In 1967, Jean-Luc Godard released his celebrated film Weekend. Its most famous scene, in which the two protagonists stubbornly overtake an extensive traffic jam in a Facel Vega Facellia cabriolet, is one of the longest tracking shots in the history of cinema: the camera slowly passes by the line of about 40 motionless cars whose occupants employ the most varied techniques to kill time. In what for Godard is a metaphor for life--the camera's journey ends in a pool of blood, the victims and the crippled cars have meanwhile been cleared from the street--photographer Pascal Cavin sees an impressive catalogue of cars. By isolating and labeling the individual vehicles in 45 stills, he creates a thorough historical inventory of the automobile types populating the streets in the late 1960s.
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
