Edited with text by Martin Parr. Text by Jon Lee Anderson, Michael Christopher Brown.
Yo Soy Fidel follows the cortège of Fidel Castro, former Cuban revolutionary and politician, over a period of several days in late 2016. American photographer Michael Christopher Brown (born 1978) leaned out of a rear passenger window of his passing vehicle in order to photograph Cubans waiting alongside the highway for Fidel's military convoy, carrying his cremated remains from Havana to Santiago, to pass. The route mirrored Fidel's post-revolution journey from Santiago to Havana in 1959, which helped solidify his image as hero and legend. In Yo Soy Fidel, fragments of this initial image have survived his death though perhaps inevitably lead to a question of what is to come. A country largely seen for half a century as a symbol of dignity and hope in the fight against imperialism, Cuba has a choice: to stay true to Fidel's revolutionary path or embrace globalization and all it entails.
Featured image is reproduced from 'Michael Christopher Brown: Yo Soy Fidel.'
PRAISE AND REVIEWS
PDN's Notable Photo Books of 2018
In Yo Soy Fidel, fragments of the original – inimitable – image of Castro remain.
The New York Times Holiday Gift Guide 2018
Rumaan Alam
Mr. Brown’s photos of ordinary Cubans are an extraordinary portrait of a nation in mourning.
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FORMAT: Hbk, 13.5 x 9.75 in. / 160 pgs / 110 color. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $67.5 ISBN: 9788862086028 PUBLISHER: Damiani AVAILABLE: 9/25/2018 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
Published by Damiani. Edited with text by Martin Parr. Text by Jon Lee Anderson, Michael Christopher Brown.
Yo Soy Fidel follows the cortège of Fidel Castro, former Cuban revolutionary and politician, over a period of several days in late 2016. American photographer Michael Christopher Brown (born 1978) leaned out of a rear passenger window of his passing vehicle in order to photograph Cubans waiting alongside the highway for Fidel's military convoy, carrying his cremated remains from Havana to Santiago, to pass. The route mirrored Fidel's post-revolution journey from Santiago to Havana in 1959, which helped solidify his image as hero and legend. In Yo Soy Fidel, fragments of this initial image have survived his death though perhaps inevitably lead to a question of what is to come. A country largely seen for half a century as a symbol of dignity and hope in the fight against imperialism, Cuba has a choice: to stay true to Fidel's revolutionary path or embrace globalization and all it entails.
