• Hans Ulrich Obrist: Interviews, Books, and Projects


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
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    Walther König, Köln

    Gerhard Richter: Obrist-O’Brist

    Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter's own paintings, which Richter has then painted over using brushes and scrapers. Chiming with many currents in contemporary writing and bookmaking, Obrist-O'Brist is an adventure . . . . Pbk, 6.75 x 9 in. / 184 pgs / 102 color.

    Text by Hans Ulrich Obrist.

    PRICE: $65.00 | $48.75
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    Walther König, Köln/Koenig Books

    Indian Highway

    Following the rapid economic and cultural developments on the Indian subcontinent in recent years, Indian Highwayis a timely snapshot of a new generation of artists. Its title indicates the significance of the road in migration, as well as the information superhighway” that has driven India's economic boom. A common thread throughout is the political and social engagement of these artists, who include: Ayisha Abraham, Ravi Agarwal, Sarnath Banerjee, Hemali Bhuta, Nikhil Chopra, Desire Machine Collective, Sheela Gowda, Sakshi Gupta, Shilpa Gupta, Subodh Gupta, NS Harsha, Abhishek, Hazra Shanay, Jhaveri, Jitish Kallat, Amar Kanwar, Bharti Kher, Bose Krishnamachari, Nalini Malani, Jagannath Panda, Prajakta Potnis, Raqs Media Collective, Tejal Shah, Valay Shende, Sudarshan Shetty, Dayanita Singh, Sumakshi Singh, Ashok Sukumaran, Shaina Anand, Thukral . . . . Pbk, 8.75 x 10 in. / 320 pgs / 290 color.

    Edited by Julia Peyton-Jones, Hans Ulrich Obrist, Gunnar B. Kvaran, Thierry Raspail.

    PRICE: $59.95 | $44.96
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    Gregory R. Miller & Co.

    In the Shadow a Shadow: The Work of Joan Jonas

    One of the most continuously influential figures of the past half century, Joan Jonas was among the first artists to embrace the forms of video, performance and installation. From her beginnings as a sculptor, and her emergence in the New York art and performance scenes of the 1960s and 70s (including the seminal "Vertical Roll" video piece of 1972, in which the titular television malfunction enacted a memorably fractured female identity), up through her six appearances at Documenta and her performance at the Performa 13 biennial, her work has always been surprising, groundbreaking and necessary. This extensively illustrated volume, containing hundreds of full-color photographs, drawings, scripts and diagrams, presents the definitive collection of Jonas' work. The first and authoritative career-spanning monograph . . . . Clth, 9.5 x 12.75 in. / 536 pgs / 840 color.

    Edited with text by Joan Simon. Text by Joan Jonas, Douglas Crimp, Johanna Burton, Barbara Clausen, Richard Serra, Susan Rothenberg.

    PRICE: $85.00 | $63.75
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    JRP|Ringier/BDV Bureau des videos

    The Secret Files of Gilbert & George

    For the last 40 years Gilbert & George have united and divided the international art scene with equal parts insolence and elegance. Their oeuvre, with its repeating figures and reprising themes of shit, piss, blood, tears, nudity, sperm, alcohol and drugs, overturned the conventions of the twentieth century and helped to set the agenda for the twenty-first. This 35-minute film produced, hosted and edited by the influential international curator Hans Ulrich Obrist is the first documentary to follow Gilbert & George inside their creative process, and into their archives and collection. Obrist discovers the couple's intimate life within the interior of their London house, a veritable museum of obsessions. Beyond good and bad, beyond appearances and objects (negatives, books, press cuttings… . . . . DVD video, PAL Multizone, 5.5 x 7.5 in.

    Edited by Nicolas Tremblay. By Hans Ulrich Obrist.

    PRICE: $32.00 | $24.00
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    JRP|Ringier

    Yang Fudong: No Snow on the Broken Bridge

    Film and Video Installations

    Though he trained as a painter at the China Academy of Fine Arts, Yang Fudong, one of the most interesting and influential young artists emerging from China today, has always preferred film. His videos and photographs combine and accumulate perspectives, investigating identity through ancient mythology, personal memory and lived experience. His subjects, often in their late 20s and early 30s, seem confused and appear to be hovering between the past and present, or perhaps China's past and present. That split gives them an expectant quality, as if something is going to happen that never quite does. Yang Fudong seeks, through vignettes, a poetics of place and people as an alternative to the politics of power. No Snow on the Broken Bridge . . . . Paperback, 7.5 x 10 in. / 180 pgs / 70 color / 20 b&w.

