JRP|Ringier

A Brief History of Curating

By Hans Ulrich Obrist

Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

Edited by Hans Ulrich Obrist.

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Walther König, Köln

Gerhard Richter: Obrist-O’Brist

Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter's own paintings, which Richter has then painted over using brushes and scrapers. Chiming with many currents in contemporary writing and bookmaking, Obrist-O'Brist is an adventure . . . . Pbk, 6.75 x 9 in. / 184 pgs / 102 color.

Text by Hans Ulrich Obrist.

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Walther König, Köln/Koenig Books

Indian Highway

Following the rapid economic and cultural developments on the Indian subcontinent in recent years, Indian Highwayis a timely snapshot of a new generation of artists. Its title indicates the significance of the road in migration, as well as the information superhighway” that has driven India's economic boom. A common thread throughout is the political and social engagement of these artists, who include: Ayisha Abraham, Ravi Agarwal, Sarnath Banerjee, Hemali Bhuta, Nikhil Chopra, Desire Machine Collective, Sheela Gowda, Sakshi Gupta, Shilpa Gupta, Subodh Gupta, NS Harsha, Abhishek, Hazra Shanay, Jhaveri, Jitish Kallat, Amar Kanwar, Bharti Kher, Bose Krishnamachari, Nalini Malani, Jagannath Panda, Prajakta Potnis, Raqs Media Collective, Tejal Shah, Valay Shende, Sudarshan Shetty, Dayanita Singh, Sumakshi Singh, Ashok Sukumaran, Shaina Anand, Thukral . . . . Pbk, 8.75 x 10 in. / 320 pgs / 290 color.

Edited by Julia Peyton-Jones, Hans Ulrich Obrist, Gunnar B. Kvaran, Thierry Raspail.

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Gregory R. Miller & Co.

In the Shadow a Shadow: The Work of Joan Jonas

One of the most continuously influential figures of the past half century, Joan Jonas was among the first artists to embrace the forms of video, performance and installation. From her beginnings as a sculptor, and her emergence in the New York art and performance scenes of the 1960s and 70s (including the seminal "Vertical Roll" video piece of 1972, in which the titular television malfunction enacted a memorably fractured female identity), up through her six appearances at Documenta and her performance at the Performa 13 biennial, her work has always been surprising, groundbreaking and necessary. This extensively illustrated volume, containing hundreds of full-color photographs, drawings, scripts and diagrams, presents the definitive collection of Jonas' work. The first and authoritative career-spanning monograph . . . . Clth, 9.5 x 12.75 in. / 536 pgs / 840 color.

Edited with text by Joan Simon. Text by Joan Jonas, Douglas Crimp, Johanna Burton, Barbara Clausen, Richard Serra, Susan Rothenberg.

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JRP|Ringier/BDV Bureau des videos

The Secret Files of Gilbert & George

For the last 40 years Gilbert & George have united and divided the international art scene with equal parts insolence and elegance. Their oeuvre, with its repeating figures and reprising themes of shit, piss, blood, tears, nudity, sperm, alcohol and drugs, overturned the conventions of the twentieth century and helped to set the agenda for the twenty-first. This 35-minute film produced, hosted and edited by the influential international curator Hans Ulrich Obrist is the first documentary to follow Gilbert & George inside their creative process, and into their archives and collection. Obrist discovers the couple's intimate life within the interior of their London house, a veritable museum of obsessions. Beyond good and bad, beyond appearances and objects (negatives, books, press cuttings… . . . . DVD video, PAL Multizone, 5.5 x 7.5 in.

Edited by Nicolas Tremblay. By Hans Ulrich Obrist.

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JRP|Ringier

Yang Fudong: No Snow on the Broken Bridge

Film and Video Installations

Though he trained as a painter at the China Academy of Fine Arts, Yang Fudong, one of the most interesting and influential young artists emerging from China today, has always preferred film. His videos and photographs combine and accumulate perspectives, investigating identity through ancient mythology, personal memory and lived experience. His subjects, often in their late 20s and early 30s, seem confused and appear to be hovering between the past and present, or perhaps China's past and present. That split gives them an expectant quality, as if something is going to happen that never quite does. Yang Fudong seeks, through vignettes, a poetics of place and people as an alternative to the politics of power. No Snow on the Broken Bridge . . . . Paperback, 7.5 x 10 in. / 180 pgs / 70 color / 20 b&w.

