JRP|Ringier

A Brief History of Curating

By Hans Ulrich Obrist

Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

Edited by Hans Ulrich Obrist.

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Walther König, Köln

Gerhard Richter: Obrist-O’Brist

Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter's own paintings, which Richter has then painted over using brushes and scrapers. Chiming with many currents in contemporary writing and bookmaking, Obrist-O'Brist is an adventure . . . . Pbk, 6.75 x 9 in. / 184 pgs / 102 color.

Text by Hans Ulrich Obrist.

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Walther König, Köln

Indian Highway

Following the rapid economic and cultural developments on the Indian subcontinent in recent years, Indian Highwayis a timely snapshot of a new generation of artists. Its title indicates the significance of the road in migration, as well as the information superhighway” that has driven India's economic boom. A common thread throughout is the political and social engagement of these artists, who include: Ayisha Abraham, Ravi Agarwal, Sarnath Banerjee, Hemali Bhuta, Nikhil Chopra, Desire Machine Collective, Sheela Gowda, Sakshi Gupta, Shilpa Gupta, Subodh Gupta, NS Harsha, Abhishek, Hazra Shanay, Jhaveri, Jitish Kallat, Amar Kanwar, Bharti Kher, Bose Krishnamachari, Nalini Malani, Jagannath Panda, Prajakta Potnis, Raqs Media Collective, Tejal Shah, Valay Shende, Sudarshan Shetty, Dayanita Singh, Sumakshi Singh, Ashok Sukumaran, Shaina Anand, Thukral . . . . Pbk, 8.75 x 10 in. / 320 pgs / 290 color.

Edited by Julia Peyton-Jones, Hans Ulrich Obrist, Gunnar B. Kvaran, Thierry Raspail.

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Gregory R. Miller & Co.

In the Shadow a Shadow: The Work of Joan Jonas

One of the most continuously influential figures of the past half century, Joan Jonas was among the first artists to embrace the forms of video, performance and installation. From her beginnings as a sculptor, and her emergence in the New York art and performance scenes of the 1960s and 70s (including the seminal "Vertical Roll" video piece of 1972, in which the titular television malfunction enacted a memorably fractured female identity), up through her six appearances at Documenta and her performance at the Performa 13 biennial, her work has always been surprising, groundbreaking and necessary. This extensively illustrated volume, containing hundreds of full-color photographs, drawings, scripts and diagrams, presents the definitive collection of Jonas' work. The first and authoritative career-spanning monograph . . . . Clth, 9.5 x 12.75 in. / 536 pgs / 840 color.

Edited with text by Joan Simon. Text by Joan Jonas, Douglas Crimp, Johanna Burton, Barbara Clausen, Richard Serra, Susan Rothenberg.

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JRP|Ringier/BDV Bureau des videos

The Secret Files of Gilbert & George

For the last 40 years Gilbert & George have united and divided the international art scene with equal parts insolence and elegance. Their oeuvre, with its repeating figures and reprising themes of shit, piss, blood, tears, nudity, sperm, alcohol and drugs, overturned the conventions of the twentieth century and helped to set the agenda for the twenty-first. This 35-minute film produced, hosted and edited by the influential international curator Hans Ulrich Obrist is the first documentary to follow Gilbert & George inside their creative process, and into their archives and collection. Obrist discovers the couple's intimate life within the interior of their London house, a veritable museum of obsessions. Beyond good and bad, beyond appearances and objects (negatives, books, press cuttings… . . . . DVD video, PAL Multizone, 5.5 x 7.5 in.

Edited by Nicolas Tremblay. By Hans Ulrich Obrist.