    Edited by Ziba de Weck. Text by Hans Ulrich Obrist.

    PRICE: $35.00 | $26.25
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    JRP|Ringier

    Merz World: Processing the Complicated Order

    The evolving artwork and early, all-encompassing installation Merzbau was German Dadaist Kurt Schwitters’ obsession. He began building a fantastical structure inside his Hanover studio in 1923, which he conceived as a project without end. It gradually took over most of the house. He continued to work on it in different locations throughout his life, remarking that the Merzbau contained everything that was important to him. This groundbreaking volume results from the first of a series of Zurich-based symposia on the Merzbau and its legacy in contemporary architecture, art and society. The Symposium Merzbau sets a new standard for further research on Schwitter’s influential project. Edited by curator and writer Hans Ulrich Obrist, this book includes contributions by art historians, critics and . . . . Paperback, 4.25 x 6.5 in. / 124 pgs / 20 color.

    Edited by Hans Ulrich Obrist, Adrian Notz. Text by Yona Friedman, Thomas Hirschhorn, Peter Bissegger, Karin Orchard, Gwendolen Webster.

    PRICE: $15.00 | $11.25
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    D.A.P./Distributed Art Publishers

    On Curating: Interviews with Ten International Curators

    By Carolee Thea

    On Curating, Carolee Thea's second volume of interviews with ten of today's leading curators, explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. As Thea notes in her introduction, "the biennial or mega-exhibition--a laboratory for experimentation, investigation and aesthetic liberation--is where the curators' experience and knowledge are tested. As they negotiate venues for artistic expression, intellectual critiques and humanistic concerns in their own societies and others, they are challenged by the certainties and uncertainties of a constantly evolving . . . . Pbk, 6.5 x 9.5 in. / 144 pgs / 50 color.

    By Carolee Thea. Edited by Thomas Micchelli. Foreword by Hans Ulrich Obrist.

    PRICE: $29.95 | $22.46
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    JRP|Ringier

    Jennifer Allora & Guillermo Calzadilla

    Puerto Rico-based American and Cuban-born Jennifer Allora and Guillermo Calzadilla are known for their playful, socially-involved, sound-based installations, videos and performances. This well-designed volume presents recent works that investigate how power, militarism and war are encoded into sound.

    . . . . Hbk, 8.25 x 10.5 in. / 156 pgs / 112 color.


    PRICE: $55.00 | $41.25
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    JRP|Ringier

    Hans Ulrich Obrist: Battery City: A Post-Olympic Beijing Mini-Marathon

    On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai Weiwei and Cao Fei, writer and publisher Hung Huang, fashion designer Zhang Da and many others. Topics discussed included everyday life in contemporary Chinese society, the impact of the Olympic Games and the role of the internet in daily life.

    . . . . Pbk, 4.75 x 8.25 in. / 138 pgs / 30 b&w.

    Edited and with text by Hans Ulrich Obrist, Hu Fan.

    PRICE: $19.95 | $14.96
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    Walther König, Köln

    Gilbert & George: Art Titles

    1967-2010 in Alphabetical Order, Catalogue Raisonné

    Gilbert & George Art Titles offers a new spin on the catalogue raisonné: a complete catalogue of the titles of all of the duo's works, from 1970 to the present, in the form of a continuous poetical index. Designed by the artists, it commences with their first performance at Nigel Greenwood Gallery in 1970, "3 Living Pieces"--flanking the title with the year on the left margin and the acronym "LS" ("living sculpture") on the right--and opens out into the more poetical titles for which they are known. The catalogue of works is also printed alphabetically, and each title is identified with an acronym indicating its format. Spanning more than 40 years of exhibitions, pictures, postcards, books and other formats, this volume . . . . Pbk, 6 x 8.5 in. / 180 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Inigo Philbrick.

    PRICE: $19.95 | $14.96
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    Walther König, Köln

    Elmgreen & Dragset: Trilogy

    In their latest monograph, the Danish-Norwegian duo Elmgreen & Dragset address the world of celebrity: rumor-mongering, life in the public eye, the mechanisms of the media, its formation of myths and how those myths endlessly bombard us with staged presentations of the self. Two allegorical installations on celebrity and its implications of "the one" (the celebrity) and "the many" (the rest of us) were devised for the duo's exhibition at the ZKM | Center for Art and Media in Karlsruhe, and are here documented across 100 color plates. In one of the museum's atriums, Elmgreen & Dragset installed a full-scale high-rise apartment block; the other atrium was converted into a neoclassical ballroom. Also documented in this volume are The Welfare Show . . . . Clth, 8 x 10 in. / 384 pgs / 100 color.