Edited by Ziba de Weck. Text by Hans Ulrich Obrist.

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JRP|Ringier

Merz World: Processing the Complicated Order

The evolving artwork and early, all-encompassing installation Merzbau was German Dadaist Kurt Schwitters’ obsession. He began building a fantastical structure inside his Hanover studio in 1923, which he conceived as a project without end. It gradually took over most of the house. He continued to work on it in different locations throughout his life, remarking that the Merzbau contained everything that was important to him. This groundbreaking volume results from the first of a series of Zurich-based symposia on the Merzbau and its legacy in contemporary architecture, art and society. The Symposium Merzbau sets a new standard for further research on Schwitter’s influential project. Edited by curator and writer Hans Ulrich Obrist, this book includes contributions by art historians, critics and . . . . Paperback, 4.25 x 6.5 in. / 124 pgs / 20 color.

Edited by Hans Ulrich Obrist, Adrian Notz. Text by Yona Friedman, Thomas Hirschhorn, Peter Bissegger, Karin Orchard, Gwendolen Webster.

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D.A.P./Distributed Art Publishers

On Curating: Interviews with Ten International Curators

By Carolee Thea

On Curating, Carolee Thea's second volume of interviews with ten of today's leading curators, explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. As Thea notes in her introduction, "the biennial or mega-exhibition--a laboratory for experimentation, investigation and aesthetic liberation--is where the curators' experience and knowledge are tested. As they negotiate venues for artistic expression, intellectual critiques and humanistic concerns in their own societies and others, they are challenged by the certainties and uncertainties of a constantly evolving . . . . Pbk, 6.5 x 9.5 in. / 144 pgs / 50 color.

By Carolee Thea. Edited by Thomas Micchelli. Foreword by Hans Ulrich Obrist.

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JRP|Ringier

Luke Fowler

A prominent figure in Glasgow's vibrant art scene, Luke Fowler's cinematic collages break down conventional approaches to biographical and documentary filmmaking. Fowler's films have often been linked to the British Free Cinema of the 1950s, and Fowler likewise avoids didactic voice-over and narrative continuity in favor of impressionistic sound and editing. However, Fowler moves beyond simply referencing the work of his predecessors. Mercurially applying the logic, aesthetics and politics of his subjects—who include the composers/musicians Cornelius Cardew and L. Voag, and the psychologist R.D. Laing—to the film he is making about them, he creates atmospheric, sampled histories that reverberate with the vitality of the people he studies. This is the first major publication on Luke Fowler. It provides a comprehensive overview . . . . Hbk, 8.75 x 10 in. / 96 pgs / 127 color / 18 b&w.

Edited by Hans Ulrich Obrist, Julia Peyton-Jones, Beatrix Ruf. Text by Will Bradley. Interview by Stuart Comer.

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JRP|Ringier

Philippe Parreno

Philippe Parreno (born 1964) undermines the notion of the discrete, ownable, copyrighted artwork through collaborations with artists such as Douglas Gordon and Pierre Huyghe, performances, dialogue and the cultivation of exhibitions as real-time encounters. This superbly produced monograph, designed by M/M, offers the first substantial inventory of Parreno's work since the late 1980s, covering his multifarious production from film (such as the famous Zidane, a 21st Century Portrait, made with Douglas Gordon, 2006) to spectacle (Il Tempo del Postino, with Hans Ulrich Obrist, 2007). It also includes critical and fictional texts by Maria Lind, Charles Arsène-Henry, Enrique Juncosa and Simon Critchley, as well as an interview by Hans Ulrich Obrist.

. . . . Hbk, 8.75 x 13.25 in. / 256 pgs / 143 color / 25 b&w.

Edited by Christine Macel, Karen Marta. Text by Simon Critchley, Maria Lind, Hans Ulrich Obrist.