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JRP|Ringier

Yang Fudong: No Snow on the Broken Bridge

Film and Video Installations

Though he trained as a painter at the China Academy of Fine Arts, Yang Fudong, one of the most interesting and influential young artists emerging from China today, has always preferred film. His videos and photographs combine and accumulate perspectives, investigating identity through ancient mythology, personal memory and lived experience. His subjects, often in their late 20s and early 30s, seem confused and appear to be hovering between the past and present, or perhaps China's past and present. That split gives them an expectant quality, as if something is going to happen that never quite does. Yang Fudong seeks, through vignettes, a poetics of place and people as an alternative to the politics of power. No Snow on the Broken Bridge . . . . Paperback, 7.5 x 10 in. / 180 pgs / 70 color / 20 b&w.

Edited by Ziba de Weck. Text by Hans Ulrich Obrist.

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JRP|Ringier

Merz World: Processing the Complicated Order

The evolving artwork and early, all-encompassing installation Merzbau was German Dadaist Kurt Schwitters’ obsession. He began building a fantastical structure inside his Hanover studio in 1923, which he conceived as a project without end. It gradually took over most of the house. He continued to work on it in different locations throughout his life, remarking that the Merzbau contained everything that was important to him. This groundbreaking volume results from the first of a series of Zurich-based symposia on the Merzbau and its legacy in contemporary architecture, art and society. The Symposium Merzbau sets a new standard for further research on Schwitter’s influential project. Edited by curator and writer Hans Ulrich Obrist, this book includes contributions by art historians, critics and . . . . Paperback, 4.25 x 6.5 in. / 124 pgs / 20 color.

Edited by Hans Ulrich Obrist, Adrian Notz. Text by Yona Friedman, Thomas Hirschhorn, Peter Bissegger, Karin Orchard, Gwendolen Webster.

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D.A.P.

On Curating: Interviews with Ten International Curators

By Carolee Thea

On Curating, Carolee Thea's second volume of interviews with ten of today's leading curators, explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. As Thea notes in her introduction, "the biennial or mega-exhibition--a laboratory for experimentation, investigation and aesthetic liberation--is where the curators' experience and knowledge are tested. As they negotiate venues for artistic expression, intellectual critiques and humanistic concerns in their own societies and others, they are challenged by the certainties and uncertainties of a constantly evolving . . . . Pbk, 6.5 x 9.5 in. / 144 pgs / 50 color.

By Carolee Thea. Edited by Thomas Micchelli. Foreword by Hans Ulrich Obrist.

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JRP|Ringier

Philippe Parreno

Philippe Parreno (born 1964) undermines the notion of the discrete, ownable, copyrighted artwork through collaborations with artists such as Douglas Gordon and Pierre Huyghe, performances, dialogue and the cultivation of exhibitions as real-time encounters. This superbly produced monograph, designed by M/M, offers the first substantial inventory of Parreno's work since the late 1980s, covering his multifarious production from film (such as the famous Zidane, a 21st Century Portrait, made with Douglas Gordon, 2006) to spectacle (Il Tempo del Postino, with Hans Ulrich Obrist, 2007). It also includes critical and fictional texts by Maria Lind, Charles Arsène-Henry, Enrique Juncosa and Simon Critchley, as well as an interview by Hans Ulrich Obrist.

. . . . Hbk, 8.75 x 13.25 in. / 256 pgs / 143 color / 25 b&w.

Edited by Christine Macel, Karen Marta. Text by Simon Critchley, Maria Lind, Hans Ulrich Obrist.

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JRP|Ringier

Jennifer Allora & Guillermo Calzadilla

Puerto Rico-based American and Cuban-born Jennifer Allora and Guillermo Calzadilla are known for their playful, socially-involved, sound-based installations, videos and performances. This well-designed volume presents recent works that investigate how power, militarism and war are encoded into sound.

. . . . Hbk, 8.25 x 10.5 in. / 156 pgs / 112 color.

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JRP|Ringier

Hans Ulrich Obrist: Battery City: A Post-Olympic Beijing Mini-Marathon

On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai Weiwei and Cao Fei, writer and publisher Hung Huang, fashion designer Zhang Da and many others. Topics discussed included everyday life in contemporary Chinese society, the impact of the Olympic Games and the role of the internet in daily life.

