Edited by Pedro Donoso. Text by Caroline Goodden, Gerry Hovagimyan, Flor Bex, Carlos Navarrete, Gwendolyn Owens. Interviews by Carmen Beuchat, Jane Crawford, Jaime Davidovich, Jene Highstein, Les Levine, Malitte Matta, Ramuntcho Matta, Richard Nonas, Alan Saret, Ned Smyth. Afterword by Harold Berg.
Hbk, 6.75 x 9.5 in. / 224 pgs / 24 color / 63 duotone. | 9/27/2016 | In stock $45.00
Published by MAMCO Geneva. Text by Sophie Costes, Thierry Davila, Lydia Yee.
In 1972, Gordon Matta-Clark (1943–78) installed a dumpster on the street between 98 and 112 Greene Street in New York’s SoHo neighborhood, an architectural artwork he called Open House. Matta-Clark used discarded, scavenged materials—old pieces of wood, doors—to subdivide the space inside the dumpster, creating corridors and small rooms within the container. Dancers and artists moved around the space, their pedestrian movements activating the sculpture and captured in a Super-8 film of the piece.
Matta-Clark is best known for his building cuts and architectural interventions. Because of the nature of this work and its context—sited in spaces abandoned or slated for demolition—Matta-Clark’s “anarchitecture” was almost necessarily ephemeral, surviving as only documentation and sculptural sections. Open House (1972) is the only still-extant architectural piece by Matta-Clark.
Gordon Matta-Clark: Open House is the first publication to focus on this crucial piece by the artist, using it as a way into his complex body of work. Featuring contributions from Sophie Costes, Thierry Davila and Lydia Yee, this volume takes a historical and theoretical approach to Open House and Matta-Clark’s entire oeuvre.
Readings of the Archive by Yann Chateigné, Hila Peleg, Kitty Scott
Published by Walther König, Köln/CCA. Edited by Francesco Garutti, Claire Lubell. Text by Francesco Garutti, Yann Chateigné, Hila Peleg, Kitty Scott.
This book unpacks the comprehensive Gordon Matta-Clark collection at the Canadian Centre for Architecture (CP138) in Montreal, opening it up to provisional readings from various perspectives. Yann Chateigné reorganizes Matta-Clark’s library into areas of inquiry, from alchemy to psychoanalysis, as a framework for gathering traces?—written and drawn?—of his thinking. Hila Peleg reassembles hours of discarded film footage, challenging the notion of documentation and returning to view the physical and social contexts?—the relational space?—of Matta-Clark’s interventions. And from hundreds of travel photographs, Kitty Scott constructs a panorama of Matta-Clark’s visual notes on the world around him?—a foil to his artworks.
MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the "greater" aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.
Published by Ediciones Polígrafa. Edited by Pedro Donoso. Text by Caroline Goodden, Gerry Hovagimyan, Flor Bex, Carlos Navarrete, Gwendolyn Owens. Interviews by Carmen Beuchat, Jane Crawford, Jaime Davidovich, Jene Highstein, Les Levine, Malitte Matta, Ramuntcho Matta, Richard Nonas, Alan Saret, Ned Smyth. Afterword by Harold Berg.
Gordon Matta-Clark (1943–78) died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York City alleys and curbs. The artist used a variety of media to document his work, including film, video and photography. His work and words, while sophisticated enough to make him an "artist’s artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. In the early 1970s, Matta-Clark developed the idea of "anarchitecture," which encompassed his interest in voids, gaps and left-over spaces. Gordon Matta-Clark: Experience Becomes the Object collects five essays and ten individual interviews with various friends and family members of Matta-Clark’s. Together, they outline a biographical profile and offer an analysis of the historical period in which the artist developed his short but successful career. New, never-before-published material and photographs as well as an exclusive link to the documentary Crosswords: Matta-Clark’s Friends by Matias Cardone are also included.