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JRP|Ringier

Jennifer Allora & Guillermo Calzadilla

Puerto Rico-based American and Cuban-born Jennifer Allora and Guillermo Calzadilla are known for their playful, socially-involved, sound-based installations, videos and performances. This well-designed volume presents recent works that investigate how power, militarism and war are encoded into sound.

. . . . Hbk, 8.25 x 10.5 in. / 156 pgs / 112 color.

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JRP|Ringier

Hans Ulrich Obrist: Battery City: A Post-Olympic Beijing Mini-Marathon

On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai Weiwei and Cao Fei, writer and publisher Hung Huang, fashion designer Zhang Da and many others. Topics discussed included everyday life in contemporary Chinese society, the impact of the Olympic Games and the role of the internet in daily life.

. . . . Pbk, 4.75 x 8.25 in. / 138 pgs / 30 b&w.

Edited and with text by Hans Ulrich Obrist, Hu Fan.

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JRP|Ringier

Subodh Gupta: Common Man

Subodh Gupta (born 1964) agglomerates everyday Indian household objects such as cooking utensils into monumental entities such as mushroom clouds or skulls, often sabotaging the fiction of intrinsic value through witty inversion and conjunction. Among the fruits of his methods are sculptural works such as bronze mangos, Hindu-swastika ceiling fans and worn-out sandals placed alongside three-dimensional Mona Lisas. Gupta's mostly found materials, which range in texture from aluminum, bronze and stainless steel to fiberglass and neon, identify themselves as Indian in origin, but are recomposed into sculptural meanings accessible to all nationalities (one implication of the title's "common man"). This monograph is published on the occasion of Gupta's first solo exhibition in London; alongside full-color reproductions, it includes an interview between . . . . Hbk, 8.75 x 11.5 in. / 88 pgs / 52 color.

Edited by Sara Harrison, Michaela Unterdörfer. Text by Hans Ulrich Obrist, Martin Herbert.

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Walther König, Köln

Gilbert & George: Art Titles

1967-2010 in Alphabetical Order, Catalogue Raisonné

Gilbert & George Art Titles offers a new spin on the catalogue raisonné: a complete catalogue of the titles of all of the duo's works, from 1970 to the present, in the form of a continuous poetical index. Designed by the artists, it commences with their first performance at Nigel Greenwood Gallery in 1970, "3 Living Pieces"--flanking the title with the year on the left margin and the acronym "LS" ("living sculpture") on the right--and opens out into the more poetical titles for which they are known. The catalogue of works is also printed alphabetically, and each title is identified with an acronym indicating its format. Spanning more than 40 years of exhibitions, pictures, postcards, books and other formats, this volume . . . . Pbk, 6 x 8.5 in. / 180 pgs / illustrated throughout.

Edited by Hans Ulrich Obrist, Inigo Philbrick.

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Walther König, Köln

Elmgreen & Dragset: Trilogy

In their latest monograph, the Danish-Norwegian duo Elmgreen & Dragset address the world of celebrity: rumor-mongering, life in the public eye, the mechanisms of the media, its formation of myths and how those myths endlessly bombard us with staged presentations of the self. Two allegorical installations on celebrity and its implications of "the one" (the celebrity) and "the many" (the rest of us) were devised for the duo's exhibition at the ZKM | Center for Art and Media in Karlsruhe, and are here documented across 100 color plates. In one of the museum's atriums, Elmgreen & Dragset installed a full-scale high-rise apartment block; the other atrium was converted into a neoclassical ballroom. Also documented in this volume are The Welfare Show . . . . Clth, 8 x 10 in. / 384 pgs / 100 color.

Edited by Andreas F. Beitin, Peter Weibel. Text by Tony Benn, Hubert Burda, Tom Mole, Mehdi Belhaj Kacem, Nicolaus Schafhausen, Wolfgang Ullrich, et al. Interview by Hans Ulrich Obrist with Elmgreen & Dragset. Interview by Sacha Goldmann with Paul Virilio.

