Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays
Dawoud Bey, born in 1953 in New York, earned his MFA from Yale University School of Art and is Professor of Photography at Columbia College Chicago. He has been featured in numerous exhibitions--including a midcareer survey at the Walker Art Center, Minneapolis, in 1995--and has received several awards, including grants from the National Endowment for the Arts and a Guggenheim Fellowship. He is represented by Rhona Hoffman Gallery, Chicago.
Published by DelMonico Books/Grand Rapids Art Museum. Edited with text by Ron Platt. Introduction by Dana Friis-Hansen. Text by Kinshasha Holman Conwill, Dawoud Bey, Carrie Mae Weems.
Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists. Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. Dawoud Bey & Carrie Mae Weems: In Dialogue brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles. Photographer Dawoud Bey (born 1953) had his first exhibition at the Studio Museum in Harlem in 1979. Since then, his work has been presented internationally to critical and popular acclaim. Recent large-scale exhibitions of his photographs have been presented at the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago and Tate Modern, London. Bey’s writings on his own and others’ work are included in Dawoud Bey: Seeing Deeply and Dawoud Bey on Photographing People and Communities. He is a professor of art and Distinguished College Artist at Columbia College Chicago. Famed for her Kitchen Table Series, among other works, Carrie Mae Weems (born 1953) explores power, class, Black identity, womanhood, and the historical past and its resonance in the present moment. In addition to photography, Weems creates video, performance and works of public art, and organizes thematic gatherings which bring together creative thinkers across a broad array of disciplines. Her work has been exhibited across the world, at venues such as the Frist Center for the Visual Arts, the Solomon R. Guggenheim Museum, the Centro Andaluz de Arte Contemporáneo and the American Academy in Rome.
Published by Aperture. Text by Jock Reynolds, Taro Nettleton. Interview by Carrie Mae Weems.
For the past 15 years, Dawoud Bey has been making striking, large-scale color portraits of students at high schools across the United States. Depicting teenagers from a wide economic, social and ethnic spectrum--and intensely attentive to their poses and gestures--he has created a highly diverse group portrait of a generation that intentionally challenges teenage stereotypes. Bey spends two to three weeks in each school, taking formal portraits of individual students, each made in a classroom during one 45-minute period. At the start of the sitting, each subject writes a brief autobiographical statement. By turns poignant, funny or harrowing, these revealing words are an integral part of the project, and the subject's statement accompanies each photograph in the book. Together, the words and images in Class Pictures offer unusually respectful and perceptive portraits that establish Dawoud Bey as one of the best portraitists at work today.
BOOK FORMAT Hardcover, 9.75 x 11 in. / 164 pgs / 70 color.
PUBLISHING STATUS Pub Date 9/1/2007 No longer our product
DISTRIBUTION Contact Publisher Catalog:
PRODUCT DETAILS ISBN 9781597110433TRADE List Price: $45.00 CDN $55.00
Published by Walker Art Center. Photographs by Dawoud Bey. Contributions by Jock Reynolds, Kellie Jones. Text by A.D. Coleman.
In his large-format color Polaroid portraits, Dawoud Bey aims “to make an unabashedly lush and romantic rendering of people who seldom receive that kind of attention.” Some of his favorite subjects are streetwise African American teenagers for whom eye contact is a finely-judged art. They face the camera with a sort of edgy candor, half bravado, half suspicion, accentuated by the arrangement of the triples. This well-illustrated book is the first major publication to survey Bey's 20-year career and coincides with an exhibition at the Walker Center traveling to other museums across the country.