Text by C. Ondine Chavoya, Rita Gonzalez, David E. James, Amelia Jones, Chon A. Noriega, Jesse Lerner, Deborah Cullen, Maris Bustamante, Colin Gunckel, David Román, Raúl Homero Villa, Josh Kun, Tere Romo, Mario Ontiveros, Ramón García, Michelle Habell-Pallán.
Hbk, 7.75 x 9.5 in. / 432 pgs / 250 color. | 11/30/2011 | Not available $60.00
Published by Walther König, Köln. Foreword by David Freedberg. Text by Deborah Cullen, Robert Fucci.
Rembrandt van Rijn (1606–69) was restlessly experimental in his printmaking; he manipulated his copperplates in unprecedented ways in order to achieve an image that was often in flux. Rembrandt was the first artist to treat the print medium as a means of crafting visibly changing images, even as his prints were increasingly received in the market as finished works in their own right. Rembrandt’s Changing Impressions, published to accompany an exhibition at the Miriam and Ira D. Wallach Art Gallery at Columbia University, considers this aspect of Rembrandt’s art, and its position in the 17th-century print market, through the comprehensive exploration of 18 of his most dramatically altered works—the first time in more than four decades that such an investigation has been undertaken. Each print’s multiple impressions are displayed side by side, giving readers the opportunity to examine their range, power and nuance.
Published by The Miriam and Ira D. Wallach Art Gallery, Columbia University. Edited with text by Emily Liebert. Foreword by Deborah Cullen. Text by Huey Copeland, Malik Gaines, Alexandro Segade, Henry Sayre. Interview by Emily Liebert.
From 1972 to 1991, Eleanor Antin (born 1935) created multiple personae of different genders, races, professions, historical contexts and geographic locations. The artist called this motley group--which includes a deposed king, an exiled film director, ambitious ballerinas and hard-working nurses--her "selves." The selves’ manifestations were as diverse as their stories: some were embodied by Antin and captured in photographs and on video; others had paper doll surrogates; at times their existence was known only through the drawings, texts and films they had ostensibly left behind. As she explored the fleeting nature of the self, Antin used fiction, fantasy and theatricality to examine the ways that history takes shape, scrutinizing the role that visual representation plays in that process. Multiple Occupancy: Eleanor Antin’s "Selves" is the first project to focus exclusively on this critical body of work.
PUBLISHER The Miriam and Ira D. Wallach Art Gallery, Columbia University
BOOK FORMAT Paperback, 7.5 x 9.75 in. / 128 pgs / 59 color / 12 bw.
PUBLISHING STATUS Pub Date 1/31/2014 Active
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2014 p. 109
PRODUCT DETAILS ISBN 9781884919305TRADE List Price: $25.00 CDN $34.50 GBP £22.00
AVAILABILITY In stock
in stock $25.00
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
Published by Hatje Cantz. Text by C. Ondine Chavoya, Rita Gonzalez, David E. James, Amelia Jones, Chon A. Noriega, Jesse Lerner, Deborah Cullen, Maris Bustamante, Colin Gunckel, David Román, Raúl Homero Villa, Josh Kun, Tere Romo, Mario Ontiveros, Ramón García, Michelle Habell-Pallán.
ASCO: Elite of the Obscure is the first comprehensive monograph to survey the wide-ranging activities of the Chicano performance and conceptual art group ASCO. Active between 1972 and 1987, ASCO began as a tight-knit core of artists from east Los Angeles: Harry Gamboa Jr., Gronk, Willie Herrón and Patssi Valdez. Taking their name from the Spanish idiomatic word for disgust and nausea, ASCO launched their response to turbulent socio-political conditions in Los Angeles and the larger international context through performance, public art and multimedia. Geographically and culturally segregated from the then-nascent Los Angeles contemporary art scene, and aesthetically at odds with the emerging Chicano art movement, ASCO united to explore and exploit what they saw as the unlimited media of the conceptual. ASCO: Elite of the Obscure includes reproductions of previously unpublished works and reprinted historical documents, along with new critical essays.
Published by El Museo del Barrio. Edited by Deborah Cullen. Text by Edward J. Sullivan, Vincent Katz, Carter Ratcliff.
Retro/Active: The Work of Rafael Ferrer is the first major publication to examine the breadth and depth of Puerto Rican-born Rafael Ferrer's influential production over the past 55 years. From Ferrer's avant-garde art actions in the 1960s through his more recent brightly colored paintings paying homage to island life, his artistic journey has always reflected his intelligence, humor and a uniquely Caribbean perspective. Here, essays by curator Deborah Cullen and scholar Edward Sullivan chronicle Ferrer's biography and artistic output, consider the Caribbean and western influences in his work, and chart his early sources, including the Surrealists, Dada, Wifredo Lam and Puerto Rican master Francisco Oller y Cestero. This volume also includes Carter Ratcliff's reprisal of his out-of-print 1973 opus "Rafael Ferrer in the Tropical Sublime" and Vincent Katz's interview with the artist. In all, Retro/Active features over 100 full-color plates and archival images, and will spark a critical reconsideration of Ferrer's work.
PUBLISHER El Museo del Barrio
BOOK FORMAT Paperback, 8.75 x 10 in. / 160 pgs / 102 color / 2 bw.
PUBLISHING STATUS Pub Date 7/31/2010 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2010 p. 96
PRODUCT DETAILS ISBN 9781882454273TRADE List Price: $35.00 CDN $40.00
Published by El Museo del Barrio. Edited by Deborah Cullen. Text by Claudia Calirman, Elvis Fuentes, Ana Longoni, Robert Neustadt, Gabriela Rangela.
Arte No es Vida (Art Is Not Life) is the first comprehensive survey of the vast range of performative actions created over the last four decades by Latinos in the United States, Puerto Rico, the Dominican Republic, Cuba, Mexico and Central and South America. Based on the groundbreaking 2008 exhibition at New York's Museo del Barrio, this well designed and generously illustrated volume features work by more than 100 artists--among them Francis Al˙s, Papo Colo, Lygia Clark, Coco Fusco, Guillermo Gómez-Peńa, Felix Gonzalez-Torres, Alfredo Jaar, Ana Mendieta, Marta Minujín, Raphael Montańez Ortiz, Helio Oiticica and Tunga. Both celebratory and scholarly, Arte No es Vida opens with an illustrated chronology of key works arranged by decade and follows with essays that address each region of study in depth. Chapters include New York, California & Puerto Rico and Cuba & Miami, as well as individual investigations of the Dominican Republic, Mexico, Central America, Argentina, Brazil, Chile, Colombia, Peru and Venezuela. This is the first volume to commission general historical overviews on this important strand of Latin American artistic production.
PUBLISHER El Museo del Barrio
BOOK FORMAT Paperback, 7.75 x 8.75 in. / 320 pgs / 112 color / 208 bw.
PUBLISHING STATUS Pub Date 7/1/2008 Out of stock indefinitely
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2008 p. 99
PRODUCT DETAILS ISBN 9781882454259TRADE List Price: $45.00 CDN $60.00 GBP £40.00