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FUEL

Audio Erotica

Hi-Fi Brochures 1950s–1980s

Remember roller-skating while wearing your first Walkman? Or relaxing to easy listening in your pure white Philips lounge? Or playing chess on your JVC tabletop radio? All these scenarios can be found in the geeky and rarefied world of the vintage hi-fi brochure, where graphic design and acoustic apparatus make magical music together.
From austere postwar Britain to poppy pre-millennium Japan, Audio Erotica presents a nostalgic nirvana of the strangest and most significant period hi-fi brochures. The volume acts as a companion title to the delightful Jonny Trunk/FUEL publication, Auto Erotica: A Grand Tour through Classic Car Brochures of the 1960s to 1980s and is manufactured in the same format. Alphabetically listed, from Aiwa to Zenith, with Braun, JVC Nivico, Nakamichi, Sony . . . . Pbk, 7 x 8.75 in. / 240 pgs / 400 color.

By Jonny Trunk. Edited by Damon Murray, Stephen Sorrell.

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JRP|Editions

Yoko Ono: Everything in the Universe is Unfinished

This new edition of the bestselling publication by avant-garde artist and cultural icon Yoko Ono combines never-published-before texts and invitation pieces written between 2016 and 2018 with drawings from the Franklin Drawings series made in 1994.
For Ono, words, artworks and books still have the power to change the world we live in for the better. Thus she continuously shares with us her vision and philosophy toward life: one that is made of pivotal experiences, unstoppable optimism and a love for the other. Following several volumes that have proved to be life companions for many, Everything in the Universe Is Unfinished reflects on her most recent feelings through a delicate interweaving of poems, aphorisms, short stories and drawings.
Born in Tokyo in 1933, . . . . Hbk, 5.5 x 5.5 in. / 48 pgs / 13 b&w.

Text by Yoko Ono.

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The Museum of Modern Art, New York

Joan Jonas: Good Night Good Morning

Since her earliest performances in the late 1960s, Joan Jonas has concerned herself with animation and moving images, asking what it means to move images, or to be moved by them. The artist constantly returns to her ever-expanding archive of images, sounds, gestures, ideas and places, reworking materials into new forms across the decades. Published in conjunction with the artist’s most comprehensive retrospective in the United States, presented by the Museum of Modern Art, New York, Good Night Good Morning spans more than 50 years of her remarkable career and features works in all mediums—including videos, drawings, notebooks, photographs and major installations and performances.
The abundantly illustrated publication features essays by curators and scholars that delve into the political, social and historical . . . . Hbk, 9 x 10.5 in. / 208 pgs / 220 color.

Edited with text by Ana Janevski, Lilia Rocio Taboada. Text by Danielle Jackson, Piper Marshall, Chus Martínez, Jason Moran, Molly Superfine, Gee Wesley, Gillian Young. Photographs by Zoe Leonard.

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Steidl/The Gordon Parks Foundation/Minneapolis Institute of Art

Gordon Parks: American Gothic

Gordon Parks and Ella Watson

Gordon Parks’ 1942 portrait of government worker Ella Watson, American Gothic, is among the most celebrated photographs of the 20th century. The photograph not only connects the intimacy of one person’s life with a national state of affairs but also engages with a larger history of American images by referring to and reinterpreting Grant Wood’s celebrated 1930 painting of the same name. Created as part of an extensive collaboration between the photographer and his subject, it is at once a record of one woman’s position within the racial, professional and economic hierarchies that stratified the nation’s capital and Parks’ visual reckoning with the realities of living in racially segregated Washington, D.C.
Through his work with Watson—a custodian in the government building where . . . . Clth, 9.75 x 11.5 in. / 192 pgs / 53 color / 83 b&w.

Edited with text by Casey Riley, Philip Brookman. Text by Melanee C. Harvey, Hank Willis Thomas, Salamishah Tillet, Deborah Willis.