    Edited by Andreas F. Beitin, Peter Weibel. Text by Tony Benn, Hubert Burda, Tom Mole, Mehdi Belhaj Kacem, Nicolaus Schafhausen, Wolfgang Ullrich, et al. Interview by Hans Ulrich Obrist with Elmgreen & Dragset. Interview by Sacha Goldmann with Paul Virilio.

    PRICE: $59.95 | $44.96
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    Walther König/Koenig Books

    Jean Nouvel: Red Summer in Kensington Gardens

    Renowned French architect Jean Nouvel designed the Serpentine Gallery's pavilion for 2010, and created a commanding, eye-catching all-red structure designed to mimic the moment "when the summer sun catches you full in the eyes and, as you blink, the world dissolves into red." Also inspired by London's red buses and telephone boxes, this dramatic and seductive pavilion consists of a cantilevered glass wall supporting a central frame, with retractable red canvas awnings, a red rubber floor and, to accommodate its many visitors, a red café bar, red table tennis tables and red hammocks, tables and chairs. "It's architecture on holiday," Nouvel has joked, also describing the pavilion as a "big sunglass." This similarly striking publication, designed by Nouvel, records the project . . . . Pbk, 9 x 10.25 in. / 44 pgs / illustrated throughout.

    Edited by Kathryn Rattee. Text by Paul Virilio, Samantha Hardingham. Interview by Julia Peyton-Jones, Hans Ulrich Obrist.

    PRICE: $44.95 | $33.71
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    Walther König, Köln

    Matthew Barney: Drawing Restraint Vol.1

    This insightful book features a clear PVC cover designed by the artist, printed in silver ink. Barney's sometimes ominous and sometimes sexy black-and white work is highlighted by a 12-page high gloss full color insert--the centerfold, if you will.

    . . . . Paperback, 6.5 x 9.25 in. / 96 pgs / 9 color / 46 b&w.

    Edited by Hans Ulrich Obrist. Essay by Francis Mckee.

    PRICE: $75.00 | $56.25
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  • New Books and Catalogues Releasing This Week


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    DelMonico Books

    Ron Finley: The Gangsta Gardener

    Breath(e), Toward Climate and Social Justice

    Ron Finley is a visionary designer, horticulturalist and artist, who has changed the perception of concrete spaces using only a seed and a shovel. Known as the "Gangsta Gardener," Finley's transformative work in South Central Los Angeles has redefined what it means to grow food and regenerate communities. His gardening initiatives through the Ron Finley Project reclaim and redesign neglected urban spaces such as abandoned lots, shelters, traffic medians and curb strips. This enables Finley to bring fresh, organic produce to food deserts, while also sparking local and international movements toward food sovereignty and communal reciprocity. This volume chronicles Finley's community work, illuminating how he encourages underserved communities to take charge of their own self-determination, using shovels as an antidote to . . . . Hbk, 8 x 10 in. / 72 pgs / 85 color.

    Foreword by Glenn Kaino, Mika Yoshitake. Text by Ron Finley.

    PRICE: $29.95 | $22.46
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    Twin Palms Publishers

    Henry O. Head: Twelve Acres

    In this debut monograph, American photographer Henry O. Head reimagines the peaks and valleys of a defining teenage friendship in the Ozark hills where he spent his adolescence. From spring 2023 through summer 2024, Head revisited the terrain of northwest Arkansas and southwest Missouri—wild country with limestone bluffs shot through with quartz, where cottonmouths coil on exposed roots by slow creeks and alligator gar glide like phantoms through the dark. Twelve Acres recalls a boyhood outside city limits, away from institutions and the pressures of social order. In a progression through the seasons, a restlessness presses in, a longing to stave off the rupture of entering an adult reality, with its mundanity and responsibilities. In this meditation on personal history, worlds . . . . Hbk, 10 x 12 in. / 96 pgs / 51 tritone.

    Edited by Henry O. Head, Bryan Schutmaat. Text by Alyssah Morrison.

