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| | | | David Claerbout: The Time That RemainsText by Ziba Ardalan, Ingrid Hoelzl, Dirk Snauwaert.
“As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges thousands of stills and scans into slow and deliberate moving films. Time, in Claerbout’s videos, seems to move with a mesmerizing heaviness, almost as if within a memory or piece of music. With some of his films lasting up to 13 hours, Claerbout expects and requires the undivided attention of his audience or, at least, their patience. In this first catalogue of his oeuvre, his film and video projects are presented through his production photographs and design sketches, offering an exciting introduction into the process and aesthetic development of the artist.
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| | | | |  | HATJE CANTZISBN: 9783775740265
USD $60.00 | CAN $79Pub Date: 2/23/2016
Active | Out of stock
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|  | JRP|RINGIERISBN: 9783905829389
USD $49.00 | CAN $65Pub Date: 8/1/2008
Active | Out of stock
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FORMAT: Hbk, 9.75 x 11.5 in. / 230 pgs / 100 color / 45 b&w.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $65
ISBN: 9789461300355
PUBLISHER: Ludion
AVAILABLE: 1/31/2013
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2013 Page 119 | PRESS INQUIRIES
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| David Claerbout: The Time That Remains Published by Ludion.
Text by Ziba Ardalan, Ingrid Hoelzl, Dirk Snauwaert. “As a filmmaker my tool is memory, not film,” says David Claerbout in The Time That Remains, “and memory likes a good composition.” Although originally trained as a painter and a draughtsman, Claerbout (born 1969) has taken Belgium and the world by storm with his epic video installations. These installations are devised in his own studio, where he collects and arranges thousands of stills and scans into slow and deliberate moving films. Time, in Claerbout’s videos, seems to move with a mesmerizing heaviness, almost as if within a memory or piece of music. With some of his films lasting up to 13 hours, Claerbout expects and requires the undivided attention of his audience or, at least, their patience. In this first catalogue of his oeuvre, his film and video projects are presented through his production photographs and design sketches, offering an exciting introduction into the process and aesthetic development of the artist.
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