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Lars Müller Publishers

Modern Man in the Making

Otto Neurath’s famous Modern Man in the Making, first published by Alfred A. Knopf in 1939, captures and describes the state of the world in the 1930s by using text and figurative illustrations. From 1925 on, Neurath and his team had worked on a new visual language termed Isotype” (International System of Typographic Picture Education). At a time that saw new mass media making hitherto unthinkable amounts of information available, Neurath felt the need for a systematic visualization explaining facts, statistical data and comparative numbers in simple ways. The book can be seen as one of the most influential predecessors of today’s infographics. In the visuals, each symbol and color represents a certain group of objects or people, often compared repetitively . . . . Hbk, 8.25 x 10.5 in. / 160 pgs / 50 color / 50 b&w.

By Otto Neurath.

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SKIRA

Leonardo da Vinci and Anatomy

The Mechanics of Life

Renaissance artist Leonardo da Vinci (1452–1519) made detailed anatomical sketches that contributed both to a greater understanding of the human body and to the compositions of his own artworks. Da Vinci was not content with a passive description of the human body; he sought to understand the mysteries of its functions by studying the mechanics, senses and bodily processes through the means of dissection.
This catalog for the exhibition at the Château de Clos Lucé, where da Vinci spent the final years of his life, demonstrates how the artist’s work as an anatomist was critical to his practice as a painter. Well-known works such as The Last Supper are shown to have been influenced by knowledge gathered in the medical field. The . . . . Pbk, 9.5 x 11 in. / 192 pgs / 100 color.

Text by Dominique Le Nen, Pascal Brioist.

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DelMonico Books/The Museum of Contemporary Art, Los Angeles

Henry Taylor: B Side

Surveying 30 years of Henry Taylor’s work in painting, sculpture and installation, this comprehensive monograph celebrates a Los Angeles artist widely appreciated for his unique aesthetic, social vision and freewheeling experimentation. Taylor’s portraits and allegorical tableaux—populated by friends, family members, strangers on the street, athletic stars and entertainers—display flashes of familiarity in their seemingly brash compositions, which nonetheless linger in the imagination with uncanny detail. In his paintings on cigarette packs, cereal boxes and other found supports, Taylor brings his primary medium into the realm of common culture. Similarly, the artist’s installations often recode the forms and symbolisms of found materials (bleach bottles, push brooms) to play upon art historical tropes and modernism’s appropriations of African or African American culture. Taken . . . . Clth, 9 x 11 in. / 240 pgs / 191 color.

Edited by Bennett Simpson. Foreword by Johanna Burton. Text by Wanda Coleman, Karon Davis, Charles Gaines, Harmony Holiday, Bob Kaufman, Walter Price, Bennett Simpson, Frances Stark. Conversation with Henry Taylor, Hamza Walker.

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SYNC SYNC SRL

U-Joints: A Taxonomy of Connections

"U-joints" is short for "universal joints." A joint is defined as the place where two or more parts of an object are joined together. The result of a four-year research project, U-Joints: A Taxonomy of Connections looks at human history through its details, and invites us to see design and architecture in new ways. At more than 900 pages, this massive, beautifully designed volume is arranged into six taxonomic chapters: Basic Fasteners, Mechanical Joints, Wood on Wood, Knots and Knits, Adhesives and Sealants, and Welded and Fused Joints. It runs the gamut from the most common joints to the rarest, and includes unexpected examples as well as the most advanced kinds of joining techniques. These chapters are followed by essays, interviews . . . . Pbk, 8.25 x 10.5 in. / 943 pgs / 576 color / 595 b&w.

Edited by Andrea Caputo, Anniina Koivu.

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Reel Art Press

David Hurn: On Instagram

Magnum’s David Hurn (born 1934) is one of Britain’s most influential documentary photographers, noted for his portrayal of ordinary people in their everyday lives. In 2016, Hurn started an Instagram account to share photography tidbits: technical tips, book recommendations, exhibitions and work that he found interesting. His engagement with the app has become progressively intimate, as evinced in his reflections on photographs from his 60-year career and his own mortality. On his feed, scrollers can find photographs from the Hungarian revolution in 1956, the set of the Beatles’ A Hard Day’s Night in 1964, trips to Arizona in the 1970s and 90s as well as Halloween celebrations in his local Welsh village during the pandemic.
This compendium collates these individual posts from . . . . Hbk, 9.5 x 11.5 in. / 260 pgs / 10 color / 220 b&w.