    PRICE: $85.00 | $63.75
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    Kaya Press

    I Will Not Go

    Translations, Transformations, and Chutney Fractals

    In a new groundbreaking anthology, award-winning poet, memoirist and translator Rajiv Mohabir (born 1981) engages with Indo-Caribbean language and culture, this time by inviting 17 diasporic writers to experiment with their own personal interpretations of two famous Chutney songs. Chutney music is a syncretic, Caribbean music born out of North Indian tunes and African beats. Caribbean Hindustani songs and poems, the basis for Chutney music, are no longer spoken with the frequency that they were two generations ago. To this end, Mohabir asked some of the most exciting Caribbean writers and poets working today to translate” two popular Chutney songs. A Caribbean diasporic response in the manner of Eliot Weinberger’s Nineteen Ways of Looking at Wang Wei, this book expands on . . . . Pbk, 6 x 8.75 in. / 204 pgs.

    Edited by Rajiv Mohabir.

    PRICE: $18.95 | $14.21
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    Inventory Press

    A *Co-* Program for Graphic Design

    This volume expands David Reinfurt’s uniquely pragmatic and experimental approach to pedagogy into a collaborative project that weaves together a multiplicity of voices to present a polyphonic approach to design history and teaching. Three of Reinfurt’s new Princeton University graphic design courses—C-i-r-c-u-l-a-t-i-o-n, M-u-l-t-p-l-i-c-i-t-y and R-e-s-e-a-r-c-h—developed explicitly in the context of remote teaching and in light of urgent realignments around whose stories get told and who does the telling, are presented in this follow-up to A *New* Program for Graphic Design (Inventory Press/D.A.P., 2018). C-i-r-c-u-l-a-t-i-o-n examines the distribution networks for graphic design including electronic and conventional means. M-u-l-t-p-l-i-c-i-t-y, taught with mathematics professor Philip Ording, explores graphic design from the perspective of topology and topology through the practice of graphic design. R-e-s-e-a-r-c-h is . . . . Pbk, 6 x 9 in. / 256 pgs / 290 color / 40 b&w.

    By David Reinfurt. Text by Danielle Aubert, Tauba Auerbach, Barbara Glauber, Shannon Harvey, Adam Michaels, Philip Ording, Adam Pendleton.

    PRICE: $29.95 | $22.46
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    Letterform Archive Books

    Calligraphic Menagerie

    Sourced from Letterform Archive’s collection of historic writing manuals—books in which Europe’s leading scribes showed off their talents—this set of 20 unique notecards with accompanying envelopes delightfully displays hand-drawn animals made with ink and pen. Dogs, cats, bears, elephants, lions, dragonflies, peacocks, swans and more are reproduced in bright hues on an array of colorful backgrounds. These technically masterful and playfully expressive artworks by famed calligraphers such as Jan van de Velde, John Seddon and Joseph Friedrich Leopold make ideal companions for handwritten messages of all kinds. Presented in an elegant foil-stamped box, this set is the perfect gift for all animal-loving pen pals.



    . . . . Boxed, 5.5 x 4 in. / 20 color notecards and envelopes.


    PRICE: $25.00 | $18.75
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    Hatje Cantz

    Sheila Hicks: A Little Bit of a Lot of Things

    American artist Sheila Hicks (born 1934) has made wool, linen and silk her central mediums, pushing the boundaries of traditional textile art. Her works combine color, form and material in novel ways and explore architectural dimensions while drawing upon Indigenous crafting techniques from South America and South Asia. As a pioneer of textile conceptual art, Hicks has developed a distinctive visual language over five decades, from finely woven miniatures to monumental installations that open up new perspectives on the possibilities of art. With lay-flat sewn binding and an exposed spine, A Little Bit of a Lot of Things is designed to emulate Hicks' playful, imaginative practice. The bilingual English/German volume contains views of her exhibition at the Kunstmuseum St. Gallen as . . . . Pbk, 6 x 8.5 in. / 264 pgs / 500 color.

    Edited with text by Gianni Jetzer. Text by Robert Storr.

    PRICE: $65.00 | $48.75
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    Hatje Cantz

    Fred Herzog: Modern Color

    Fred Herzog is best known for his unusual use of color photography in the 1950s and 1960s, a time when art photography was almost exclusively associated with black-and-white imagery. In this respect, his photographs can be seen as prefiguring the New Color photographers of the 1970s. The Canadian photographer worked largely with Kodachrome slide film for over 50 years, and only in the past decade has technology allowed him to make archival pigment prints that match the exceptional color and intensity of the Kodachrome slide, making this an excellent time to reevaluate and reexamine his work.

    This book brings together over 230 images, many never before reproduced, and features essays by acclaimed authors David Campany, Hans-Michael Koetzle and artist Jeff Wall. Fred . . . . Hbk, 10.5 x 10.5 in. / 320 pgs / 230 color.

