy that has produced a rich body of photographic practice in the art world today.
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