Edited and foreword by Max Hollein. Text by Derek Walcott, Andrei Voznesensky. Poems by Gregory Corso, Robert Creeley, Allen Ginsberg, Peter Handke. Interview by Pamela Kort.
Clth, 9.75 x 10.5 in. / 168 pgs / 95 color. | 4/30/2012 | In stock $50.00
Edited by Lisa Dennison. Essays by Robert Creeley, René Ricard, Ettore Sottsass, Gregory Corso, Raymond Foye, Allen Ginsberg, Craig Houser, Jyotindra Jain, Gita Mehta, Francesco Pellizzi and Gus Van Sant.
Hardcover, 10 x 12 in. / 504 pgs / 292 color. | 7/2/2003 | Not available $85.00
Published by Mousse Publishing. Edited by Peter Doroshenko. Conversation with Francesco Clemente.
This book documents a 2019 installation by Francesco Clemente (born 1952) at Dallas Contemporary, consisting of a mural realized with three Oaxacan artists and two series of large-scale sculptures made with Indian artisans. The site-specific fresco consists of new zodiac signs invented by the artist, including a diver and two snails opposing one another, embellished with sepia-toned waves. For Clemente, these personal zodiac signs serve as symbols of gates, serving perhaps as pathways to spiritual realms or alternate realities. His mixed-media sculptures also feature charged symbols of liminality such as ladders, labyrinths, gates, doors and keys. These recent works reflect Clemente’s ongoing exploration of spirituality, mythological narratives and symbolism through surreal, quasi-religious content. The overall dreamlike atmosphere produced by this large-scale installation is firmly in keeping with Clemente’s uncanny and fantastic imaginary.
Published by Moderne Kunst Nürnberg. Edited and foreword by Max Hollein. Text by Derek Walcott, Andrei Voznesensky. Poems by Gregory Corso, Robert Creeley, Allen Ginsberg, Peter Handke. Interview by Pamela Kort.
Throughout the sensual relationship that Francesco Clemente (born 1952) has cultivated with paper surfaces runs the idea of the palimpsest--the manuscript page or parchment, often torn from a book, from which text has been effaced so that the surface can be re-used. By virtue of their accumulated layers of traces, palimpsests are enormously evocative objects--evocative of human and material impermanence and the vast scale of human history. Clemente’s relationship with the histories of the inscribed page is widely known and celebrated; he has reinvigorated the idioms of both Indian and Italian manuscript painting, and has collaborated with poets such as Allen Ginsberg, Robert Creeley and René Ricard. This volume takes the palimpsest as a metaphor for Clemente’s art, from early works on paper to large-format paintings and more recent, monumental watercolors.
Published by Charta/Deitch Projects. Text by Jean-Christophe Ammann.
The Italian-born painter Francesco Clemente came to prominence in the mid-1970s when intensely subjective yet universal themes filtered into his skewed self-portraiture, witty wordplay and gestural figuration. This volume compiles a decade's worth of works on paper from those early days, many of which were inspired by Italy's political crisis at the time or fellow artists Alighiero Boetti and Luigi Ontani. The Italian artists of the 1970s were working in the context of the "terrorist generation." There was a crisis of capitalism and of Western societal values--both of which informed such major ideas in Clemente's early work as "fragmentation of self" and the "refutation of reason." Suddenly the body became a territory for artistic exploration; it became a border and led to the idea of travel. Here Clemente learned to trust geography over history, and his highly personal symbolism of the time bears proof of an itinerant life spent between homes in Madras (current-day Chennai, India), New York and Rome, with many trips to Dehli, Srinagar and various areas of Afghanistan mixed in. Published on the occasion of Clemente's recent exhibition at New York's Deitch Projects, this deluxe volume highlights the artist's concerns with process and concept--not technical perfection--and his obsession with paper's ephemeral vulnerability. Hints of Clemente's later forays into Surrealism and deep human psychology are also evident, and provide an essential view of the beginning of a masterful career.
PUBLISHER Charta/Deitch Projects
BOOK FORMAT Hardcover, 9.25 x 11.5 in. / 256 pgs / 118 color.
PUBLISHING STATUS Pub Date 8/1/2007 No longer our product
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2007 p. 77
PRODUCT DETAILS ISBN 9788881586509TRADE List Price: $75.00 CAD $90.00
Published by Guggenheim Museum Publications. Edited by Lisa Dennison. Essays by Robert Creeley, René Ricard, Ettore Sottsass, Gregory Corso, Raymond Foye, Allen Ginsberg, Craig Houser, Jyotindra Jain, Gita Mehta, Francesco Pellizzi and Gus Van Sant.
Francesco Clemente has, since the 1980s, been a leading artist in the international revival of expressionist figure painting and sculpture. Clemente's subjects--rooted in both the physical and the surreal, spiritual worlds--create a vast body of work that appeals to diverse audiences. Clemente draws upon a pan-historic web of impulses, mediating among the myriad cultures of the ancient Mediterranean, Byzantium, Europe, India and America. Stylistically his work recalls the Italian Renaissance, Indian miniatures, European Romanticism, Abstract Expressionism and Pop Art. Clemente's widespread cultural interests and nomadic lifestyle--New York is his home but he spends part of each year in Italy, India and the New Mexico desert--have deeply affected his art. This lavishly produced catalogue accompanies the first major survey devoted to the painter.
Published by Charta. Artwork by Francesco Clemente.
These recent works by renowned Italian painter Francesco Clemente prove that his oeuvre has grown richer and more complex over the years. They are driven in particular by an emphasis on color: in some works Clemente limits himself to warm oranges and greens, creating a soft, sensuous atmosphere that reflects his lifelong love of India and Tantrism. In others--specifically the "grisaille self-portraits"--there is an emphasis on darker tones that recalls classic Western painters like Titian and Rembrandt, and points to more intimate areas of the self. It is through this meeting and mixture of the aesthetic languages of East and West that Clemente has produced his best work, and this monograph testifies to the pleasures of an art that overcomes such boundaries in its exploration of psychological and spiritual dimensions.
PUBLISHER Charta
BOOK FORMAT Hardcover, 11.75 x 9 in. / 64 pgs / 30 color.
PUBLISHING STATUS Pub Date 8/2/2000 No longer our product
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2000
PRODUCT DETAILS ISBN 9788881582822TRADE List Price: $45.00 CAD $55.00
Published by Anthony d'Offay. Artwork by Francesco Clemente.
In 1995, Francesco Clemente spent 51 days alone near the Temple of Kali on Mount Ubu in India. He watched as the monsoon rains transformed the landscape and continued the cycle of life. Through these watercolors, Clemente takes us on that same journey.
PUBLISHER Anthony d'Offay
BOOK FORMAT Paperback, 8.5 x 6.5 in. / 122 pgs / 51 color / 2 bw
PUBLISHING STATUS Pub Date 7/2/1998 No longer our product
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 1998
PRODUCT DETAILS ISBN 9780947564711TRADE List Price: $25.00 CAD $30.00
Francesco Clemente: Palimpsest
Francesco Clemente: Works 1971-1979
Clemente
Francesco Clemente
Francesco Clemente: Funerary Paintings