Published by Sangria. Edited by Monica Rios, Carlos Labbe. Introduction by Jane Crawford. Foreword by Gwendolyn Owens. Afterword by Maria Berrios.
From 1970 to 1978, Gordon Matta-Clark (1943–1978) was in the habit of jotting down notes on index cards that he carried with him throughout his travels, from Lower Manhattan to Santiago de Chile, from Ithaca to Paris and New Jersey. This book compiles these "art cards." Combining writing and drawing, Matta-Clark’s statements--some only a few words long, others a paragraph--are both manifestos and meditations on his life ("the pockets that carry you through the day"), his craft ("Proposal to a Wall St stock broker: to cut through a tax shelter") and the built environment ("To the nature of materials Anarchitecture adds a notion of events"). Ranging in tone from the melancholic to the cheerful, these art cards are saturated throughout with the excitement of living as an artist in 1970s New York City.
BOOK FORMAT Paperback, 4.75 x 6.5 in. / 404 pgs / 404 bw.
PUBLISHING STATUS Pub Date 4/30/2014 Active
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2014 p. 172
PRODUCT DETAILS ISBN 9789568681234FLAT40 List Price: $30.00 CDN $40.00
AVAILABILITY In stock
in stock $30.00
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
Published by Silvana Editoriale. Edited by Lorenzo Fusi, Marco Pierini. Text by James Attlee, Jane Crawford, Louise Désy, Lorenzo Fusi, Gwendolyn Owens, Marco Pierini.
This catalogue covers the brief but groundbreaking career of the self-proclaimed "anarchitect" Gordon Matta-Clark (1943–1978), one of the most influential American artists of the 1970s. The immense ambition and scale of his projects, and their fearless reimagining of the urban landscape, challenged city-dwellers to reconsider the very notion of built structure and the fragility of seemingly unassailable edifices. Matta-Clark’s first interventions took place in abandoned, derelict structures, upon which he performed his famous "building cuts" and "intersects." First published in 2008 (for a show at SMS Contemporanea in Siena), and organized thematically and chronologically, this substantial volume looks at these and other bodies of work, such as the Food restaurant, the performances, the "estates" and the artist’s pursuit of alternative economical housing. The catalogue also includes a filmography and critical essays, plus an interview done by Judith Russi Kirshner in 1978.
BOOK FORMAT Paperback, 8 x 9.5 in. / 248 pgs / 200 color.
PUBLISHING STATUS Pub Date 6/30/2014 Active
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2014 p. 128
PRODUCT DETAILS ISBN 9788836611706TRADE List Price: $45.00 CDN $60.00
AVAILABILITY Out of stock
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
Published by Moderne Kunst Nürnberg. Edited by Hubertus von Amelunxen, Angela Lammert, Philp Ursprung. Text by Jane Crawford, Dan Graham, Pamela Lee, Gwendolyn Owens, Mark Wigley, et. al.
With his astounding building cuts and intersects, Gordon Matta-Clark (1943-1978) opened up elegant geometries in the very structures that seem most substantial and most authoritative in urban existence, revealing the alienations of the urban fabric as convenient fictions and allowing life to flow into the most inhospitable and self-contained of buildings. One of his favorite responses to a work came from a Parisian concierge: “I see the purpose for that hole--it is an experiment in bringing light and air into spaces that never had enough of either.” Throughout his all-too-brief career, Matta-Clark undertook civic aeration on many fronts, cofounding the now legendary Food Restaurant in 1971, buying up empty lots in Queens and evolving his theory of “anarchitecture” in films, photomontages and numerous writings and drawings. Anarchitecture redefined negative space in art as a political act, distinguishing itself from architecture by imagining a cure for its most pernicious effects. Gordon Matta-Clark: Moment to Moment offers a comprehensive overview of this courageous and liberating artist with a wealth of documentation and reproductions from across Matta-Clark's oeuvre, as well as critical commentary from Philip Ursprung, Angela Lammert, Hubertus von Amelunxen, Dan Graham and others.
Published by Ediciones Polígrafa. Essay by Gloria Moure.
Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born Surrealist painter Roberto Matta and Anne Clark, and godson of Marcel Duchamp, with whom he played a regular game of chess in the Village, Matta-Clark had grown up inside the art world, also working an as assistant to mavericks like Dennis Oppenheim and Robert Smithson. His work and words, while sophisticated enough to make him an "artist's artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. He addressed not only space and real estate (in other words, housing), but the ultimate in necessity and nourishment, food. His "Pig Roast" under the Brooklyn Bridge offered passersby 500 pork sandwiches, and Food, the artist-staffed restaurant that he opened with dancer Caroline Goodden in SoHo, became a headquarters for that nascent neighborhood in the early 70s. He consistently broke the boundaries between sculpture and architecture, photography and film, performance and installation, and above all the permanent and the transitory. Once in a while he also broke the law. This book, published in celebration of the gradual opening of Matta-Clark's archives at the Canadian Centre for Architecture in Montreal, collects previously unavailable writings, including notecards and notebooks, along with interviews and more than 100 illustrations.
Published by Cabinet Books/The Queens Museum of Art/White Columns. Edited by Jeffrey Kastner, Sina Najafi and Frances Richard. Essay by Jeffrey Kroessler.
In the summer of 1973, artist Gordon Matta-Clark discovered that the city of New York occasionally auctioned improbably tiny and frequently inaccessible parcels of land created by zoning eccentricities. Fascinated by these spaces, he bought 15 of them (14 in Queens, and one in Staten Island) for between $25 and $75 each, photographed them and collated the photographs with the appropriate deeds and maps. He called the project Fake Estates. Odd Lots: Revisiting Gordon Matta-Clark's “Fake Estates” further documents and advances this seminal work, and accompanies Cabinet magazine's exhibition at the Queens Museum of Art and White Columns in New York. Included here are responses to Matta-Clark's original artwork by 20 contemporary artists including Francis Alÿs, Jimbo Blachly, Mark Dion, Sarah Oppenheimer, Dan Price and Mierle Ukeles. Odd Lots also provides the definitive Fake Estates history, thus adding new dimension to the scholarship on this important artist*all within the spirit of collaboration and experimentation that marked Matta-Clark's short but influential career.
Published by San Francisco Cinemateque. Essay by Steven Jenkins.
Images of the deconstruction of abandoned buildings and industrial structures are closely associated with “anarchitect” Gordon Matta-Clark. Here, however, are the film works through which Matta-Clark furthered his lifelong excavation of urban dwellings. In this book, San Francisco Cinematheque presents a retrospective of the moving-image works through which Matta-Clark explored his aesthetic assumptions and philosophical inquiry. Featuring rarely published images and a quartet of imaginative essays, City Slivers and Fresh Kills establishes Matta-Clark's films as perhaps his most surprising, and certainly most viscerally arresting body of work, characterized by the same creative provocation, rough aesthetic beauty and intellectual insight that idefined his signature architectural cuttings and slicings.
PUBLISHER San Francisco Cinemateque
BOOK FORMAT Paperback, 6 x 9 in. / 64 pgs / illustrated throughout.
PUBLISHING STATUS Pub Date 6/15/2004 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2005 p. 147
PRODUCT DETAILS ISBN 9780974999609TRADE List Price: $20.00 CDN $25.00
Published by Walther König, Köln. Essay by Catherine Morris. Foreword by Markus Muller.
In honor of Food, the restaurant which Gordon Matta-Clark established in Soho, New York, this publication is presented in the form of a restaurant menu, and documents the artist's varied and imaginative work, including sculptures, film stills, and photos.
PUBLISHER Walther König, Köln
BOOK FORMAT Paperback, 8.25 x 12 in. / 48 pgs / 56 bw
PUBLISHING STATUS Pub Date 5/2/2001 No longer our product
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2001
PRODUCT DETAILS ISBN 9783883754352SDNR30 List Price: $14.00 CDN $15.00