Text by David Hurn.

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JBE Books

Out Side

Between Art and Hallucination

A graphic novel inspired by artbooks, Out Side is a unique collaboration between two leading digital artists: K Allado-McDowell and Ilan Manouach. Together, the two construct an extraordinary pictorial story in the manner of a comic strip, combining the exacting clarity of Allado-McDowell’s post-internet vision with Manouach’s conceptual and formal depth. Manouach has created the images with the help of Midjourney.
In the story, a young painter named Stone navigates the art world—meeting shady dealers and strange collectors—while pining for her long-lost parrot, Petey. Eventually, she finds her way into the upper echelons of technology, working as a VR designer. It is here that she discovers a conspiracy that will shake her understanding of reality itself. Blending layers of dreams, real life . . . . Hbk, 6 x 9 in. / 208 pgs / 500 color.

Text by K Allado-McDowell. Images by Ilan Manouach in collaboration with MidJourney.

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JBE Books/AKAA

Others Shall Come

Curatorial Voices

This publication presents a multifaceted vision of Africa that transcends historical borders. The book revolves around the impact of curatorial voices in the contemporary art world, particularly with regard to the inclusion and representation of African and Afro-American artists. Three curators—Armelle Dakouo, Allison Glenn and Jeanne Mercier—explore these notions by highlighting the practices of some 20 artists. This year’s publication serves as a direct link between the 8th edition of the Also Known As Africa (AKAA) fair in Paris and the next curated exhibition to be held in Los Angeles in May 2024.
Artists include: Alice Mann, Maymouna Baradji, Angelo Dakouo, Abdesslem Ayed, Les soeurs Chevalme, Cosmo Whyte, Fahamu Pecou, Troy Makaza, Julien Creuzet, Cassio Markowski, Georgina Maxim, Teresita Fernandex, Adama Sylla, . . . . Hbk, 8 x 10.5 in. / 176 pgs / 80 color / 30 b&w.

Edited with text by Armelle Dakouo, Allison Glenn, Jeanne Mercier.

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Bokförlaget Stolpe

A Treatise on Civil Architecture

Sir William Chambers (1723–96) was a Swedish British architect who designed imaginative castle buildings and luxurious interiors as well as simple and rational utilitarian architecture: some of his most famous works include the Roehampton Villa, Great Pagoda and Somerset House (all located in London).
Originally published in 1756, A Treatise on Civil Architecture is an architecture handbook in which Chambers explains the basics of the art of building, aiming to collect into one volume what is now dispersed in a great many, and to select, from mountains of promiscuous Materials, a Series of Sound Precepts and good Designs.”
The guidebook is supplemented by concise texts and beautiful illustrations of classical building types and their functions. Received with considerable acclaim upon its release, . . . . Clth, 13.75 x 20.5 in. / 256 pgs / 30 b&w.

By William Chambers.

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JBE Books

A Song of Flowers: Ni Xochitl, Ni Kuikatl

In Nahuatl, a language spoken in present-day central Mexico since the 7th century, poetry is designated by a pair of metaphors, in xochitl in cuicatl: the flower, the song.” This term defines poetry as an elevation, an outpouring that is expressed.” Poems are a bouquet of words and associations to be sung to the sky. A confluence between an art book and a book of poetry, this work is a voyage into the poetic land of Nahuatl, an exploration of the literature of the Song of Flowers. It comprises 50 poems in Nahuatl, translated into English by Adam W. Coon, written by Mardonio Caballo. His work is introduced by literary scholar Alberto Manguel, who denotes the symbolism of songs and flowers . . . . Hbk, 7.5 x 14 in. / 120 pgs / 21 color / 14 b&w.

Edited by Mardonio Caballo, Fernando Laposse. Text by Mardonio Caballo. Introduction by Alberto Manguel. Illustrations by Fernando Laposse.

