A pioneer of light art and installation, British artist Anthony McCall (born 1946) explores the most basic properties of cinema—light and its projection. His earliest works of the 1970s were shot on film using an animation camera and shown using a 16mm film projector. Since 2004 they have been produced using digital animation, and shown using a digital projector. McCall's often epically scaled light projections are at once three-dimensional sculptures and ephemeral drawings in space; they have inspired an entire generation of artists working in film and installation. In this publication, which celebrates the artist's first exhibition in the Netherlands, McCall explains his cinematic sculptures in an interview, and his work is placed in both a historical and a contemporary context, supplemented by numerous installation shots, drawings and other documentation.
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
 
Distributed by D.A.P.
FORMAT: Pbk, 6.5 x 8.5 in. / 144 pgs / 100 color. LIST PRICE: U.S. $30.00 LIST PRICE: CANADA $40 ISBN: 9789462081758 PUBLISHER: nai010 publishers AVAILABLE: 3/24/2015 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Out of stock indefinitely AVAILABILITY: Not available TERRITORY: NA LA ME
Published by nai010 publishers. Edited by Marente Bloemheuvel, Jaap Guldemond.
A pioneer of light art and installation, British artist Anthony McCall (born 1946) explores the most basic properties of cinema—light and its projection. His earliest works of the 1970s were shot on film using an animation camera and shown using a 16mm film projector. Since 2004 they have been produced using digital animation, and shown using a digital projector. McCall's often epically scaled light projections are at once three-dimensional sculptures and ephemeral drawings in space; they have inspired an entire generation of artists working in film and installation. In this publication, which celebrates the artist's first exhibition in the Netherlands, McCall explains his cinematic sculptures in an interview, and his work is placed in both a historical and a contemporary context, supplemented by numerous installation shots, drawings and other documentation.