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| | | | BLUE KINGFISHERDavid Diao: Work 1969-2005Essay by Michael Corris.
Who puts smiley faces over Warhol-esque silkscreens of Bruce Lee in full howling attack? Who superimposes loungey, gentlemanly, portraits of himself over Jackson Pollock's canvases, as if to take blasª responsibility for their drips? And who makes a tryptich in which Lee and Pollock face off? While we're at it, who puts a black Saint George's cross on a red flag? David Diao, whose artistic life "began thirty years ago very much under the influence of Greenbergian formalism." Diao has since wrestled and mastered twin artistic and racial dragons many times over. Of his MoMa series he says, "...here I stand, a real slanted-eye Asian, desiring however ambivalently to be in the MoMA... in any case I don't mind poking fun at myself at the same time. I am there, smack in the center of the muck."
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FORMAT: Paperback, 11.75 x 8.25 in. / 72 pgs / 60 color / 6 b&w.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $50
ISBN: 9789889868024
PUBLISHER: Blue Kingfisher
AVAILABLE: 3/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ | D.A.P. CATALOG: SPRING 2006 Page 126 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
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| David Diao: Work 1969-2005 Published by Blue Kingfisher.
Essay by Michael Corris. Who puts smiley faces over Warhol-esque silkscreens of Bruce Lee in full howling attack? Who superimposes loungey, gentlemanly, portraits of himself over Jackson Pollock's canvases, as if to take blasª responsibility for their drips? And who makes a tryptich in which Lee and Pollock face off? While we're at it, who puts a black Saint George's cross on a red flag? David Diao, whose artistic life "began thirty years ago very much under the influence of Greenbergian formalism." Diao has since wrestled and mastered twin artistic and racial dragons many times over. Of his MoMa series he says, "...here I stand, a real slanted-eye Asian, desiring however ambivalently to be in the MoMA... in any case I don't mind poking fun at myself at the same time. I am there, smack in the center of the muck."
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