Published by MFA Publications. Text by Katie Hanson.
Although Gustav Klimt was Egon Schiele’s senior by almost 30 years, he quickly recognized and encouraged the younger artist’s extraordinary talent, and they remained mutually admiring colleagues until the shared year of their deaths, in 1918.
The 60 important drawings exquisitely reproduced in this large-format volume reach from each artist’s early academic studies to more incisive and unconventional explorations of nature, psychology, sexuality and spirituality. Striking and provocative even today, these works led both artists into controversy (and even a brief imprisonment for Schiele) during their creators’ lifetimes. Klimt advised, “Whoever wants to know something about me as an artist ought to look carefully at my pictures and try to recognize in them what I am and what I want.” This album of unforgettable drawings from the collection of the Albertina Museum, Vienna, provides a direct connection to the minds of two master draftsmen exploring the limits of representation, as well as the shock of recognition at seeing our own inner selves caught on paper.
Gustav Klimt (1862–1918) and Egon Schiele (1890–1918) were two of the most daring and controversial artists in Vienna during the culturally turbulent decades around the turn of the 20th century. They worked out their provocative depictions of the human body, created in a search for psychological truth as well as physical realism, in the direct and intimate medium of drawing. In Klimt’s studies, the distinctive character or unsettling emotional resonance of the person portrayed comes through in the artist’s delicate, sinuous lines. The striking presence of the individual in Schiele’s more finished drawings, often rendered with extreme frankness and bold coloration, pulses with dramatic immediacy.
Published by Walther König, Köln. Introduction by Hans-Peter Wipplinger. Text by Elisabeth Leopold, Rudolf Leopold, Franz Smola, Birgit Summerauer.
This volume gathers some 140 paintings, watercolors and drawings by Egon Schiele from the Leopold Museum in Vienna, which famously possesses the world’s most comprehensive and eminent collection of works by this most beloved of modern artists. It covers all periods of Schiele’s oeuvre, with examples of his earliest creations, his renowned Expressionist period and the work created shortly before his untimely death.
Among the classic Schiele paintings housed in the collection are the “Seated Male Nude” (a self-portrait) of 1910 and “The Hermits” of 1912 (probably depicting Schiele with Gustav Klimt). Cityscapes constitute another emphasis in Schiele’s oeuvre as well as landscapes including “Houses by the Sea.”Throughout the book, numerous full-page illustrations afford exceptional insight into Schiele’s genius for line and color. Essays by Elisabeth Leopold, Rudolf Leopold, Franz Smola and Birgit Summerauer outline the milieu and career of this provocative artist but also highlight Schiele’s place among the great masters of the 20th century.
The epitome of Viennese modernism, Egon Schiele (1890–1918) developed an anti-academic style of rendering figures, which are only rarely shown head-on or in full length, appearing contorted by their compositional arrangement. After brief service in the army during World War 1, Schiele died of a pandemic influenza on 31 October 1918.
Published by Hatje Cantz. Foreword by Christoph Becker. Text by Oskar Bätschmann, Martin Harrison, Diethard Leopold, Helena Pereña Sáez, Franz Smola, Oliver Wick.
The core oeuvre of Austrian painter Egon Schiele (1890–1918) was produced within barely a decade, at the beginning of the twentieth century. His famous nudes probed the existential core of human experience. The paintings of British artist Jenny Saville (born 1970) are equally intense, with their physicality and confrontational stance. This catalogue brings the work of these two artists together for the first time. The stylistic and thematic proximity of the "body-landscapes" and portraits by these two young painters is revealed, despite the decades separating their work and their varying use of the brush. The paintings and drawings of both artists lend the human body an insistent corporeality, rendered in every detail. In Schiele's self-portraits, usually small-format works, the pose, the accentuated view from below and his gestural style give the images a visual impact equal to the forceful punch of Saville's giant-format paintings.
Published by Hatje Cantz. Essays by Edwin Becker and Jane Kallir. Introduction by Klaus Albrecht Schr‡der.
Although Egon Schiele died of the Spanish flu in 1918 at the age of 28, he left behind a substantial and controversial oeuvre that will forever mark him as one of Austria's most talented Expressionists. Influenced at first by Gustav Klimt, Schiele soon developed a style of his own, abandoning decorative ornamentation in favor of a highly expressive style. His work, which relates to fundamental aspects of human life--eroticism, sexuality and death--created a scandal in early twentieth-century Vienna, and the artist was denounced by critics and government authorities. In addition to his starkly realistic nudes, he also executed profoundly sensitive portraits in which he explored the inner essence of his subjects. In this volume Jane Kallir--author of numerous books on Egon Schiele including the catalogue raisonne of his entire oeuvre--offers a fascinating survey of the artist's life and work. The majority of the works presented here--paintings, colored drawings and photographs--are from the comprehensive Schiele collection of the Albertina Museum in Vienna.