An unassuming sequence of 42 medium-format photographs depicting slivers of the semirural landscape of Central Illinois
Tim Carpenter’s (born 1968) Little is a visual memoir that completes a trilogy rooted in the sensibility and approach to the practice of “camera” he elaborated in the best-selling, book-length essay To Photograph Is to Learn How to Die (2022). In other words, he steadfastly upholds photography’s capacity to bridge the gap between self and other, and to cultivate meaning in an alienating world. Less formally rigorous than Local Objects (2017) and less introspective and linear than Christmas Day, Bucks Pond Road, this new installment channels the perspective of a child’s meandering mind, open to possible meanings, absorbing whatever the eyes encounter—marks, buildings, branches, paths, the daylight of a Central Illinois afternoon—nascent symbols everywhere, fleeting images improvised of mind and matter. Adapting a style in the lineage of the New Topographics photographers—Robert Adams, John Gossage and Lewis Baltz—these black-and-white photographs are affecting in their minimalism, imbuing poignance within the banal composites of the Midwestern landscape. The volume itself is beautifully produced with a flush-cut cover treatment and a foil-stamped title.
PRAISE AND REVIEWS
Lenscratch
Tracy L. Chandler
Carpenter’s photographs transcend conventional narrative, urging us to see the world unburdened by preconceived notions—a journey back to the pure, unfiltered curiosity of youth.
in stock $38.00
Free Shipping
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
FORMAT: Hbk, 6.5 x 8.25 in. / 88 pgs / 42 duotone. LIST PRICE: U.S. $38.00 LIST PRICE: CANADA $55 GBP £32.00 ISBN: 9798985733037 PUBLISHER: The Ice Plant AVAILABLE: 7/2/2024 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA UK EUR ASIA AFR ME
An unassuming sequence of 42 medium-format photographs depicting slivers of the semirural landscape of Central Illinois
Tim Carpenter’s (born 1968) Little is a visual memoir that completes a trilogy rooted in the sensibility and approach to the practice of “camera” he elaborated in the best-selling, book-length essay To Photograph Is to Learn How to Die (2022). In other words, he steadfastly upholds photography’s capacity to bridge the gap between self and other, and to cultivate meaning in an alienating world. Less formally rigorous than Local Objects (2017) and less introspective and linear than Christmas Day, Bucks Pond Road, this new installment channels the perspective of a child’s meandering mind, open to possible meanings, absorbing whatever the eyes encounter—marks, buildings, branches, paths, the daylight of a Central Illinois afternoon—nascent symbols everywhere, fleeting images improvised of mind and matter. Adapting a style in the lineage of the New Topographics photographers—Robert Adams, John Gossage and Lewis Baltz—these black-and-white photographs are affecting in their minimalism, imbuing poignance within the banal composites of the Midwestern landscape. The volume itself is beautifully produced with a flush-cut cover treatment and a foil-stamped title.
