Published by Primary Information. Text by Jutta Koether.
Created by Mary Heilmann in 1999, The All Night Movie beautifully wraps a memoir inside a monograph, creating an artist’s book in which each page is designed as though it were a painting. The artist delicately utilizes color, text, candid photographs, reproductions of paintings and song lyrics that unfold seamlessly to create an immersive visual experience. Across eight chapters, Heilmann recounts her life, from her childhood in California through New York in the 1990s, providing intimate insight into the development of her work, friendships and formative life experiences. Snapshots by the artist and others provide a portrait of Heilmann’s evolving artistic community, which included Gordon Matta-Clark, Pat Hearn, Dicky Landry, Jack Pierson, Keith Sonnier, Pat Steir, William Wegman and Jackie Winsor, among others. And this is just the first half of the book: included with the artist’s memoir is an essay by Jutta Koether and a survey of paintings from 1972 to 1999. This highly revered and extremely scarce publication was codesigned with Mark Magill and is reproduced here as a facsimile edition. The All Night Movie was originally published by Hauser & Wirth and Offizin Verlag. Mary Heilmann was born in San Francisco in 1940. She studied at the University of California at Santa Barbara, San Francisco State University and the University of California at Berkeley before moving to New York in 1968. Heilmann began her career creating sculptures and moved into abstract painting once on the East Coast, experimenting with bright colors and unusual geometries that bridge two-dimensional and three-dimensional elements. She has been the recipient of the Anonymous Was A Woman Foundation Award, as well as a Guggenheim Foundation award.
Published by Whitechapel Gallery. Edited with text by Lydia Yee. Text by Briony Fer, Mary Heilmann.
Mary Heilmann studied ceramics and poetry before moving to New York in 1968 and taking up painting. A pioneer of infusing abstract painting with influences from craft traditions and popular culture--especially rock music and California beach culture--Heilmann is one of the most important yet under-recognized artists working today.
Mary Heilmann: Looking at Pictures explores the artist’s approach to abstraction from two distinct but interrelated perspectives: the formal and the personal. The autobiographical dimension of the artist’s work is clear in her pieces related to friendships, memories and places; while the formal aspect of her oeuvre is evident in her paintings of grids and squares rendered in primary colors and in works based on architectural planes.
As well as a new essay by Briony Fer and writings on key works by the artist, the volume features over 100 beautiful full-color illustrations of paintings, works on paper, furniture and ceramics from Heilmann’s five-decade career.
Mary Heilmann was born in San Francisco in 1940. She studied at the University of California at Santa Barbara, San Francisco State University and the University of California at Berkeley before moving to New York in 1968. Heilmann began her career creating furniture and sculpture and moved into abstract painting once on the East Coast, experimenting with bright colors and unusual geometries that bridge two-dimensional and three-dimensional elements. She has been the recipient of the Anonymous Was a Woman Foundation Award as well as a Guggenheim Foundation award.
Briony Fer is an art historian who has written extensively on modern and contemporary art. Her research interests have consistently moved between the history of the avant-gardes and the work of contemporary artists, including Gabriel Orozco, Roni Horn, David Batchelor and Tacita Dean. Her books include On Abstract Art (1997), The Infinite Line (2004), and Eva Hesse: Studiowork (2009). She has also organized exhibitions of Eva Hesse’s studiowork as well as, most recently, an exhibition of the work of Gabriel Orozco, accompanied by the monograph Gabriel Orozco: thinking in circles (2013). In spring 2014, she was Kirk Varnedoe Professor at the Institute of Fine Arts in New York. She is Professor of History of Art at University College London and a Fellow of the British Academy.?
Published by Walther König, Köln. Edited by Paula van den Bosch, Angelika Nollert. Text by Dominic van den Boogerd, Mary Heilmann.
With this substantial volume, the much loved New York painter Mary Heilmann (born 1940) receives a monograph worthy of her influential ouevre. Perennially tagged an artist’s artist, Heilmann paints as though unencumbered by precedent or influence, brazenly delighting in bright color, strong gesture, all laced with a palpable sense of play, warmth and fun. Her inspiring knack for insouciant gestures embody what critic Dave Hickey, speaking of her work, called “the surfer’s ethic of finding the moment to fall and never trying too hard to save your life.” Cubist clutter, Constructivist rigor, Abstract Expressionist splatter and Color Field glow all play a part in her approach, which nonetheless is always immediately recognizable as her own. This volume, which accompanies her 2012–13 major touring European retrospective, is the largest appraisal of her work yet published.
Published by Walther König, Köln. Essays by Matthias Herrmann and Martin Prinzhorn.
Featuring 30 of Heilmann's works from the late 70s to the present, including paintings, ceramic pictures, and a series of specially designed wooden chairs with colorfully woven seats. Throughout, Heilmann's particular way of dealing with abstract paintings becomes evident. Dedicated to Pat Hearn and Colin de Land.
PUBLISHER Walther König, Köln
BOOK FORMAT Paperback, 8 x 11.75 in. / 84 pgs / 38 color / 8 bw.
PUBLISHING STATUS Pub Date 11/2/2003 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2004
PRODUCT DETAILS ISBN 9783883757483SDNR30 List Price: $26.00 CDN $30.00