    Text by David Campany, Hans-Michael Koetzle, Jeff Wall.

    PRICE: $60.00 | $45.00
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    Letterform Archive Books

    Japan Moderne: Design Gems from the 1920s and ’30s

    This set of 40 postcards features 20 favorite designs from a spectacular sourcebook of Deco-era Japanese design. Launched in the late 1920s, The Complete Commercial Artist (Gendai shogyo bijutsu zenshu) showcased work by Japan’s early design visionaries in 24 volumes discussing posters, window displays, lighted signs and more. The colorful selections featured in this stationery set include a dashing dalmatian and handsome hat rack, as well as designs for radios and pens, adorable cat-shaped arches, geometric character designs and modernist illustrations with jazz performers and bob-haired women prepping for a night on the town. With artwork by Sugiura Hisui, Murayama Tomoyoshi, Hamada Masuji and other leading graphic artists of the era, these retro postcards deliver a pop of mailable moderne in . . . . Boxed, 7 x 5 in. / 40 color notecards.


    PRICE: $22.95 | $17.21
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    Louisiana Museum of Modern Art

    Sonia Delaunay

    Sonia Delaunay was a true pioneer of modernist abstraction; breaking with the figurative vocabulary that subordinated color to subject matter, she placed dynamic color interaction at the core of her vision, whether expressed through painting, book illustration or costume and textile design. Drawing inspiration from both traditional Russian crafts and the modern frenetic metropolis, Delaunay’s work reflects the drastic changes ushered in by industrialization. Through her polyvalent practice, Delaunay helped construct the new modern woman that she herself embodied: equal parts avant-gardist, creative entrepreneur and businesswoman.
    This richly illustrated catalog showcases the range of Delaunay’s work as it unfolded over 60 years, from abstract paintings and works on paper to textile design, garments, fashion photography, books and carpets—even a brightly colored sports . . . . Hbk, 8.5 x 10.25 in. / 96 pgs / 150 color / 40 b&w.

    Edited by Lærke Rydal Jørgensen, Tine Colstrup. Foreword by Poul Erik Tøjner. Text by Tine Colstrup, Griselda Pollock, Anne Montfort-Tanguy, Matteo De Leeuw-De Monti, Cécile Godefroy.

    PRICE: $30.00 | $22.50
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    Wakefield Press

    Waystations of the Deep Night

    First published in France in the dark year of 1942, the story collection Waystations of the Deep Night remains the best-known of Marcel Brion’s numerous novels and stories in the vein of the strange and the fantastic. The journeys in this volume carry the reader through the surreal vistas of an underground city that appears aboveground as a bizarre theater of facades and a fire-ravaged landscape where souls turn to ash. A young castrato sings his heart out in a lost baroque garden; a child falls under the fateful spell of an enchanted painting; a traveler in a burned-out landscape encounters the Prince of Death; and dancing cats engage in mortal combat in the cellars of an abandoned port city.

    A self-declared . . . . Pbk, 5.5 x 8 in. / 256 pgs.

    By Marcel Brion. Introduction by George MacLennan. Translation by George MacLennan, Edward Gauvin.

    PRICE: $16.95 | $12.71
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    Pioneer Works Press

    American Artist: Shaper of God

    The richly illustrated Shaper of God is a compelling exploration of the legacy of science-fiction writer Octavia E. Butler (1947–2006), reimagined through the visionary lens of American Artist (born 1989). American Artist’s multidisciplinary approach delves into three pivotal themes of Butler’s oeuvre: the profound impact of her family’s migration; the role of Pasadena and Los Angeles, with their distinct academic, scientific and natural landscapes; and her critical engagement with space exploration, interrogating its implications for Black and Indigenous communities. This book features American Artist’s video, installation, sculpture and drawing, alongside essays, exhibition documentation and a compilation of diverse mediums, including sketches, digital communications and archival materials, inviting readers to reconsider history, technology and identity. This volume is an essential resource for . . . . Pbk, 5.5 x 8 in. / 294 pgs / 83 color / 47 b&w.

    Edited by Zainab Aliyu. Text by American Artist, Taylor Renee Aldridge, Lou Cornum, Tananarive Due, Alexis Pauline Gumbs, Ayana Jamieson, Fred Moten.