. . . . Pbk, 4.75 x 8.25 in. / 138 pgs / 30 b&w.

Edited and with text by Hans Ulrich Obrist, Hu Fan.

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Walther König, Köln

Gilbert & George: Art Titles

1967-2010 in Alphabetical Order, Catalogue Raisonné

Gilbert & George Art Titles offers a new spin on the catalogue raisonné: a complete catalogue of the titles of all of the duo's works, from 1970 to the present, in the form of a continuous poetical index. Designed by the artists, it commences with their first performance at Nigel Greenwood Gallery in 1970, "3 Living Pieces"--flanking the title with the year on the left margin and the acronym "LS" ("living sculpture") on the right--and opens out into the more poetical titles for which they are known. The catalogue of works is also printed alphabetically, and each title is identified with an acronym indicating its format. Spanning more than 40 years of exhibitions, pictures, postcards, books and other formats, this volume . . . . Pbk, 6 x 8.5 in. / 180 pgs / illustrated throughout.

Edited by Hans Ulrich Obrist, Inigo Philbrick.

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Walther König, Köln

Elmgreen & Dragset: Trilogy

In their latest monograph, the Danish-Norwegian duo Elmgreen & Dragset address the world of celebrity: rumor-mongering, life in the public eye, the mechanisms of the media, its formation of myths and how those myths endlessly bombard us with staged presentations of the self. Two allegorical installations on celebrity and its implications of "the one" (the celebrity) and "the many" (the rest of us) were devised for the duo's exhibition at the ZKM | Center for Art and Media in Karlsruhe, and are here documented across 100 color plates. In one of the museum's atriums, Elmgreen & Dragset installed a full-scale high-rise apartment block; the other atrium was converted into a neoclassical ballroom. Also documented in this volume are The Welfare Show . . . . Clth, 8 x 10 in. / 384 pgs / 100 color.

Edited by Andreas F. Beitin, Peter Weibel. Text by Tony Benn, Hubert Burda, Tom Mole, Mehdi Belhaj Kacem, Nicolaus Schafhausen, Wolfgang Ullrich, et al. Interview by Hans Ulrich Obrist with Elmgreen & Dragset. Interview by Sacha Goldmann with Paul Virilio.

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Walther König, Köln

Jean Nouvel: Red Summer in Kensington Gardens

Renowned French architect Jean Nouvel designed the Serpentine Gallery's pavilion for 2010, and created a commanding, eye-catching all-red structure designed to mimic the moment "when the summer sun catches you full in the eyes and, as you blink, the world dissolves into red." Also inspired by London's red buses and telephone boxes, this dramatic and seductive pavilion consists of a cantilevered glass wall supporting a central frame, with retractable red canvas awnings, a red rubber floor and, to accommodate its many visitors, a red café bar, red table tennis tables and red hammocks, tables and chairs. "It's architecture on holiday," Nouvel has joked, also describing the pavilion as a "big sunglass." This similarly striking publication, designed by Nouvel, records the project . . . . Pbk, 9 x 10.25 in. / 44 pgs / illustrated throughout.

Edited by Kathryn Rattee. Text by Paul Virilio, Samantha Hardingham. Interview by Julia Peyton-Jones, Hans Ulrich Obrist.

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Walther König, Köln

Matthew Barney: Drawing Restraint Vol.1

This insightful book features a clear PVC cover designed by the artist, printed in silver ink. Barney's sometimes ominous and sometimes sexy black-and white work is highlighted by a 12-page high gloss full color insert--the centerfold, if you will.

. . . . Paperback, 6.5 x 9.25 in. / 96 pgs / 9 color / 46 b&w.

Edited by Hans Ulrich Obrist. Essay by Francis Mckee.

