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| | BOOK FORMAT
Clothbound, 9 x 11 in. / 224 pgs / 120 color. PUBLISHING STATUS
Pub Date 4/2/2004
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2003 PRODUCT DETAILS
ISBN 9780878466597 TRADE
List Price: $50.00 CDN $60.00 AVAILABILITY
Not available | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Art of the SensesAfrican Masterpieces from the William and Bertha Teel CollectionText by Suzanne Preston Blier, Edmund Gaither, Michael Kan.
How the “unique” look of African art captured the imagination of artists such as Picasso and Stieglitz is well known. But how do art aficionados today see African objects? And how does our view compare to the way in which these objects were seen in Africa? Presenting the William and Bertha Teel Collection for the first time, this book provides a chance to think about how our vision of such objects is shaped by the “ethnographic,” “primitive,” or “modern” labels that have been applied in the West, and to compare it to how those same works were viewed in their birthplace. Lavish, full-color illustrations of over 100 choice objects combine forces with essays by leading African art specialists Suzanne Preston Blier, Michael Kan, and Edmund B. Gaither, and object descriptions by the collector himself, to provide a thoughtful and visually stimulating examination of these important African forms--as well as of the dynamic relationship among their creators, their original cultural contexts, and the Western viewing public.
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FORMAT: Clothbound, 9 x 11 in. / 224 pgs / 120 color.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $60
ISBN: 9780878466597
PUBLISHER: MFA Publications
AVAILABLE: 4/2/2004
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| Art of the Senses
African Masterpieces from the William and Bertha Teel Collection Published by MFA Publications.
Text by Suzanne Preston Blier, Edmund Gaither, Michael Kan. | How the “unique” look of African art captured the imagination of artists such as Picasso and Stieglitz is well known. But how do art aficionados today see African objects? And how does our view compare to the way in which these objects were seen in Africa? Presenting the William and Bertha Teel Collection for the first time, this book provides a chance to think about how our vision of such objects is shaped by the “ethnographic,” “primitive,” or “modern” labels that have been applied in the West, and to compare it to how those same works were viewed in their birthplace. Lavish, full-color illustrations of over 100 choice objects combine forces with essays by leading African art specialists Suzanne Preston Blier, Michael Kan, and Edmund B. Gaither, and object descriptions by the collector himself, to provide a thoughtful and visually stimulating examination of these important African forms--as well as of the dynamic relationship among their creators, their original cultural contexts, and the Western viewing public.
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