Jump Cuts
Essays on Surrealism, Film, Music, Culture, and Other Utopian Topics Published by The Song Cave.
By Mark Polizzotti. "Erudite, witty, light on his feet, Polizzotti is the perfect guide to these shadowlands where art and freedom embrace. A Modernist Book of Revelation." —Rosanna Warren In this volume comprising 13 essays, Mark Polizzotti, award-winning translator, cultural critic and biographer of André Breton, brings fresh readings to topics both mainstream and esoteric. The essays include "Profound Occultation," an elegant and incisive reevaluation of Surrealism's legacy; "Love and Theft," a dry-eyed look at Bob Dylan's freewheeling use of uncredited sources; "Lives Behind Lives," on the moments when a biographer's life merges with the subject's; "Surrealism's Children," which explores the limits of offense in art and society; as well as sharply written commentaries on the life of Alfred Jarry, the myth of Robert Johnson, the anguish of Laure (Colette Peignot), the hubris of Francis Picabia, the dyspepsia of Flaubert, the mind-twisting wordplay of Raymond Roussel, and the enduring power of films such as Vertigo, Orpheus and Last Year at Marienbad.
Drawing on three decades of critical writings, Jump Cuts ranges across a broad swath of subjects—film, music, literature, translation, the pitfalls of biography, the current dilemma of the humanities—to map the creative act as it strains to fulfill our eternal, unrequited yearning for transcendence.
Mark Polizzotti (born 1957) is an American translator and critic. His books include Revolution of the Mind: The Life of André Breton and Why Surrealism Matters. His essays and reviews have appeared in the New York Times, the New Republic, the Nation and elsewhere. He is the recipient of an American Academy of Arts and Letters Award for Literature. He directs the publications program at the Metropolitan Museum of Art.
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