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Marsilio Arte

Fra Angelico

After exploring the language of Gothic painting, the great Tuscan artist Fra Angelico enthusiastically took up the new principles of Renaissance art then emerging in Florence. This volume offers a thorough exploration of the extraordinary talent of this artist, bringing out his capacity for artistic innovation in the service of deep spiritual values.
The book also provides a comprehensive assessment of the current state of research on Angelico. Its scholarly significance is further reinforced by the unprecedented reunion of five altarpieces that have been dismantled over the centuries: the San Piero Martire Altarpiece, the San Domenico Altarpiece in Fiesole, the Compagnia di San Francesco Altarpiece in Santa Croce, the San Marco Altarpiece and the Perugia Altarpiece. While the main panels have stayed . . . . Hbk, 9.5 x 11.5 in. / 456 pgs / 300 color.

Edited with text by Carl Brandon Strehlke. Text by Stefano Casciu, Marco Mozzo, Angelo Tartuferi.

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DelMonico Books

The Lost World: The Art of Minnie Evans

Published with High Museum of Art.

American artist Minnie Evans (1892–1987) once said her drawings of harmoniously intertwined human, botanical and animal forms came from visions of "the lost world," or nations destroyed by the Great Flood as described in the Book of Genesis. As the visions she experienced in childhood became stronger, Evans produced a large body of work ranging from abstract to representational styles. When she turned 56, she transitioned from decades of employment as a domestic worker to collecting admissions at Airlie Gardens in Wilmington, North Carolina. She made art during idle moments and hung it on and near the Gardens' wrought-iron gate. Selling or giving away her drawings to visitors led to a wider reputation and eventually a . . . . Hbk, 9.75 x 10.75 in. / 192 pgs / 157 color / 17 b&w.

Edited with text by Katherine Jentleson. Foreword by Rand Suffolk. Text by Kim Conaty, María Elena Ortiz, Elizabeth Penton, Wayne Evans.

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Guggenheim Museum

Gabriele Münter: Contours of a World

This landmark publication coincides with the major Guggenheim New York exhibition of works by the remarkable German Expressionist Gabriele Münter. Münter’s painting practice between 1908 and 1920 is the central focus of the exhibition and accompanying book. The study also illuminates her lesser-known later work and includes significant examples of her photography taken during earlier extensive travels in the United States. Münter was notably a cofounder of Der Blaue Reiter (The Blue Rider), a loose and transnational confederation of progressive artists and other creatives, with whom she probed the expressive potential of color and the symbolic resonance of forms. Her introspective portraits during World War II capture the new woman” and explore questions of gender identity.
Highlighting more than 90 paintings, drawings . . . . Hbk, 8.75 x 10.75 in. / 176 pgs / 94 color / 66 b&w.

Edited with text by Megan Fontanella. Foreword by Mariët Westermann. Text by Victoria Horrocks, Isabelle Jansen, Iris Müller-Westermann, Dorothy Price.

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The Museum of Modern Art, New York

Ideas of Africa: Portraiture and Political Imagination

At a moment of profound change marked by decolonization and the civil rights period of the mid-20th century, photographers across Africa and the African diaspora used the photographic portrait in order to fuel incipient ideas of Africa. Published in conjunction with a groundbreaking exhibition at the Museum of Modern Art, New York, Ideas of Africa: Portraiture and Political Imagination charts international histories of resistance and liberation up to the present day in order to contend with the construction of Africa as a political idea, and the tools that artists used to forge it.
Featuring more than 100 photographs by renowned artists of the time, such as Seydou Keïta, Malick Sidibé and Jean Depara, and by contemporary artists of African descent, such as . . . . Hbk, 9 x 10.5 in. / 128 pgs / 105 color.

Edited with text by Oluremi C. Onabanjo. Text by Brent Hayes Edwards, Momtaza Mehri, V.Y. Mudimbe, Yasmina Price.