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Lars Müller Publishers

How to Design a Revolution

The Chilean Road to Design

During Salvador Allende's tenure as president (1970–73), graphic and product design in Chile expressed powerful socialist messages of solidarity and social cohesion. This volume looks at a range of innovative items made in this era, from affordable objects designed for popular circulation such as TVs, record players and chairs, and the innovations behind them, to the visual iconography of protest. The presentation of these works is structured around "how to" themes such as how to design a peaceful road to socialism; how to address child poverty; how to implement material justice; how to deploy politics in the street; how to improve everyday life; how to nationalize technological innovation; how to design universities connected to the community; how to democratize transportation; and . . . . Pbk, 6.5 x 9.5 in. / 384 pgs / 100 color.

Edited by Hugo Palmarola, Eden Medina, Pedro Alonso.

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Lars Müller Publishers

Le Corbusier: Album Punjab, 1951

This facsimile edition of the notebook kept by Le Corbusier (1887–1965) from his two-week stay in the area that would become Chandigarh, the new capital city of the Indian state of Punjab, presents his written or sketched memos and personal reflections as well as notes and schematic solutions elaborated during meetings. Album Punjab constitutes a primary source for reconstructing the topics addressed by the small group of planners and governmental officials who in only a few days developed the outlines of the Chandigarh plan.
The spiralbound notebook facsimile is accompanied by a paperback volume featuring previously unpublished photographs taken by Le Corbusier’s cousin Pierre Jeanneret during the journey. He documented the landscape and people that the architects encountered upon their arrival—a scenario . . . . Slip, spiral, pbk, 2 vols, 9.5 x 12.5 in. / 196 pgs / 30 b&w.

Edited with text by Maristella Casciato.

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Walther König, Köln

Hans Ulrich Obrist & Konrad Klapheck: The Conversation Series

Volume 3

In this German-language-only installment of Hans Ulrich Obrist's Conversation Series, the acclaimed curator-conversationalist speaks with the German Pop Surrealist painter Konrad Klapheck, and includes the German conceptual photographer Hans-Peter Feldmann--who was there to document the afternoon's activities with a series of photographic portraits--in the talk. Writing of Klapheck's psycho-erotic "machine" imagery in a 1994 Art in America review, critic Ken Johnson wrote, "What makes Klapheck's pictures compelling is the way the objects he paints are psycho-erotically animated. His machines…are like primitive totems…monumental, amusingly absurd and sexually suggestive." This volume contains generous photo documentation, with many new paintings depicting offbeat human sexual encounters reproduced in color.

. . . . Paperback, 5.5 x 8.25 in. / 68 pgs / 16 color / 21 b&w.

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Walther König, Köln

Hans Ulrich Obrist & Rem Koolhaas: The Conversation Series

Volume 4

In this traditional paperback, renowned critic and curator Hans Ulrich Obrist teams up with Dutch avant-garde architect and paradigm-shifting intellectual, Rem Koolhaas, for a discussion of Koolhaas's work in China, his designs for Prada, architecture as metaphor, and the development of urbanism in the slipstream of globalization.

. . . . Paperback, 5.5 x 8 in. / 68 pgs.

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Hans Ulrich Obrist & Yona Friedman: The Conversation Series

Volume 7

People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street. Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a sociologist as a designer of buildings, more concerned with the way people interact with their environments than monumental statements by an ego-centric creator. In this illuminating talk with The Conversation Series editor Hans Ulrich Obrist, he touches on the needs of the individual in heterogeneous urban societies, past and future projects, utopia, influences and metaphysics, revealing a wise and deeply-animated humanistic intellect. Known . . . . Paperback, 5.5 x 8.5 in. / 126 pgs / 29 b&w.

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Hans Ulrich Obrist & Zaha Hadid: The Conversation Series

Vol. 8

The celebrated architect and Pritzker Prize-winner speaks with series editor Hans Ulrich Obrist about the projects that established her distinctive, deconstructivist style, and shares her thoughts about contemporary architecture. Conceptual and structural questions are discussed with great precision, providing insight into one of the world’s most influential architectural firms.

. . . . Paperback, 5.25 x 8.25 in. / 136 pgs / 35 color / 45 b&w.

