Made of clay, wood, tobacco, cinnamon, cloves, straw and more, Morelos' latest room-size installation is a staggering confrontation of humanity's detachment from Mother Nature
Pbk, 6.75 x 10 in. / 80 pgs / 35 color. | 3/31/2026 | Awaiting stock $14.95
Published by Silvana Editoriale. Edited by Sam Bardaouil, Till Fellrath.
Colombian artist Delcy Morelos (born 1967) is renowned for her sensorially rich, immersive sculptures and installations made from materials such as soil, clay and grass. Her large-scale earth installation Madre, constructed in the Hamburger Bahnhof, directly engages with the museum's collection of work by Joseph Beuys.
Published by RM. Edited by Kamilah N. Foreman, Alexis Lowry, Zuna Maza. Text by Luz Fany Lozano, Oswaldo Maciá, Camila Marambio, Josefa Catalina Rodríguez, Renee Rossini, Gilma Román, Isaías Román, Alicia Sanchez, Catalina Vargas Tovar, Marcela Yucuna, Raimunda Yucuna Riveros. Interview by Cecilia Vicuña.
Published with Dia Art Foundation.
For more than a decade, Colombian artist Delcy Morelos (born 1967) has worked primarily with earth, creating immersive environments of geometrically abstract forms. Drawing on Indigenous cosmologies, Morelos’ work explores the sustaining power of mud in its many forms—as a source of life and sustenance. This bilingual monograph approaches Morelos’ two soil-based installations—Cielo terrenal (2023) and El abrazo (2023)—to explore the artist’s role in the history of land art. The texts consider the natural materials used in her Dia commission and their sensory, spatial and phenomenological impact. The volume also features a selection of stories sourced from Indigenous Colombian communities—Bará, Matapí, Tanimuca, M+n+ca, Uitoto N+pode and Yucuna Kamejeyá—that underscore Morelos’ acute understanding of the sacred relationship between land and its inhabitants.