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Fondation Cartier pour l'art contemporain

Tribute to Ferrari

An Exhibition Ahead of Its Time

In 1987, the Fondation Cartier organized a major exhibition honoring one of the 20th century's greatest designers, Enzo Ferrari. The first show devoted to the carmaker since its creation in 1947, Hommage Ferrari was a once-in-a-generation and totally unique showcase of the storied automobile. Thinking outside the box, director Marie-Claude Beaud and designer Andrée Putman created a legendary exhibition including car-size parachutes attached to the vehicles.
Now, 38 years after this exceptional event, the Fondation Cartier is finally publishing the exhibition catalog. Under the direction of editor and journalist Philippe Séclier, who reveals the genesis and production of this exhibition, this book revitalizes the story and legacy of Ferrari through one of its most creative ventures. Full of archival materials, exhibition photographs, . . . . Hbk, 9.5 x 11.5 in. / 244 pgs / 150 color / 60 b&w.

Edited with text by Philippe Séclier. Text by Francesca Picchi, Jean-Louis Moncet. Interview with Jean Todt.

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Marsilio Arte

Maurizio Cattelan: Beware of Yourself

Covering almost 40 years of work from Italian artist and curator Maurizio Cattelan (born 1960), this volume falls somewhere between a catalogue raisonné, a monograph sui generis, an autobiography and a sourcebook. Chapters in which Cattelan discusses recurrent concepts, processes and questions in his practice alternate with specific focuses on works and series of works, exhibitions or special projects, grouped together and arranged as possible trajectories toward a deeper understanding.
Also included are nine essays by Cattelan, written between 1989 and the present day, presented here in their full-length versions with indications of their original contexts. The experience of reading the book is continually renewed through groups of works presented in chronological order, making it possible to trace the evolution of the . . . . Pbk, 6.5 x 9.5 in. / 400 pgs / 300 color.

Edited by Roberta Tenconi, Vicente Todolí, Tatiana Palenzona. Text by Maurizio Cattelan.

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Vitra Design Museum

Catwalk

The Art of the Fashion Show A to Z

Fashion shows are special moments in the fashion industry: simultaneously ritualistic and dreamlike, both commercial and poetic. Their images spread across the globe in real time, shaping our cultural memory. Stage design, performance, clothing, light and sound come together to form a temporary Gesamtkunstwerk—a comprehensive artwork.
Catwalk offers a look behind-the-scenes and explores the fascinating evolution of the fashion show: from its modest beginnings in couturiers' salons around 1900 to the spectacular presentations of the 21st century; from haute couture to prêt-à-porter; from the era of supermodels to the celebration of diversity; from classic catwalk photography to the virtual fashion show. The exhibition catalog is conceived as an encyclopedic A to Z and sheds light on the fashion show phenomenon and its . . . . Hbk, 9 x 11.75 in. / 300 pgs / 265 color.

Edited by Mateo Kries, Jochen Eisenbrand, Katharina Krawczyk. Text by Jochen Eisenbrand, Katharina Krawczyk, Jens Balzer, Caroline Evans, Valerie Steele, Barbara Vinken. Interviews with Cathy Horyn, Malgosia Bela, Lucien Pages, Inge Grognard.

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Museu de Arte de São Paulo Assis Chateaubriand/KMEC Books

Queer Histories

Since 2016, the Museu de Arte de São Paulo Assis Chateaubriand (MASP) has centered its exhibition program on exploring different histories, with each year featuring a large-scale, international and transhistorical group exhibition, paired with an exquisitely produced catalog. Following the bestselling titles Afro-Atlantic Histories and Indigenous Histories, Queer Histories is the next chapter in this cross-cultural, cross-disciplinary survey series exploring underrepresented or marginalized narratives.
Gathering more than 200 artworks from public and private collections in Brazil and abroad, Queer Histories is organized into seven sections: "Love, family and communities," "The sacred and the profane," "Signs and spaces," "Activism and archives," "Survival," "Queer Abstraction" and "Visibility." While many of the artists featured in Queer Histories are working in the wake of the HIV/AIDS . . . . Hbk, 8 x 10.75 in. / 440 pgs / 455 color.