    PRICE: $35.00 | $26.25
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    Karma Books, New York

    Verne Dawson: To hear a story to its end

    Engaging ancient knowledge systems as well as the long history of direct painting, Alabama-born artist Verne Dawson (born 1955) depicts imagined futures and forgotten pasts. In billowing, gestural marks that often evanesce into abstraction, and working from both observation and memory, the artist contends with subjects including the cyclicality of time, fairy tales and folklore, Ice Age symbolism, astronomy and the emergence and destruction of the natural world, ultimately revealing their interconnectedness. Dawson's paintings, Jennifer Krasinski writes, "call upon viewers to practice a quality of depth perception to see what other wisdoms are stowed inside of symbolic orders and archetypes, popular objects and classic genres—and to better apprehend all that is known of this world and those that spin alongside it." . . . . Hbk, 10.25 x 11 in. / 384 pgs / 286 color.

    Text by Jennifer Krasinski, Verne Dawson. Interview by Deborah Solomon.

    PRICE: $60.00 | $45.00
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    Hatje Cantz

    World Press Photo Yearbook 2025

    English Edition

    Since 1955, the annual World Press Photo Contest has set the standard in visual journalism. The 2025 Yearbook showcases the most striking press photographs and compelling reports from 2024, carefully selected from thousands of entries by six regional and one global jury of acclaimed independent professionals.
    Providing a diversity of perspectives from all over the world, the awarded works bear witness to the events that shaped this past year and document in long-term projects the ongoing issues we face. Recognizing the importance of photojournalism and documentary photography at a time when truth is so contested, the awarded images share courageous stories and present invaluable insight—from war zones, the struggle for civil rights and political empowerment to the visible effects of the climate . . . . Hbk, 7.5 x 9.75 in. / 240 pgs / 200 color / 50 b&w.

    Introduction and text by Joumana El Zein Khoury.

    PRICE: $40.00 | $30.00
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    Temblores Publicaciones

    Paloma Contreras Lomas: Ancestral Fears May Return

    In Ancestral Fears May Return, Mexican artist Paloma Contreras Lomas (born 1991) delves into the intricate relationship between art and writing, showcasing her artistic practice through a novel, a collection of short stories and an album of images of her art. In this compelling work, she examines the complicity of the landscape in the violence that permeates Mexico, addressing the various facets of patriarchy in everyday life and its underlying power structures. The fears she portrays are experiences that transcend individual lives, inherited from generation to generation, carrying with them the ghosts of the violence that Mexico has endured since its formation. In this multimedia intervention, Contreras Lomas addresses subjects such as gender, violence, class segregation and postcolonialism. In her practice, . . . . Pbk, 8.25 x 11 in. / 208 pgs / 48 color / 160 b&w.

    Edited by Jesús A. Villalobos Fuentes. Text by Paloma Contreras Lomas.

    PRICE: $28.00 | $21.00
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    MUBI Editions

    Read Frame Type Film: Or, Written on the Screen

    From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of mainstream cinema, where the work of renowned title designers such as Saul Bass and Pablo Ferro has gained critical consideration, these textual—and visual—elements have often been overlooked. In Read Frame Type Film: Or, Written on the Screen, film curator Enrico Camporesi, graphic design historian Catherine de Smet and designer Philippe Millot aim to address this gap by focusing on an often neglected field: experimental and artists’ films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou in Paris that offer unique perspectives on . . . . Hbk, 13.5 x 9.5 in. / 180 pgs / 100 color / 100 b&w.

    Edited with text by Enrico Camporesi, Catherine de Smet, Philippe Millot.

    PRICE: $55.00 | $41.25
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  • JRP|Ringier

    A Brief History of Curating

    Edited by Hans Ulrich Obrist.
    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's ...
    Paperback, 6 x 8 in. / 200 pgs.

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    REGULAR PRICE: $24.95
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  • Walther König, Köln

    Gerhard Richter: Obrist-O’Brist

    Text by Hans Ulrich Obrist.
    Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter's own paintings, which Richter has ...
    Pbk, 6.75 x 9 in. / 184 pgs / 102 color.

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  • Walther König, Köln/Koenig Books

    Indian Highway

    Edited by Julia Peyton-Jones, Hans Ulrich Obrist, Gunnar B. Kvaran, Thierry Raspail.
    Following the rapid economic and cultural developments on the Indian subcontinent in recent years, Indian Highwayis a timely snapshot of a new generation of artists. Its title indicates the significance of the road in migration, as well as the information superhighway” that has driven India's economic boom. A common thread throughout is the political and social engagement of these artists, who include: Ayisha Abraham, Ravi Agarwal, Sarnath Banerjee, Hemali Bhuta, Nikhil Chopra, Desire Machine Collective, Sheela Gowda, Sakshi Gupta, Shilpa Gupta, Subodh Gupta, NS Harsha, Abhishek, Hazra Shanay, Jhaveri, Jitish Kallat, Amar Kanwar, Bharti Kher, Bose Krishnamachari, Nalini Malani, Jagannath Panda, ...
    Pbk, 8.75 x 10 in. / 320 pgs / 290 color.

