Published with Terremoto.

The product of the first artistic residency hosted by the storied Mexican magazine Terremoto, Interplanetary Simulations is a compilation of text and artistic contributions that ponder ways of thinking about, imagining and inhabiting landscapes that evoke other worlds.

The audiovisual assemblages of Mexican artist Naomi Rincón-Gallardo (born 1979) are underworlds inhabited by hybrid animal–vegetal–human characters who undertake Sisyphean journeys in territory haunted by the expanding domain of necropower.

Provoked by his experience with the 2009 Ghetto Biennale in Port-au-Prince and the earthquake that devastated Haiti afterward, artist and educator Pedro Lasch (born 1975) reflects on the two faces of art fairs—as platforms for artistic legitimization and stages marked by catastrophe.

The 24th Bienal de Arte Paiz in Guatemala highlights the contributions of 46 visionary artists, interweaving spiritual, material, individual and collective realms to forge connections across Latin America, the Caribbean, Africa and its diaspora, Europe, the Middle East, Asia and Oceania.

With lines that constantly transform and self-destruct, Economic Didactics is a collection of scripts and other writings drawn from the work of Argentinian performance artist Liv Schulman (born 1985) designed to be activated in both public and private contexts.