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Paperback, 9 x 12 in. / 80 pgs / 40 color / illustrated throughout. PUBLISHING STATUS
Pub Date 7/2/2002
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ISBN 9780870706462 TRADE
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| | | Video SpacesEight InstallationsEssay by Barbara London. Introduction by Samuel R. Delany.
Space, time, love, violence, and the human body: these are but some of the themes explored in this provocative book of state-of-the-art video installations. Each a separate and carefully delineated environment created through multimedia technologies, the eight installations described and illustrated here were produced by an accomplished international group of artists: Judith Barry and Brad Miskell, New York; Stan Douglas, Vancouver; Teiji Furuhashi, Kyoto; Gary Hill, Seattle; Chris Marker, Paris; Marcel Odenbach, Cologne; Tony Oursler, New York; and Bill Viola, Long Beach, California. In the related exhibition, which ran at The Museum of Modern Art, New York, in 1995, the viewer entered the space and became part of what he or she observed. Vivid, complex, and endlessly inventive, these works demonstrate the range and sophistication of an art form born in the last decades of the 20th century.
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FORMAT: Paperback, 9 x 12 in. / 80 pgs / 40 color / illustrated throughout.
LIST PRICE: U.S. $22.50
LIST PRICE: CANADA $25
ISBN: 9780870706462
PUBLISHER: The Museum of Modern Art, New York
AVAILABLE: 7/2/2002
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PUBLISHING STATUS: Out of print
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| Video Spaces
Eight Installations Published by The Museum of Modern Art, New York.
Essay by Barbara London. Introduction by Samuel R. Delany. | Space, time, love, violence, and the human body: these are but some of the themes explored in this provocative book of state-of-the-art video installations. Each a separate and carefully delineated environment created through multimedia technologies, the eight installations described and illustrated here were produced by an accomplished international group of artists: Judith Barry and Brad Miskell, New York; Stan Douglas, Vancouver; Teiji Furuhashi, Kyoto; Gary Hill, Seattle; Chris Marker, Paris; Marcel Odenbach, Cologne; Tony Oursler, New York; and Bill Viola, Long Beach, California. In the related exhibition, which ran at The Museum of Modern Art, New York, in 1995, the viewer entered the space and became part of what he or she observed. Vivid, complex, and endlessly inventive, these works demonstrate the range and sophistication of an art form born in the last decades of the 20th century.
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