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  • Gregory R. Miller & Co.

    In the Shadow a Shadow: The Work of Joan Jonas

    Edited with text by Joan Simon. Text by Joan Jonas, Douglas Crimp, Johanna Burton, Barbara Clausen, Richard Serra, Susan Rothenberg.
    One of the most continuously influential figures of the past half century, Joan Jonas was among the first artists to embrace the forms of video, performance and installation. From her beginnings as a sculptor, and her emergence in the New York art and performance scenes of the 1960s and 70s (including the seminal "Vertical Roll" video piece of 1972, in which the titular television malfunction enacted a memorably fractured female identity), up through her six appearances at Documenta and her performance at the Performa 13 biennial, her work has always been surprising, groundbreaking and necessary. This extensively illustrated volume, containing hundreds ...
    Clth, 9.5 x 12.75 in. / 536 pgs / 840 color.

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  • JRP|Ringier/BDV Bureau des videos

    The Secret Files of Gilbert & George

    Edited by Nicolas Tremblay. By Hans Ulrich Obrist.
    For the last 40 years Gilbert & George have united and divided the international art scene with equal parts insolence and elegance. Their oeuvre, with its repeating figures and reprising themes of shit, piss, blood, tears, nudity, sperm, alcohol and drugs, overturned the conventions of the twentieth century and helped to set the agenda for the twenty-first. This 35-minute film produced, hosted and edited by the influential international curator Hans Ulrich Obrist is the first documentary to follow Gilbert & George inside their creative process, and into their archives and collection. Obrist discovers the couple's intimate life within the interior of ...
    DVD video, PAL Multizone, 5.5 x 7.5 in.

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  • JRP|Ringier

    Yang Fudong: No Snow on the Broken Bridge

    Edited by Ziba de Weck. Text by Hans Ulrich Obrist.
    Though he trained as a painter at the China Academy of Fine Arts, Yang Fudong, one of the most interesting and influential young artists emerging from China today, has always preferred film. His videos and photographs combine and accumulate perspectives, investigating identity through ancient mythology, personal memory and lived experience. His subjects, often in their late 20s and early 30s, seem confused and appear to be hovering between the past and present, or perhaps China's past and present. That split gives them an expectant quality, as if something is going to happen that never quite does. Yang Fudong seeks, through vignettes, ...
    Paperback, 7.5 x 10 in. / 180 pgs / 70 color / 20 b&w.

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  • The Conversation Series


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Walther König, Köln

    Hans Ulrich Obrist & Konrad Klapheck: The Conversation Series

    Volume 3

    In this German-language-only installment of Hans Ulrich Obrist's Conversation Series, the acclaimed curator-conversationalist speaks with the German Pop Surrealist painter Konrad Klapheck, and includes the German conceptual photographer Hans-Peter Feldmann--who was there to document the afternoon's activities with a series of photographic portraits--in the talk. Writing of Klapheck's psycho-erotic "machine" imagery in a 1994 Art in America review, critic Ken Johnson wrote, "What makes Klapheck's pictures compelling is the way the objects he paints are psycho-erotically animated. His machines…are like primitive totems…monumental, amusingly absurd and sexually suggestive." This volume contains generous photo documentation, with many new paintings depicting offbeat human sexual encounters reproduced in color.

    . . . . Paperback, 5.5 x 8.25 in. / 68 pgs / 16 color / 21 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Rem Koolhaas: The Conversation Series

    Volume 4

    In this traditional paperback, renowned critic and curator Hans Ulrich Obrist teams up with Dutch avant-garde architect and paradigm-shifting intellectual, Rem Koolhaas, for a discussion of Koolhaas's work in China, his designs for Prada, architecture as metaphor, and the development of urbanism in the slipstream of globalization.

    . . . . Paperback, 5.5 x 8 in. / 68 pgs.


