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Blue KingfisherBOOK FORMAT
Boxed, 9.5 x 13 in. / 83 pgs. PUBLISHING STATUS
Pub Date 4/1/2007
No longer our product DISTRIBUTION
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Catalog: SPRING 2007 p. 118 PRODUCT DETAILS
ISBN 9789889901530 TRADE
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Not available | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | BLUE KINGFISHERAi Weiwei: Fragments Beijing 2006Edited by Ai Weiwei, Chen Weiqing.
This book covers a recent sculptural installation by the Chinese artist, architect and radical intellectual, Ai Weiwei--who is currently being watched the world over for his work on China's 2008 Olympic Stadium, designed in collaboration with the Swiss Architects, Herzog & de Meuron. Fragments depicts a mysterious large-scale sculpture that hybridizes architectural elements from several Chinese temples. "Each architectural element in a temple has a precise order. The fragments in my installation are from three or four temples, so everything is wrongly connected and misfit. They serve no purpose to each other, and the whole structure serves no purpose at all. At the beginning, many of my carpenters quit, despite the fact that I paid them a high salary and never rushed them. They quit because they didn't know what their job was for--why the table needed to be cut a certain way, or why the patina should be kept and joints hidden.
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| | | | OF RELATED INTEREST |  | Edited by Ai Weiwei.BLUE KINGFISHERISBN: 9789889726218
USD $50.00 | CAN $60Pub Date: 3/15/2005
No longer our product | Not available
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|  | Edited by Charles Merewether. Essays by Jonathan Napack and Chin-Chin Yap.BLUE KINGFISHERISBN: 9789889726287
USD $40.00 | CAN $50Pub Date: 8/2/2004
No longer our product | Not available
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| |  | Text by Ai Qing, Ingrid D. Rowland, Uli Sigg. Interview by Hans Ulrich Obrist.CAHIERS D'ARTISBN: 9782851173126
USD $2,225.00 | CAN $3150Pub Date: 2/18/2020
Forthcoming
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|  | Text by Ai Qing, Ingrid D. Rowland, Uli Sigg. Interview by Hans Ulrich Obrist.CAHIERS D'ARTISBN: 9782851173072
USD $100.00 | CAN $140Pub Date: 1/21/2020
Forthcoming
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|  | Text by María Luisa Aguilar, Ai Weiwei, et al.RM/MUACISBN: 9788417047931
USD $27.00 | CAN $39.95Pub Date: 10/29/2019
Active | In stock
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|  | Text by Rosa Pera. Interview by Lluciŕ Homs.LA FáBRICAISBN: 9788415691969
USD $60.00 | CAN $79Pub Date: 6/23/2015
Active | In stock
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|  | Text by Maurizio Bortolotti, Greg Hilty, Alessandro Possati, Philip Tinari.WALTHER KöNIG, KöLNISBN: 9783863355593
USD $59.95 | CAN $79Pub Date: 10/31/2014
Active | In stock
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|  | JRP|RINGIERISBN: 9783037641538
USD $35.00 | CAN $47.5Pub Date: 1/31/2011
Active | In stock
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|  | Edited by Urs Meile, Peter Pakesch, Ai Weiwei. Text by Philip Tinari, Charles Merewether.JRP|RINGIERISBN: 9783905829273
USD $39.00 | CAN $52.5Pub Date: 8/1/2008
Active | In stock
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|  | Text by Tim Marlow, John Tancock, Daniel Rosbottom, Adrian Locke.ROYAL ACADEMY PUBLICATIONSISBN: 9781910350164
USD $75.00 | CAN $91Pub Date: 11/10/2015
Active | In stock
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FORMAT: Boxed, 9.5 x 13 in. / 83 pgs.
LIST PRICE: U.S. $25.00
LIST PRICE: CANADA $30
ISBN: 9789889901530
PUBLISHER: Blue Kingfisher
AVAILABLE: 4/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
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| Ai Weiwei: Fragments Beijing 2006 Published by Blue Kingfisher.
Edited by Ai Weiwei, Chen Weiqing. | This book covers a recent sculptural installation by the Chinese artist, architect and radical intellectual, Ai Weiwei--who is currently being watched the world over for his work on China's 2008 Olympic Stadium, designed in collaboration with the Swiss Architects, Herzog & de Meuron. Fragments depicts a mysterious large-scale sculpture that hybridizes architectural elements from several Chinese temples. "Each architectural element in a temple has a precise order. The fragments in my installation are from three or four temples, so everything is wrongly connected and misfit. They serve no purpose to each other, and the whole structure serves no purpose at all. At the beginning, many of my carpenters quit, despite the fact that I paid them a high salary and never rushed them. They quit because they didn't know what their job was for--why the table needed to be cut a certain way, or why the patina should be kept and joints hidden.
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