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| | | | David Gulden: Nor Dread Nor Hope AttendPhotographs from the Plains of AfricaText by Richard Leakey, Fiammetta Rocco.
 Awe-inspiring images of Kenyan wildlife from the author of the acclaimed photobook The Center Cannot HoldThis large-format volume dramatically displays the full visual impact of American photographer David Gulden’s epic images of lions, cheetahs, leopards and elephants. The sharp, solid forms of the animals—the lion on the termite mound, the cheetah with her eyes narrowed, the elephants crossing the mudflat or peering from behind the plant cover—contrast with, and even at time tease out, the ethereal quality of the scenes. Whether in fear or expectation, or simply in watchfulness, we know that their gaze will fall increasingly on people, plastic and pollution.
These photographs, taken entirely in Kenya, are the culmination of eight years of work and a life spent photographing the ever more fragile wildlife of East Africa. Gulden’s pictures have a poignancy that extends far beyond the pages of this book.
Featured image is reproduced from 'David Gulden: Nor Dread Nor Hope Attend.' |
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FORMAT: Hbk, 13 x 12.25 in. / 152 pgs / 65 b&w.
LIST PRICE: U.S. $70.00
LIST PRICE: CANADA $99
ISBN: 9788862087193
PUBLISHER: Damiani
AVAILABLE: 10/13/2020
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| David Gulden: Nor Dread Nor Hope Attend
Photographs from the Plains of Africa Published by Damiani.
Text by Richard Leakey, Fiammetta Rocco. Awe-inspiring images of Kenyan wildlife from the author of the acclaimed photobook The Center Cannot Hold This large-format volume dramatically displays the full visual impact of American photographer David Gulden’s epic images of lions, cheetahs, leopards and elephants. The sharp, solid forms of the animals—the lion on the termite mound, the cheetah with her eyes narrowed, the elephants crossing the mudflat or peering from behind the plant cover—contrast with, and even at time tease out, the ethereal quality of the scenes. Whether in fear or expectation, or simply in watchfulness, we know that their gaze will fall increasingly on people, plastic and pollution.
These photographs, taken entirely in Kenya, are the culmination of eight years of work and a life spent photographing the ever more fragile wildlife of East Africa. Gulden’s pictures have a poignancy that extends far beyond the pages of this book.
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