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    Walther König, Köln

    Hans Ulrich Obrist & Yona Friedman: The Conversation Series

    Volume 7

    People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street. Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a sociologist as a designer of buildings, more concerned with the way people interact with their environments than monumental statements by an ego-centric creator. In this illuminating talk with The Conversation Series editor Hans Ulrich Obrist, he touches on the needs of the individual in heterogeneous urban societies, past and future projects, utopia, influences and metaphysics, revealing a wise and deeply-animated humanistic intellect. Known . . . . Paperback, 5.5 x 8.5 in. / 126 pgs / 29 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Gilbert & George: The Conversation Series

    Vol. 9

    Series editor Hans Ulrich Obrist here collects seven years worth of interviews with the hugely influential British artistic collaborators Gilbert & George, providing an intimate vision of what they consider the most important landmarks in their four-decade-long career together. Many of the conversations are delightfully performative.

    . . . . Paperback, 5.25 x 8.25 in. / 192 pgs / 22 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Gustav Metzger: The Conversation Series

    Vol. 16

    In volume 16 of The Conversation Series, Hans Ulrich Obrist presents an in-depth exchange with the venerable German-born artist and activist Gustav Metzger, which illuminates the artist's fascinating life and 60-year career. In 1959, Metzger penned a manifesto of Auto-destructive art, which states in part, "Auto-destructive paintings, sculptures and constructions have a lifetime varying from a few moments to 20 years. When the disintegrative process is complete, the work is to be removed from the site and scrapped." In this volume, Metzger talks to Obrist about his past and present association with Auto-destructive art, how he has come to fuse his art practice with his political commitment to human rights and ecology, how he escaped the Holocaust at the age of . . . . Pbk, 5.25 x 8.25 in. / 168 pgs / 41 b&w.

    Text by Hans Ulrich Obrist, Gustav Metzger.

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    Walther König, Köln

    Hans Ulrich Obrist & John Baldessari: The Conversation Series Volume 18

    Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into the motives and semiotics of his multimedia work and his life as an artist, always expressing himself with precision and with wit. A recurrent topic throughout these discussions is the interaction of text and image (on which so much of Baldessari's work leans), and issues such as the museum as institution, idea archives and unrealized projects, and on his career, exhibitions and retrospectives of the . . . . Pbk, 5.5 x 8.5 in. / 242 pgs / 20 b&w.

    Edited by Hans Ulrich Obrist.

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    Walther König, Köln

    Hans Ulrich Obrist & Jeff Koons: The Conversation Series

    Vol. 22

    Reflecting on 20 years of making art, Jeff Koons talks to Hans Ulrich Obrist about his vocation and its frequently controversial highlights. Koons makes acknowledgement here of determinative influences such as Marcel Duchamp, Salvador Dalí and Andy Warhol, and elucidates his sense of the legacy of Pop art and his own transformations of that legacy. Koons emerges from this volume as a charmingly open and very focused artist, with strong views on the purposes of art today, and advice for practitioners: See everything as an opportunity. Stay focused, then amazing things can happen.” Koons' goals are also inspiringly utopian and appropriate to all forms of art: The journey of art begins with self-acceptance,” he declares at one point, espousing his ideal . . . . Pbk, 5.25 x 8.25 in. / 123 pgs / 28 b&w.

    Edited by Karen Marta.

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    Walther König, Köln

    Hans Ulrich Obrist & Dan Graham: Conversation Series

    Volume 25

    Since the mid-1960s when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture. For this volume, curator Hans Ulrich Obrist met with Graham on several occasions to discuss the artist's work, life and the numerous interests he passionately follows. The conversation thus wanders seamlessly from architecture to rock and roll, philosophy to astrology, Graham's early performance pieces, photography and articles, to the films and glass pavilions for which he is best known today. A fountain of art folklore, Graham offers recollections of friends and colleagues, art work and influences, providing an invaluable insight not only into the . . . . Pbk, 5.5 x 8.5 in. / 134 pgs.

    Edited by Hans Ulrich Obrist.

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  • HANS ULRICH OBRIST


    "Curators should be book machines."

  • HANS ULRICH OBRIST ON THE INTERVIEW PROJECT

    "Over the last years I have felt an increasing urgency to do more and more interviews, to make an effort to preserve traces of intelligence from past decades, particularly the 20th century pioneers who are in their 80s or 90s or even older, testimonies of the century past from those who are not online and thus who might fall into oblivion. The Interviews Project acts as "a hedge against the systematic forgetting," that, according to Rem Koolhaas, "hides at the core of the Information Age and which may in fact be its secret agenda." The Project enacts what Eric Hobsbawm has called a "protest against forgetting."

    The Institute of the 21st Century is dedicated to preserving and sharing Hans Ulrich Obrist’s Interview Project Archive, advocating the voices of the world’s most important artists and thinkers.

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