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The Nordic Watercolour MuseumBOOK FORMAT
Clth, 8 x 9 in. / 96 pgs / 95 color. PUBLISHING STATUS
Pub Date 9/30/2014
Out of stock indefinitely DISTRIBUTION
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Catalog: SPRING 2014 p. 124 PRODUCT DETAILS
ISBN 9789189477537 TRADE
List Price: $40.00 CDN $54.00 GBP £35.00 AVAILABILITY
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| | | THE NORDIC WATERCOLOUR MUSEUMAlice Neel: Intimate RelationsPreface by Bera Nordal. Text by Jeremy Lewison.
The art of Alice Neel (1900–1984) distinguished itself from that of her American contemporaries by the special intimacy of its style, in which her drawing practice was a decisive factor. Though somewhat less known than her paintings, Neel’s drawings and watercolors articulate an array of influences--German Expressionist and Neue Sachlichkeit painting, the Ashcan School, an early sojourn in Cuba--that accompanied her through her tentative beginnings in the mid-1920s through to the maturity of her art after the Second World War, when she found room to accommodate abstraction and Pop art. This volume, published for the first European exhibition of Neel’s works on paper, spans the years 1926 to 1982, and gathers color and ink-only portraits and street scenes, as well as her illustrations for an edition of Dostoyevsky’s The Brothers Karamazov.
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FORMAT: Clth, 8 x 9 in. / 96 pgs / 95 color.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $54
GBP £35.00
ISBN: 9789189477537
PUBLISHER: The Nordic Watercolour Museum
AVAILABLE: 9/30/2014
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PUBLISHING STATUS: Out of stock indefinitely
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| Alice Neel: Intimate Relations Published by The Nordic Watercolour Museum.
Preface by Bera Nordal. Text by Jeremy Lewison. | The art of Alice Neel (1900–1984) distinguished itself from that of her American contemporaries by the special intimacy of its style, in which her drawing practice was a decisive factor. Though somewhat less known than her paintings, Neel’s drawings and watercolors articulate an array of influences--German Expressionist and Neue Sachlichkeit painting, the Ashcan School, an early sojourn in Cuba--that accompanied her through her tentative beginnings in the mid-1920s through to the maturity of her art after the Second World War, when she found room to accommodate abstraction and Pop art. This volume, published for the first European exhibition of Neel’s works on paper, spans the years 1926 to 1982, and gathers color and ink-only portraits and street scenes, as well as her illustrations for an edition of Dostoyevsky’s The Brothers Karamazov.
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