Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays
Susan Meiselas is an award-winning documentary photographer represented by Magnum and best-known for her work in Central America. Her photographs have appeared worldwide in the pages of Time, the New York Times,Paris Match and Life, among others. A 1992 MacArthur fellow, Meiselas has edited a number of books, including Learn to See, Chile from Within and Kurdistan: In the Shadow of History, and has published the photographic books Pandora's Box and Carnival Strippers. Encounters with the Dani accompanies her multimedia installation for the 2003 ICP Triennial of Photography and Video: Strangers.
Published by Steidl/C/O Berlin. Text by Felix Hoffmann and Abigail Solomon-Godeau
From 1972 to 1975, Susan Meiselas spent her summers photographing women who performed striptease for small-town carnivals in New England, Pennsylvania and South Carolina. As she followed the shows from town to town, she captured the dancers on stage and off, their public performances as well as their private lives, creating a portrait both documentary and empathetic: “The recognition of this world is not the invention of it. I wanted to present an account of the girl show that portrayed what I saw and revealed how the people involved felt about what they were doing.” Meiselas also taped candid interviews with the dancers, their boyfriends, the show managers and paying customers, which form a crucial part of the book. Meiselas’ frank description of these women brought a hidden world to public attention, and explored the complex role the carnival played in their lives: mobility, money and liberation, but also undeniable objectification and exploitation. Produced during the early years of the women’s movement, Carnival Strippers reflects the struggle for identity and self-esteem that characterized a complex era of change. Carnival Strippers Revisited and Making Of come together in a slipcase. Making Of includes color images from Carnival Strippers that have never been printed and/or published before, along with ephemera material collected by Meiselas at the time she developed the project. Born in Maryland in 1938, Susan Meiselas has worked as a freelance documentary photographer since joining Magnum Photos in 1976. Her images, particularly those covering the hostilities in Central America during the insurrection, have been widely published and exhibited. Meiselas’ many books include Carnival Strippers (1976), Nicaragua (1981), Kurdistan: In the Shadow of History (1997), a project on the 100-year photographic history of Kurdistan, Pandora’s Box (2001), exploring a New York S&M club, and Tar Beach (2020).
Published by Damiani. Foreword by Martin Scorsese.
A Chicago Tribune 2020 holiday gift guide pick
In Tar Beach, photographer and Little Italy resident Susan Meiselas (born 1948) brings together found pictures that were made, kept and gathered by various families who handed them down from 1940 to the early 1970s. Reflections from the community offer perspectives of multiple generations, as local author Angel Marinaccio says: “If you had an accomplishment—communion, confirmation, wedding, graduation or birthday, you‘d dress up in your best outfit and go to the rooftop to take pictures and celebrate with your family.”
The introduction to Tar Beach is written by renowned filmmaker Martin Scorsese, who grew up on the streets portrayed in this collection. He writes: “The roof was our escape hatch and it was our sanctuary. The endless crowds, the filth and the grime, the constant noise, the chaos, the claustrophobia, the non-stop motion of everything … you would walk up that flight of stairs, open the door, and you were above it all. You could breathe. You could dream. You could be.”
Meiselas, along with two of her neighbors, Angel Marinaccio and Virginia Bynum, collected and curated these vernacular photographs and memories to convey the feeling of this special place and time in the daily lives of Italian immigrants as they made their way to becoming part of American culture.
Published by Damiani. Foreword by Carles Guerra, Marta Gili. Text by Ariella Azoulay, Eduardo Cadava, Carles Guerra, Marianne Hirsch, Kristen Lubben, Isin Onol, Pia Viewing.
A member of Magnum Photos since 1976, Susan Meiselas became known for her work in the conflict zones of Central America in the 1970s and '80s and for the strength of her color photography. Covering many subjects and countries, from war to human-rights issues and from cultural identity to the sex industry, Meiselas uses photography, film, video and sometimes archive material, as she relentlessly explores and develops narratives integrating the participation of her subjects in her works. Meiselas constantly questions the photographic process and her role as witness.
Presenting a selection of works from the 1970s through the present day, Susan Meiselas: Mediations retraces her trajectory from the 1970s to the present. Published to accompany a major traveling retrospective of the photographer’s work, it features an illustrious list of contributors that includes Ariella Azoulay, Eduardo Cadava and Kristin Lubben, among others.
Susan Meiselas (born 1948) studied at Sarah Lawrence College and Harvard University, taking up photography in the early 1970s. She is credited with being one of the first to work with color in documentary photography, a controversial decision when she was shooting the conflict in Nicaragua in the late 1970s. Meiselas joined Magnum Photos in 1976 and has worked as a freelance photographer since then.
Originally published in 1981, Susan Meiselas' Nicaragua is a modern classic--a seminal contribution to the literature of concerned photojournalism. John Berger praised the work for its ability to, "take us right inside a revolutionary moment... Yet unlike most photographs of such material, these refuse all the rhetoric normally associated with such pictures: The rhetoric of violence, revolutionary heroism and the glorification of misery." Nicaragua forms an extraordinary narrative of a nation in turmoil. Starting with a powerful and chilling evocation of the Somoza regime during its decline in the late 1970s, the images trace the evolution of the popular resistance that led to the insurrection, culminating with the triumph of the Sandinista revolution in 1979. The 2008 edition includes Pictures from a Revolution, a DVD in which Meiselas returns to the scenes she originally photographed, tirelessly tracking down the subjects and interviewing them about the reality of post-revolution Nicaragua. The DVD booklet features a new interview with Meiselas in which she discusses the history of the project. Susan Meiselas, born in Baltimore in 1948, received her BA from Sarah Lawrence College and her MA from Harvard University. Her first book, the classic Carnival Strippers, was published in 1976. She is the recipient of numerous awards, including the Hasselblad Foundation Photography Prize (1994) and the International Center of Photography's Infinity Award (2005). Her work has been exhibited at the Bibliothèque Nationale in Paris, the Whitney Museum of American Art and the Art Institute of Chicago. A member of Magnum Photos, Meiselas was named a MacArthur Fellow in 1992. She lives in New York.
BOOK FORMAT Hardback, 10.75 x 8.5 in. / 120 pgs / 75 color / DVD (NTSC).
PUBLISHING STATUS Pub Date 9/1/2008 No longer our product
DISTRIBUTION Contact Publisher Catalog:
PRODUCT DETAILS ISBN 9781597110716TRADE List Price: $50.00 CDN $60.00
Published by Trebruk Publishing. Essays by Mistress Raven, Richard August and Mistress Delilah.
Mistress Raven heads a staff of 14 at Pandora's Box, a 4000-square-foot, high-class Manhattan sex club that bills itself as the "Disneyland of Domination." Interspersed with pages made of latex, rubber, colored gels, and other erotic materials, Magnum photographer Susan Meiselas's documentary photographs of the club's highly formalised rules and rituals, its role-playing "vacations from reality," reveal both the customers who frequent the club and the women who command them. First commissioned to accompany the Nick Broomfield documentary Fetishes, Meiselas's Pandora's Box is a darkly captivating journey into a high-class sex club that specializes in sado-masochism.
PUBLISHER Trebruk Publishing
BOOK FORMAT Hardcover, 8 x 12 in. / 92 pgs / 63 color.
PUBLISHING STATUS Pub Date 2/2/2002 Out of stock indefinitely
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2002
PRODUCT DETAILS ISBN 9780953890118TRADE List Price: $140.00 CDN $190.00 GBP £128.00