Edited with text by Adriano Pedrosa, Julia Bryan-Wilson. Text by André Mesquita, Leandro Muniz, Teo Teotônio.

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Lars Müller Publishers

We the Bacteria

Notes Toward Biotic Architecture

This provocative book is a manifesto for an alternative architectural philosophy. It treats bacteria as the real architects, construction workers, maintenance crews and inhabitants of buildings. Spanish American architectural historian Beatriz Colomina and New Zealand–born architect Mark Wigley draw on the latest research to rethink the past and possible futures of the built environment, exploring the intimate entanglements of the microbes within bodies and buildings over the last 10,000 years, culminating in the antibiotic philosophy of contemporary architecture. Hostility to bacteria must give way to new forms of hospitality from a more symbiotic architecture that learns from bacteria, embracing them and reconnecting with soil, plants and other species. The main goal of the book is to rethink the very idea of . . . . Pbk, 4.25 x 7 in. / 288 pgs / 180 color.

By Beatriz Colomina and Mark Wigley.

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Valiz

Love and Lightning

A Collection of Queer-Feminist Manifestos

Published with PLURAL Series and Girls Like Us Magazine.

This volume is a thematically ordered, inconclusive collection of queer, feminist and queer-feminist manifestos. Girls Like Us Magazine and author Sarah van Binsbergen have composed a publication showcasing the different forms a manifesto might take, from classical, activist formats to more poetic, associative texts. The manifestos highlighted in this book cross borders, forms and disciplines, refuse binary logics, transcend our concepts of time and space, and surpass neoliberal logic. Love and Lightning does not claim to be a complete index of all queer-feminist manifestos, but rather aims to show the myriad of ways in which such manifestos can be composed, and what their lasting legacy is. The book includes a selection of manifestos . . . . Pbk, 6.75 x 9 in. / 256 pgs / 150 b&w.

Edited by Sarah van Binsbergen, Jessica Gysel, Sara Kaaman, Liz Allan. Text by Sarah van Binsbergen, Liz Allan. Illustrations by Lotte Lara Schröder.

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Valiz

Slow Technology Reader

A Tool for Shaping Divergent Futures

Published with Slow Research Lab.

Following Slow Reader: A Resource for Design Thinking and Practice and Slow Spatial Reader: Chronicles of Radical Affection, Slow Technology Reader gathers contributions from diverse disciplinary fields and knowledge traditions to consider technology through a "Slow" lens. It is at once artistic, academic and speculative, probing alternative potentials of the digital entities proliferating in our midst, examining tools and techniques that have endured the test of time, and looking to non-Western and more-than-human sources to inspire technological futures. This third volume aims to enlarge the parameters of how technology is understood, offering examples and inspiration beyond the limited perspectives and legacy structures that dominate technological development today. It includes the insights of feminist, queer, Indigenous, activist and . . . . Pbk, 6.25 x 8.25 in. / 448 pgs.

Edited with introduction by Carolyn F. Strauss.

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Valiz

Exhibiting for Multiple Senses

Art and Curating for Sensory-Diverse Bodies

Published with PLURAL Series.

Artists and curators have long moved beyond the primacy of the visual in art exhibitions, venturing into other senses. This book traces this shift, gathering curatorial theory, museum research, disability activism and crip theory to demonstrate resonances between curatorial theory and practice and between disability, neurodivergence and crip art activism. Exhibiting for Multiple Senses shares famous and lesser-known examples of experimental exhibitions as well as artistic practices linked to exhibitions. By mobilizing the senses of touch, smell, taste and hearing, as well as applications of multimodal technologies and insights from neuroscience, these examples explore abilities and possibilities of the sensory apparatus that is the human body.
Contributors include: David Bobier, Luca M. Damiani, Stephanie Farmer, David Gissen, Adi Hollander, . . . . Pbk, 6.5 x 9 in. / 256 pgs / 100 b&w.