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Hans Ulrich Obrist & Gilbert & George: The Conversation Series

Vol. 9

Series editor Hans Ulrich Obrist here collects seven years worth of interviews with the hugely influential British artistic collaborators Gilbert & George, providing an intimate vision of what they consider the most important landmarks in their four-decade-long career together. Many of the conversations are delightfully performative.

. . . . Paperback, 5.25 x 8.25 in. / 192 pgs / 22 b&w.

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Hans Ulrich Obrist & Dominique Gonzalez-Foerster: The Conversation Series

Vol. 12

The challenging French conceptualist Gonzalez-Foerster is prominent on the international scene. For Skulptur Projekte Münster 2007, she showed small-scale replicas of other Münster fair works, past and present; for her recent ARC Paris museum show, she collaborated with designer Nicolas Ghesquière. Here she speaks with fellow relational aesthetician, Hans Ulrich Obrist.

. . . . Paperback, 5.25 x 8.25 in. / 190 pgs / 31 b&w.

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Hans Ulrich Obrist & Gustav Metzger: The Conversation Series

Vol. 16

In volume 16 of The Conversation Series, Hans Ulrich Obrist presents an in-depth exchange with the venerable German-born artist and activist Gustav Metzger, which illuminates the artist's fascinating life and 60-year career. In 1959, Metzger penned a manifesto of Auto-destructive art, which states in part, "Auto-destructive paintings, sculptures and constructions have a lifetime varying from a few moments to 20 years. When the disintegrative process is complete, the work is to be removed from the site and scrapped." In this volume, Metzger talks to Obrist about his past and present association with Auto-destructive art, how he has come to fuse his art practice with his political commitment to human rights and ecology, how he escaped the Holocaust at the age of . . . . Pbk, 5.25 x 8.25 in. / 168 pgs / 41 b&w.

Text by Hans Ulrich Obrist, Gustav Metzger.

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Walther König, Köln

Hans Ulrich Obrist & Christian Boltanski: The Conversation Series

Vol. 19

Hans Ulrich Obrist and Christian Boltanski are not only associated through their longstanding friendship: Boltanski was also the first artist that Obrist ever exhibited. Over the course of this friendship the two have often met for discussions, the earliest of which, from 1994, are published here. Whether on a taxi-boat in Venice, in his atelier or at an exhibition in Ljubljana, Botanski readily divulges information on his projects. His collaborations with other artists such as Ilya Kabakov, which have also led him into the field of performance arts such as opera and dance, are a particular theme of the conversations; on occasion, other interlocutors step in, such as the designer Jean Kalman or the sociologist Luc Boltanski (Christian Boltanski's brother). The . . . . Pbk, 5.25 x 8.25 in. / 234 pgs.

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Hans Ulrich Obrist & Jeff Koons: The Conversation Series

Vol. 22

Reflecting on 20 years of making art, Jeff Koons talks to Hans Ulrich Obrist about his vocation and its frequently controversial highlights. Koons makes acknowledgement here of determinative influences such as Marcel Duchamp, Salvador Dalí and Andy Warhol, and elucidates his sense of the legacy of Pop art and his own transformations of that legacy. Koons emerges from this volume as a charmingly open and very focused artist, with strong views on the purposes of art today, and advice for practitioners: See everything as an opportunity. Stay focused, then amazing things can happen.” Koons' goals are also inspiringly utopian and appropriate to all forms of art: The journey of art begins with self-acceptance,” he declares at one point, espousing his ideal . . . . Pbk, 5.25 x 8.25 in. / 123 pgs / 28 b&w.

Edited by Karen Marta.

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Hans Ulrich Obrist & Dan Graham: Conversation Series

Volume 25

Since the mid-1960s when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture. For this volume, curator Hans Ulrich Obrist met with Graham on several occasions to discuss the artist's work, life and the numerous interests he passionately follows. The conversation thus wanders seamlessly from architecture to rock and roll, philosophy to astrology, Graham's early performance pieces, photography and articles, to the films and glass pavilions for which he is best known today. A fountain of art folklore, Graham offers recollections of friends and colleagues, art work and influences, providing an invaluable insight not only into the . . . . Pbk, 5.5 x 8.5 in. / 134 pgs.

Edited by Hans Ulrich Obrist.

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