Published by Magic Hour Press. Designed by Jordan Weitzman. Translated by Christine Pichini. Cover art by Marc Hundley.
This photobook by Hervé Guibert, The Only Face, is not a novel in the traditional sense but is nonetheless filled with characters, settings and mystery. It starts with bodies—their faces either eclipsed or out of frame—before unleashing a bravura sequence of portraits: friends, lovers, family and Guibert himself. As the book approaches its finale, his subjects are obscured and then disappear completely, leaving behind the objects they touched, until even those vanish, leaving only light. Most of the photographs in The Only Face were taken on Guibert’s European and American travels, but their settings are, with few exceptions, small private interiors. The effect is an inwardness that communicates Guibert’s deep affinity with his subjects. The Only Face, originally published in Paris in 1984, is the second and final photobook Guibert published in his lifetime (preceded by the photo-novel Suzanne and Louise, also reissued in English by Magic Hour Press). This new edition presents Guibert’s photographs in their original sequence, with his titles and introductory text translated by Christine Pichini and a new cover by the artist Marc Hundley. French writer and photographer Hervé Guibert (1955–91) was the author of 25 books, beginning with Propaganda Death (1977), a fictional memoir in the tradition of Georges Bataille, Jean Genet and the Marquis de Sade. His best-selling novel To the Friend Who Did Not Save My Life (1990) was inspired by his long friendship with Michel Foucault and the two men’s experiences living with AIDS, which tragically ended Guibert’s life at the age of 36.
Published by Magic Hour Press. Introduction by Moyra Davey. Translation by Christine Pichini. Afterword by Thomas Simmonet.
The protagonists of Suzanne and Louise, the second book by French writer and photographer Hervé Guibert, are his elderly great-aunts, who lived alone in a large townhouse in Paris’ 15th arrondissement. The older sister controlled the finances while the younger, a former nun, did the housekeeping. During a series of weekly visits from their grandnephew, these reclusive women offered up their home and their bodies to his camera. The resulting images would grow into Guibert’s first and only photo novel, a provocative exploration of fantasy, mortality and desire. Originally published in France in 1980, and highly sought after by fans of Guibert, Suzanne and Louise is reissued here for the first time in a full English translation by Christine Pichini, a new introduction by artist and writer Moyra Davey and an account of the book’s origins by Thomas Simmonet—director of the Parisian publishing house Les Éditions de Minuit—complete with testimonials, documentation, unpublished photographs and contact sheets. Hervé Guibert (1955–91) was the author of 25 books and published extensive texts and criticism on photography, primarily with the French newspaper Le Monde. His bestselling novel To the Friend Who Did Not Save My Life (1990) was inspired by his close friend Michel Foucault and the two men’s experiences living with AIDS, which tragically ended Guibert’s life at the age of 36.