Edited with text by Eva Fotiadi. Illustrations by Lotte Lara Schröder.

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Hatje Cantz

Fred Herzog: A Color Legacy

Fred Herzog was a master of color photography. His iconic Kodachrome street shots from the 1950s and 1960s capture urban life in warm red-orange tones, offering precise observations of people and city movements. Poetic, witty and always respectful, his images create an intimate atmosphere.
After moving to Vancouver in 1953, Herzog built a vibrant visual tribute to the city. He also traveled to the US, Barbados, Curaçao, Guatemala and Mexico, his Leica always in hand. In an era dominated by black-and-white photography, Herzog's use of color was groundbreaking. His bestseller Modern Color remains celebrated worldwide. Now, newly released photographs from his archive, managed by Equinox Gallery, continue his legacy, offering fresh insight into his unique perspective. These images not only preserve Herzog's . . . . Hbk, 9.5 x 9.5 in. / 144 pgs / 100 color.

Edited with text by Hannah Reinhart, Andy Sylvester.

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Mousse Publishing

Jim Shaw: The Ties that Bind

Study Drawings 2013–2023

Since the 1970s, Los Angeles–based artist Jim Shaw (born 1952) has been developing an exciting body of work that includes photographs, drawings, paintings, sculptures, installations, films and musical performances. The Ties That Bind addresses the commitments and obsessions that drive Shaw's practice: morality, fictional narratives, conspiracy theories and forms of cultural production, to name a few. Popular cultural formats such as comics, Hollywood films and caricatures constitute an essential part of his work, as do religion, folk beliefs, leisure culture and amateur arts. His profound critical exploration of the construction of values and beliefs is complemented by an incredibly rich visual imagery. In recent decades, his body of work has increasingly highlighted the growing tension between conservative and progressive ideologies. The . . . . Pbk, 6.5 x 9.5 in. / 208 pgs / 36 color / 142 b&w.

Foreword by Anne-Claire Schmitz. Text by Calla Henkel, Mark von Schlegell.

PRICE: $40.00 | $30.00
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SKIRA PARIS

Crossed Histories

Gae Aulenti, Ada Louise Huxtable, Phyllis Lambert on Architecture and the City

The book focuses on the impact of women on the postmodern city. To do so, it follows the personal and professional trajectories of three protagonists who, each in their own way, shaped the intellectual and physical environment of their city: Ada Louise Huxtable (1921–2013), through her articles in the New York Times architecture column; Gae Aulenti (1927–2012), with her conversion of Paris' Gare d'Orsay into a museum and the Piazzale Cadorna in Milan; and Phyllis Lambert (born 1927), with her founding of the Canadian Centre for Architecture in Montreal in 1979.
Through documentary and archival images, this catalog documents a turning point in architectural history, when modernity returned to the architectural values of the past and the existing built environment. It also . . . . Hbk, 6.5 x 9.75 in. / 144 pgs / 50 color.

Text by Catherine Bédard, Léa-Cathérine Szacka.

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Walther König, Köln

Hans Ulrich Obrist & Konrad Klapheck: The Conversation Series

Volume 3

In this German-language-only installment of Hans Ulrich Obrist's Conversation Series, the acclaimed curator-conversationalist speaks with the German Pop Surrealist painter Konrad Klapheck, and includes the German conceptual photographer Hans-Peter Feldmann--who was there to document the afternoon's activities with a series of photographic portraits--in the talk. Writing of Klapheck's psycho-erotic "machine" imagery in a 1994 Art in America review, critic Ken Johnson wrote, "What makes Klapheck's pictures compelling is the way the objects he paints are psycho-erotically animated. His machines…are like primitive totems…monumental, amusingly absurd and sexually suggestive." This volume contains generous photo documentation, with many new paintings depicting offbeat human sexual encounters reproduced in color.

. . . . Paperback, 5.5 x 8.25 in. / 68 pgs / 16 color / 21 b&w.

