Edited by Germano Celant. Text by Clare Bell, Richard Calvocoressi.
An exceptional selection of Lichtenstein’s sculptures from 1968 to the end of the artist’s life, from early ceramic sculptures to large-scale public works. The planned exhibition at the Fondazione Vedova in Venice (Biennale Arte 2013) will encompass Roy Lichtenstein’s sculptural production throughout his career, from the early 1960s through the late 1990s, covering the influential artist’s sculptural œuvre in ceramic, bronze, wood, porcelain, steel, and aluminum, as well as drawings, collages, and maquettes that describe the artist’s working processes. This catalog—a major chronology of Lichtenstein’s sculptures—not only documents the process of the artist, from sketches and drawings to collages, maquettes, metal sculptures, and large-scale interventions in urban contexts, it also approaches Lichtenstein’s work from the perspective of fabrication methods and industrial techniques.
Internationally known for his writings on Arte Povera, Germano Celant has been a contributing editor at Artforum since 1977 and at Interview since 1991. Clare Bell is program manager and researcher at ths Roy Lichtenstein Foundation. Richard Calvocoressi is director of the Henry Moore Foundation.
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FORMAT: Hbk, 10 x 11.75 in. / 320 pgs / 235 color. LIST PRICE: U.S. $90.00 LIST PRICE: CANADA $115 ISBN: 9788857218892 PUBLISHER: Skira AVAILABLE: 11/5/2013 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
Published by Skira. Edited by Germano Celant. Text by Clare Bell, Richard Calvocoressi.
An exceptional selection of Lichtenstein’s sculptures from 1968 to the end of the artist’s life, from early ceramic sculptures to large-scale public works. The planned exhibition at the Fondazione Vedova in Venice (Biennale Arte 2013) will encompass Roy Lichtenstein’s sculptural production throughout his career, from the early 1960s through the late 1990s, covering the influential artist’s sculptural œuvre in ceramic, bronze, wood, porcelain, steel, and aluminum, as well as drawings, collages, and maquettes that describe the artist’s working processes. This catalog—a major chronology of Lichtenstein’s sculptures—not only documents the process of the artist, from sketches and drawings to collages, maquettes, metal sculptures, and large-scale interventions in urban contexts, it also approaches Lichtenstein’s work from the perspective of fabrication methods and industrial techniques.
Internationally known for his writings on Arte Povera, Germano Celant has been a contributing editor at Artforum since 1977 and at Interview since 1991. Clare Bell is program manager and researcher at ths Roy Lichtenstein Foundation. Richard Calvocoressi is director of the Henry Moore Foundation.