PRICE: $20.00 | $15.00
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Walther König, Köln

Hans Ulrich Obrist & Rem Koolhaas: The Conversation Series

Volume 4

In this traditional paperback, renowned critic and curator Hans Ulrich Obrist teams up with Dutch avant-garde architect and paradigm-shifting intellectual, Rem Koolhaas, for a discussion of Koolhaas's work in China, his designs for Prada, architecture as metaphor, and the development of urbanism in the slipstream of globalization.

. . . . Paperback, 5.5 x 8 in. / 68 pgs.

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Walther König, Köln

Hans Ulrich Obrist & Yona Friedman: The Conversation Series

Volume 7

People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street. Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a sociologist as a designer of buildings, more concerned with the way people interact with their environments than monumental statements by an ego-centric creator. In this illuminating talk with The Conversation Series editor Hans Ulrich Obrist, he touches on the needs of the individual in heterogeneous urban societies, past and future projects, utopia, influences and metaphysics, revealing a wise and deeply-animated humanistic intellect. Known . . . . Paperback, 5.5 x 8.5 in. / 126 pgs / 29 b&w.

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Walther König, Köln

Hans Ulrich Obrist & Gilbert & George: The Conversation Series

Vol. 9

Series editor Hans Ulrich Obrist here collects seven years worth of interviews with the hugely influential British artistic collaborators Gilbert & George, providing an intimate vision of what they consider the most important landmarks in their four-decade-long career together. Many of the conversations are delightfully performative.

. . . . Paperback, 5.25 x 8.25 in. / 192 pgs / 22 b&w.

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Walther König, Köln

Hans Ulrich Obrist & Gustav Metzger: The Conversation Series

Vol. 16

In volume 16 of The Conversation Series, Hans Ulrich Obrist presents an in-depth exchange with the venerable German-born artist and activist Gustav Metzger, which illuminates the artist's fascinating life and 60-year career. In 1959, Metzger penned a manifesto of Auto-destructive art, which states in part, "Auto-destructive paintings, sculptures and constructions have a lifetime varying from a few moments to 20 years. When the disintegrative process is complete, the work is to be removed from the site and scrapped." In this volume, Metzger talks to Obrist about his past and present association with Auto-destructive art, how he has come to fuse his art practice with his political commitment to human rights and ecology, how he escaped the Holocaust at the age of . . . . Pbk, 5.25 x 8.25 in. / 168 pgs / 41 b&w.

Text by Hans Ulrich Obrist, Gustav Metzger.

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Walther König, Köln

Hans Ulrich Obrist & John Baldessari: The Conversation Series Volume 18

Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into the motives and semiotics of his multimedia work and his life as an artist, always expressing himself with precision and with wit. A recurrent topic throughout these discussions is the interaction of text and image (on which so much of Baldessari's work leans), and issues such as the museum as institution, idea archives and unrealized projects, and on his career, exhibitions and retrospectives of the . . . . Pbk, 5.5 x 8.5 in. / 242 pgs / 20 b&w.

Edited by Hans Ulrich Obrist.

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Walther König, Köln

Hans Ulrich Obrist & Jeff Koons: The Conversation Series

Vol. 22

Reflecting on 20 years of making art, Jeff Koons talks to Hans Ulrich Obrist about his vocation and its frequently controversial highlights. Koons makes acknowledgement here of determinative influences such as Marcel Duchamp, Salvador Dalí and Andy Warhol, and elucidates his sense of the legacy of Pop art and his own transformations of that legacy. Koons emerges from this volume as a charmingly open and very focused artist, with strong views on the purposes of art today, and advice for practitioners: See everything as an opportunity. Stay focused, then amazing things can happen.” Koons' goals are also inspiringly utopian and appropriate to all forms of art: The journey of art begins with self-acceptance,” he declares at one point, espousing his ideal . . . . Pbk, 5.25 x 8.25 in. / 123 pgs / 28 b&w.

Edited by Karen Marta.

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